Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Marcello's POV as he watches Steiner's wife open the door

Photo Essays

0

Short Takes: Cinematography: Fellini’s Innovative Merging of Subject and Object in the POV in La Dolce Vita

  • January 31, 2011

“And it insists on looking.”

Actors & Personalities · Directors · Experimental & Underground · Exploitation & Erotica · Interviews

0

Loving the Bad: An Interview with Frankie Latina and Sasha Grey on Modus Operandi

  • January 31, 2011

“Any director who shoots a grindhouse film without exquisite, triumphant, dangerous, and naked women is doing a disservice to the genre and should move into a different field.”

The Silence of the Lambs

Essays · Genres · Horror

0

Something That Festers: The Silence of the Lambs, The Texas Chainsaw Massacre, and the Visual Pleasures of Horror

  • January 31, 2011

“We’re drawn to and fascinated by horror because the genre reminds us that we have both outsides and insides, skin and guts, eyes and gray matter, ideas and appetites.”

Of Gods and Men

Reviews

0

Not Us at All: On Des Hommes et des Dieux (Of Gods and Men)

  • January 31, 2011

“At the moment of greatest peril, the monks respond by having a little soirée.”

Robert Downey in Iron Man

Actors & Personalities

0

SuperBob: Robert Downey Jr. as Star and Superhero

  • January 31, 2011

“Like Tony Stark, who is saved by his symbolic birth into a superhero body, Robert Downey Jr. is saved by his rebirth into the movies with a superbody.”

John Cusack in 2012

Essays

0

Dads of Great Adventure: A Guide to Cinema’s Post-Apocalyptic Hyper-Parent

  • January 31, 2011

Those people had names! Families!

Leslie and Fred

Actors & Personalities · Music & Musicals

0

Yeah, I’m 56 and She’s 24. What’s Your Point? Fred Astaire and Leslie Caron, frequently though not continuously irresistible in Daddy Long Legs

  • January 31, 2011

Come on, do the Sluefoot? That I can resist.

Fido

Essays · Horror

0

Abject Objects: The Sinister Secrets of Andrew Currie’s Fido

  • January 31, 2011

“You weren’t very nice, but I’m sorry you’re dead”

Exit through the Gift Shop

DVD & Blu-ray · Reviews

0

Bright Sights: Recent DVDs: The Black Pirate, Night of the Hunter, Exit Through the Gift Shop, Howl, The Elia Kazan Collection

  • January 31, 2011

An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases

Blake Edwards

Directors

1

Crazy Dreams: The World Of Blake Edwards

  • January 31, 2011

“The truth is that humour and terror play an equal part in his vision, which takes shape at the point where the two extremes meet.”

Black Swan

Reviews

0

A Little Something for Everyone: Darren Aronofsky’s Black Swan

  • January 31, 2011

“I never see you lose yourself.”

Essays · Horror · Writers & Critics

1

The Cinematic Islands of Dr. Moreau: Beasts, Monsters, and Mad Scientists

  • January 31, 2011

“There are monsters that are born with a form that is half-animal and half-human . . . which are produced by sodomists and atheists who join together, and break out[…]

Uncategorized

1

Opera Rules

  • January 16, 2011

Warsaw/Chicago Film Diary 1. Black Swan, Darren Aronofsky The perils of virginity, or I Was a Teenage Were-Swan. Black Swan is a hot mess: preposterous if you listen to the[…]

Reviews

2

Erich Kuersten’s Top Ten of 2010

  • January 11, 2011

2010, the year movies crept off the screen and into the floorboards, the handhelds, the flats and the 3-Ds. Counting down to doomsday 2012, I hope more films like THE BLACK SWAN and ENTER THE VOID come our way.

Actors & Personalities

1

R.I.P. Jill Haworth (1945-2011)

  • January 6, 2011

  Otto Preminger had a thing for saintly blondes. The best known of Preminger’s saintly – and hauntingly beautiful – blondes was Jean Seberg whom Preminger discovered and cast as the lead in[…]

Noir · Reviews

2

WINTER’S BONE and the Rural Noir

  • December 27, 2010

  Although most film noirs take place in an urban setting, the “dark city,” Winter’s Bone (Debra Granik, 2010) shows how the noir vision can thrive almost anywhere – it is[…]

Books

0

Book Review: From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the 20th Century, by Vijaya Mulay

  • December 20, 2010

Like the majority of people who have never been to India, most of my knowledge of the country has come from some books but mostly from films. When I was[…]

Reviews

0

Of Gods and Men

  • December 17, 2010

Des Hommes et des Dieux, dir. Xavier Beauvois On the night of March 26, 1996, seven Trappist monks were abducted from the Monastery of Tibhirine in Algeria by members of[…]

BLFJ News · Directors

4

HELLO OUT THERE – The Last Testament of James Whale

  • December 13, 2010

Hello Out There (1949), like virtually all of the films James Whale directed after Show Boat, had a troubled production history. It never obtained a commercial release. Yet, unlike any of[…]

DVD & Blu-ray · Reviews

1

DVD REVIEW: The Nightmare Emerges: Guillermo del Toro’s Cronos (Criterion Collection)

  • December 7, 2010

by MATTHEW SORRENTO Guillermo del Toro has discussed how his childhood helped mold his imagination – being raised in a stern Roman Catholic family only fueled his dark fantasies. His[…]

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