Absurdism · Comedy · Drama · Mystery
Whereas the Dude is a wholly passive protagonist, thrown begrudgingly into the chaos of conspiracy by the force of pure coincidence and designs of other, more motivated actors, Under the[…]
Comedy · Drama · French Cinema
Amélie brings life to the unseen. * * * Talk with someone about a piece of art, and they’ll tell you about themselves. Let me share my thoughts on Amélie,[…]
Comedy · Communism and Socialism · Directors · Drama · Eastern European · Russia · War · Writers & Critics
Billy Wilder turned to these two plays because they offered the situations, structure, and characters that would allow his imagination to flower and create contemporary stories – a patriotic military[…]
African American · Comedy · Drama · Eco · Race · Urban Conflict
The fundamental question of who will suffer the most from extreme heat, and on a broader scale climate change, is bound to systemic issues of race and class. Through Lee’s[…]
Absurdism · Comedy · Drama · French Cinema · Mystery · Psychology
The question becomes: is it worth trying to be free? Is the struggle fruitless? Why can’t we escape our servitude to the past, to society, to others? * * *[…]
Absurdism · Comedy · Directors
Ethan and Joel Coen have shared writing, directing, and producing credits on their collaborations until their recent hiatus from working together. Here they are on location for their 2004 comedy[…]
Comedy · Crime · Drugs · LGBT & Queer · New Media
The Scary of Sixty-First expands the umbrella of “buzzword cinema” — it’s a Jeffrey Epstein conspiracy with a lesbian sex scene by a popular podcaster and it-girl of the edgy[…]
Each Abel-Gordon-Romy scenario is like a test, or challenge – in heroic terms, a trial – the filmmakers put to themselves, culminating in the couple going it alone for Lost[…]
Living disillusioned in a post-Brexit Instagram-filtered age, standing at the periphery of the job market in a state of horror as the surplus of impressive graduates wander by, it is[…]
Comedy · Drama · Festivals & Awards
To Dust (dir. Shawn Snyder) “Isn’t that sweet,” I thought when I picked up my mother’s dropped pocket calendar. So many dates had names on them. Mom doesn’t want to[…]
Unassimilated weirdness is typical of Popeye – even in its soundtrack, where goofy “boing” effects are used to accompany ordinary, unheroic movement. Sweethaven’s anthem, the Harry Nilsson song “Everything Is[…]
Actors & Personalities · Comedy
The Brothers don’t enter into sanctimonious class systems, organizational institutions, or drawing rooms to assimilate and enjoy the fruits of its privileges either; they gain access, enact a savage modus[…]
Comedy · Comics · Franchises & Series · SF & Fantasy
The recent passing of Adam West – who made Batman his own despite the many higher-profile claimants to the cape – reminds us of the feature film based on the witty TV[…]
(this is a) breakthrough in the way media is delivered, solidifying the idea that the voice of the fans can revive just about anything, and introducing the full season ‘back-to-back’ marathon as the new ideal form of immersive simulacratic experience.
Last summer, in the midst of the The Hangover 2‘s disappointingly massive success, another comedy came along, which went on to become something of a triumph of box office girlpower,[…]
Featuring Andrea and Steve Martin. Comic geniuses. [youtube=http://www.youtube.com/watch?v=mUMhA8Ye3x8] [youtube=http://www.youtube.com/watch?v=-j-b0kP7Cf8] If the scene in which Steve Martin as Inspector Clousseau attempts to learn English pronunciation (bottom) bears more than a passing resemblance[…]
When asked about the John Hughes films in a recent NY Times interview, John Cusack played the highbrow card. Besides Sixteen Candles, in which he had a minor role, Cusack[…]
I recently screened Judd Apatow’s Funny People (the latest in a long list of theatrical releases that the blogosphere has loved to “ehhh” about) with a group of friends, and[…]
