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109 Search results for "Alfred Hitchcock"

Greene Bazin

Drama · Theory · Writers & Critics

0

André Bazin and Graham Greene (and Alfred Hitchcock): Some Points of Contact

  • November 9, 2020

Bazin would always harbor reservations about The Third Man, but, due to that film, Greene’s presence would continue to loom large in discussions of Orson Welles, who was, of course,[…]

Crime · Drama · Reviews

1

Watch It Again! Psycho (Alfred Hitchcock, 1960)

  • May 12, 2017

Hitchcock’s one-word titles have never been so instructive. Psycho is the feeling of being preyed on by your self, as by one of Norman’s stuffed birds. It is the primal[…]

Reviews

0

WALTZES FROM VIENNA (Alfred Hitchcock 1934)

  • November 2, 2012

Notwithstanding the absence of spy plots, murders, or homicidal maniacs, WALTZES FROM VIENNA is very much a film by Alfred Hitchcock. It was co-scripted by his wife, Alma Reville. It displays[…]

Reviews

0

Women in Wonderland, Part 3 – Psycho (Alfred Hitchcock 1960)

  • February 10, 2009

  The Alices in flight, those beautiful women alone in their cars on the run – Sylvia Kristel in Alice ou la Dernière Fugue, Candace Hilligoss in Carnival of Souls,[…]

Actors & Personalities

0

Alfred Hitchcock at the Drag Ball: When Being Blonde and Soulless Is Not Enough

  • October 31, 2008

“Mother … my mother … um, what’s the phrase? She isn’t quite herself today.”

Directors · Photo Essays

0

Alfred Hitchcock: A Hank of Hair and a Piece of Bone: A Photo Essay on the Master’s Visual Motifs

  • October 31, 2003

For almost fifty years, Alfred Hitchcock filled his films with a select group of images, including houses, staircases, women’s hair, the human hand, the human eye, the “uncanny,” and the[…]

Crime · Directors · Reviews

1

Here’s Lookin’ at You, Kid! Alfred Hitchcock and Psycho

  • April 1, 2000

Hitch’s – and by now the whole damn culture’s – seminal Oedipal nightmare revisited Read the companion photo essay “Alfred Hitchcock: A Hank of Hair and a Piece of Bone”[…]

Blow-up

Essays · Philosophy

1

Under the Sign of 39: The Case of the Curious Coincidence from Hitchcock to Antonioni and Beyond

  • June 1, 2016

In movieland, there is also the kind of coincidence where someone indeed has planned it, someone acting from behind the scene, manipulating appearances. In this case, a coincidence is a[…]

Double Take

Documentaries · Experimental & Underground · Reviews

0

Hitchcock’s Shadow: On Johan Grimonprez’s Double Take

  • July 31, 2010

“The doubled Hitchcock mirrors the Hitchcock double, who in turn reflects Hitchcock pretending to play himself.”

Reviews

0

Hitchcock meets Hitchcock in DOUBLE TAKE

  • June 2, 2010

[youtube=http://www.youtube.com/watch?v=-UIonNH-rz8] So this filmmaker, Johan Grimonprez, who teaches at the School of Visual Arts in New York, gets the idea of creating a fictional film about Alfred Hitchcock constructed largely[…]

Essays · Writers & Critics

1

The Pervert’s Guide to The Birds: Of Hitchcock, Žižek, the Maternal Superego, and Critical Confusion

  • April 1, 2010

“It is the search for explanation itself and the experience of the alien, disturbing, and frightening that thrills audiences.” In The Pervert’s Guide to Cinema, directed and produced by Sophie Fiennes,[…]

Essays · LGBT & Queer

1

Psycho: Queering Hitchcock’s Classic

  • July 31, 2008

We have met the cross-dressing closeted maniac, and he is us

Artists · Directors · Essays · Movies · Reviews

1

Stranger and Stranger: Hitchcock and Male Envy

  • February 1, 2007

Beyond the queer readings of Strangers on a Train Men’s envy toward other men is a peculiarly anxiety-arousing topic and is rarely discussed, let alone openly admitted. Envy traditionally is deeply[…]

Directors · Reviews

0

Last Laugh: Was Hitchcock’s Masterpiece Vertigo a Private Joke?

  • March 1, 1997

“On one level, Vertigo bewitches us with eerie fascination; on another, it leads us on a wild goose chase in search of Scottie’s character. But could the latter really have been Hitchcock’s[…]

Reviews

1

A Touch of Psycho? Welles’s Influence on Hitchcock

  • September 10, 1995

Hitchcock has always been considered a director sui generis. John W. Hall looks at Psycho and Touch of Evil to show that even Hitch couldn’t resist the charms — and stylistic strategies — of Orson Welles.[…]

Fredric March

Activist & Political · African American · Societal Trends

0

A Star Is Shorn: Thanks to Woefully Underinformed Campus Activists, Acting Legend, Badger Alum, and Civil Rights Champion Fredric March Is Suddenly “Off Wisconsin”

  • November 25, 2020

Fredric March stands alongside four other mid-century drum majors for civil rights during the 1943 national radio broadcast of “Race-Relations Sunday.” Left to right: concert soprano Dorothy Maynor, actor Canada[…]

Benny's Video

Absurdism · Crime · Digital · Directors · Food

0

“Will You Be Able to Stomach It?” Haneke’s Food Motif and the Violence of Creation and Consumption in Benny’s Video

  • July 15, 2020

Rage … Rage, O world and quake Here I stand and sing In perfect calm – “Jesu, mon Freude” by J. S. Bach * * * Consider the pig. Benny[…]

Doris Day

Actors & Personalities

9

Not the Girl Next Door: Doris Day Reconsidered (Happy 98th Birthday)

  • April 3, 2020

We’ve reposted this piece before because, really, can there ever be enough Doris? Her talent, humor, and joie de vivre are a tonic in a world increasingly locked down and[…]

IMDB

Movie Databases · Societal Trends · Statistics

0

Tracking Mass Ideology on IMDb’s Top 250: How Shifts in Societal Values Appear in the Popular Film Canon

  • January 27, 2020

No film on the list embodies a retreat into populist myth as totally or as troublingly as Forrest Gump (1994). Though critically and popularly lauded at its release (winning the[…]

Activist & Political · Essays

0

Donald Trump: Lynchian Monster

  • June 25, 2019

“We’ve met before, haven’t we?” – The Mystery Man in Lost Highway * * * David Lynch is not a horror director. With the possible exception of Eraserhead, his films[…]

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