Directors · Experimental & Underground · Interviews
Film and Film and Film: An Interview with Jonas Mekas
“One who knows how to, as they say, ‘read’ the images, can tell everything about me.”
Category: Directors
Roman Polanski: What’s on Trial?
What is fascinating about the Polanski case is that it is not particularly about Polanski. Looking at the debate raised in France (where I live) and the United States –[…]
Activist & Political · Directors · Interviews
Just Say Oui: An Interview with the Yes Men
“I’m shitting bricks, thinking he’s onto me.”
HAPPY BIRTHDAY, JACK ARNOLD (October 14, 1916 – March 17, 1992)
Photo: Director Jack Arnold (right) shows star Grant Williams how to handle a giant prop used in the making of The Incredible Shrinking Man. If director Jack Arnold were alive[…]
Set my Polack free!
An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
Apatow and Agnostic Comedy
I recently screened Judd Apatow’s Funny People (the latest in a long list of theatrical releases that the blogosphere has loved to “ehhh” about) with a group of friends, and[…]
Atom Egoyan’s Adoration: A Return to Form(s)?
“In classic Egoyan style, the humor is always also terrifying. . .”
The Miracle Worker: An Interview with Arthur Penn
“If the system is inimical to you, then you do whatever you can to alter your relationship to the system.”
Directors · Essays · Writers & Critics
All Tomorrow’s Playground Narratives: Stanley Kubrick’s Lolita
“Kubrick’s 1961 film is really the first 1970s movie.”
Directors · Exploitation & Erotica · Reviews
Ed Wood Blogathon: Screwy Details in THE NIGHT OF THE GHOULS
It’s a shame that Ed Wood’s last non-skin film, NIGHT OF THE GHOULS (1959), had to go unseen all through the prime time of Wade Williams’ TV horror package. It[…]
Directors · Exploitation & Erotica · Reviews
José Mojica Marins Meets the Spirit of Ed Wood in the World of Coffin Joe
[youtube=http://www.youtube.com/watch?v=YLgx38t7AQ4] [youtube=http://www.youtube.com/watch?v=pAdAixzYq-k] Thank you, Spirit of Ed Wood Blogathon, for giving me an excuse to write about José Mojica Marins, the Brazilian screenwriter, director, and star of films every bit[…]
Actors & Personalities · Directors · Reviews
Josef Von Sternberg’s Super-Masochist Sublimation Power!
Reading Joseph Aisenberg’s excellent piece (below) I’m compelled to offer my understanding of the great Von Sternberg’s stylistic obsessiveness, especially since it’s something I understand and share. (This began as[…]
Actors & Personalities · Directors · Uncategorized
Falling in love again
Recently I re-watched Josef Von Sternberg’s The Scarlet Empress (1934) and found myself again surprised by the sickly gushy tasteless humor of the piece; had forgotten most of the film’s[…]
Impressions of an Auteur, Tehran Today: Talking with Iranian Director Khosrow Sinai
“This situation requires the filmmakers to be more creative in handling their mostly simple stories, which sometimes are so simple as to seem very modern and minimalistic.”
The Tale of 3 Pauls: Coincidence, Confusion & Sex
1. PAUL THOMAS (dir. Bad Housewives, The Masseuse, The New Devil in Mrs. Jones) – A real actor (he played Peter in the film version of Jesus Christ Superstar), Paul[…]
OMF Godard There’s a Hitch in my stitch
Over time it becomes more and more obvious that as a species humans really aren’t much more than a bunch of monkeys. And our monkey brains, motivated with banana dreams[…]
Activist & Political · Directors · Interviews
Maps and Movies: Talking with Deepa Mehta
“I think it’s really important for you, or anybody who wants to be a filmmaker, to really be honest with yourself.”
Jean-Pierre Melville, Director: Notes on the French Auteur’s Career
“The film was shot in what would become a blueprint for the director’s production style — without authorization, studio resources, or sufficient funds.”
Spike Lee’s “Uniquely American [Di]vision”: Race and Class in 25th Hour
“Is it simply that the hero must be white for a mainstream American audience to care for him, or for the mainstream critical establishment to value Lee’s work?”
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