Bright Lights Film Journal

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    • Most Popular

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    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

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    • Latest Stories

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    • The Beauty of Failure: Pepê Lima and the History of Marginal Bodies in Michiko to Hatchin (2008–2009)

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    • Desire as a Postcard: Michael Mann’s Cinema and the Postmodern Male Subject

      August 15, 2026

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Reviews

2

Erich Kuersten’s Top Ten of 2010

  • January 11, 2011

2010, the year movies crept off the screen and into the floorboards, the handhelds, the flats and the 3-Ds. Counting down to doomsday 2012, I hope more films like THE BLACK SWAN and ENTER THE VOID come our way.

Actors & Personalities

1

R.I.P. Jill Haworth (1945-2011)

  • January 6, 2011

  Otto Preminger had a thing for saintly blondes. The best known of Preminger’s saintly – and hauntingly beautiful – blondes was Jean Seberg whom Preminger discovered and cast as the lead in[…]

Noir · Reviews

2

WINTER’S BONE and the Rural Noir

  • December 27, 2010

  Although most film noirs take place in an urban setting, the “dark city,” Winter’s Bone (Debra Granik, 2010) shows how the noir vision can thrive almost anywhere – it is[…]

Books

0

Book Review: From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century, by Vijaya Mulay

  • December 20, 2010

Like the majority of people who have never been to India, most of my knowledge of the country has come from some books but mostly from films. When I was[…]

Reviews

0

Of Gods and Men

  • December 17, 2010

Des Hommes et des Dieux, dir. Xavier Beauvois On the night of March 26, 1996, seven Trappist monks were abducted from the Monastery of Tibhirine in Algeria by members of[…]

BLFJ News · Directors

4

HELLO OUT THERE – The Last Testament of James Whale

  • December 13, 2010

Hello Out There (1949), like virtually all of the films James Whale directed after Show Boat, had a troubled production history. It never obtained a commercial release. Yet, unlike any of[…]

DVD & Blu-ray · Reviews

1

DVD REVIEW: The Nightmare Emerges: Guillermo del Toro’s Cronos (Criterion Collection)

  • December 7, 2010

by MATTHEW SORRENTO Guillermo del Toro has discussed how his childhood helped mold his imagination – being raised in a stern Roman Catholic family only fueled his dark fantasies. His[…]

Reviews

0

Uncle Boonmee Who Can Recall His Past Lives

  • December 6, 2010

Uncle Boonmee Who Can Recall His Past Lives, dir. Apichatpong Weerasethakul Apichatpong Weerasethakul’s latest film, Uncle Boonmee Who Can Recall His Past Lives, the winner of this year’s Palme d’Or[…]

Actors & Personalities · Books

2

Book Review: Furious Love: Elizabeth Taylor, Richard Burton and the Marriage of the Century

  • December 4, 2010

Sam Kashner and Nancy Schoenberger’s big fruitcake of a book, Furious Love: Elizabeth Taylor, Richard Burton and the Marriage of the Century from HarperCollins, is hard to take too seriously.[…]

Reviews · SF & Fantasy

11

Revisiting DUNE (1984) with Sean Young

  • November 29, 2010

Consider the following plotline: A young man travels to another world where he infiltrates the indigenous people and adopts their ways. He is befriended by a beautiful young woman who[…]

Actors & Personalities · Books

2

Book Review: Star: How Warren Beatty Seduced America

  • November 26, 2010

Peter Biskind’s plump new book about the life, loves and career of Warren Beatty, Star: How Warren Beatty Seduced America (Simon & Schuster, 2010, 627 pgs., $30.00) has come up[…]

Reviews

0

Review: Czech Reparation and Reconciliation in Kawasaki’s Rose

  • November 24, 2010

by Matthew Sorrento Films often speculate about how we’d react should a partner we thought dead (or approaching death) suddenly reappear. In Cast Away, Tom Hanks’ character returns home to[…]

Directors · Exploitation & Erotica

0

Loving the Bad: An Interview with Frankie Latina and Sasha Grey on Modus Operandi

  • November 22, 2010

by Matthew Sorrento If intentional camp is bad, then camp striving to be bad is even worse. So claimed Susan Sontag, in her 1964 essay “Notes on Camp,” and others[…]

Anna Magnani and Tina Apicella in Visconti's Bellissima

Reviews

0

That’s My Girl! Well, actually, she’s not. But we love each other anyway.

  • November 20, 2010

What do Bellissima (Visconti, 1951) and The Unknown Woman/La Sconsciuta (Zamarion/ Tornatore, 2006) have in common? Apart from being examples of Italian Cinema randomly connected by my recent viewing, the answer is they[…]

Reviews

0

John Cassavetes as Machine Gun McCain (1969)

  • November 16, 2010

Film scholar David Bordwell describes – dismisses? – crime films as venues for showy roles, opportunities for actors to break away from their comfort zones and find their bad selves.[…]

Reviews

0

Cannibals All!

  • November 11, 2010

Warsaw Film Festival Highlights (plus a few stray thoughts) 1) We Are What We Are – dir. Jorge Michel Grau, Mexico The set-up could come out of an old neorealist[…]

Photo Essays

10

Strange Correspondences: “The Last Man on Earth” and “L’eclisse”

  • November 7, 2010

How odd to see Vincent Price in The Last Man on Earth (Sidney Salkow 1964) wandering alienated through the same virtually deserted suburban neighborhood of Rome through which an alienated[…]

Reviews

0

For Colored Girls: An Experiment in Melodrama

  • November 6, 2010

Always eager to present serious issues, Tyler Perry found a batch in Ntozake Shange’s play For colored girls who have considered suicide/when the rainbow is enuf. Before entering filmmaking, Perry[…]

Documentaries · Festivals & Awards

0

Werner Herzog & Errol Morris Headline DOC NYC Fest at IFC Center

  • November 3, 2010

DOC NYC, a new documentary festival that runs from November 3-9, features more than 40 films, U.S. premieres, tributes, and appearances, among them both Errol Morris and Werner Herzog. Films[…]

Festivals & Awards

0

I’m Not There: The 2010 Melbourne International Film Festival

  • November 1, 2010

“The Killer Inside Me recalls the novel and film of American Psycho, in which a handsome killer unleashes three-dimensional violence on an otherwise banal society.” Puzzling, singular, and downright whacked, Francis Ford[…]

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