Short Takes: Cinematography: Fellini’s Innovative Merging of Subject and Object in the POV in La Dolce Vita
“And it insists on looking.”
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“And it insists on looking.”
Actors & Personalities · Directors · Experimental & Underground · Exploitation & Erotica · Interviews
“Any director who shoots a grindhouse film without exquisite, triumphant, dangerous, and naked women is doing a disservice to the genre and should move into a different field.”
“We’re drawn to and fascinated by horror because the genre reminds us that we have both outsides and insides, skin and guts, eyes and gray matter, ideas and appetites.”
“At the moment of greatest peril, the monks respond by having a little soirée.”
“Like Tony Stark, who is saved by his symbolic birth into a superhero body, Robert Downey Jr. is saved by his rebirth into the movies with a superbody.”
Those people had names! Families!
Actors & Personalities · Music & Musicals
Come on, do the Sluefoot? That I can resist.
“You weren’t very nice, but I’m sorry you’re dead”
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
“The truth is that humour and terror play an equal part in his vision, which takes shape at the point where the two extremes meet.”
“I never see you lose yourself.”
Essays · Horror · Writers & Critics
“There are monsters that are born with a form that is half-animal and half-human . . . which are produced by sodomists and atheists who join together, and break out[…]
Warsaw/Chicago Film Diary 1. Black Swan, Darren Aronofsky The perils of virginity, or I Was a Teenage Were-Swan. Black Swan is a hot mess: preposterous if you listen to the[…]
2010, the year movies crept off the screen and into the floorboards, the handhelds, the flats and the 3-Ds. Counting down to doomsday 2012, I hope more films like THE BLACK SWAN and ENTER THE VOID come our way.
Otto Preminger had a thing for saintly blondes. The best known of Preminger’s saintly – and hauntingly beautiful – blondes was Jean Seberg whom Preminger discovered and cast as the lead in[…]
Although most film noirs take place in an urban setting, the “dark city,” Winter’s Bone (Debra Granik, 2010) shows how the noir vision can thrive almost anywhere – it is[…]
Like the majority of people who have never been to India, most of my knowledge of the country has come from some books but mostly from films. When I was[…]
Des Hommes et des Dieux, dir. Xavier Beauvois On the night of March 26, 1996, seven Trappist monks were abducted from the Monastery of Tibhirine in Algeria by members of[…]
Hello Out There (1949), like virtually all of the films James Whale directed after Show Boat, had a troubled production history. It never obtained a commercial release. Yet, unlike any of[…]
by MATTHEW SORRENTO Guillermo del Toro has discussed how his childhood helped mold his imagination – being raised in a stern Roman Catholic family only fueled his dark fantasies. His[…]
