Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Sam Shepard in Don't Come Knocking

Essays · Westerns

0

New Fathers, Old Conflicts? Patriarchal Politics in 3:10 to Yuma, Don’t Come Knocking, and Atmen

  • July 31, 2012

“Is emotional capacity, as figured by film, an entity of fixed dimension, so that if men are represented as more caring, women must be represented as caring less?”

Stefano Sollima's A.C.A.B.

Activist & Political · Festivals & Awards

0

Growing Pains: The 2012 Moscow and Odessa International Film Festivals

  • July 31, 2012

“Peter Greenaway’s theses on the death of cinema perhaps inspired the greatest discussion at the Odessa festival: his insistent repetition that cinema was dead but that the screen is very much alive was received as an interesting provocation but didn’t convince many.”

Welles's Macbeth

Essays

0

Meet the Macbeths: Again and Again and Again

  • July 31, 2012

Almost as though we’re addicted or something

Bill Murray and Scarlett Johansson

Actors & Personalities · Directors · Essays

0

Love of Sophia: Lost in Translation, Transcendence, Transfiguration

  • July 31, 2012

“Translation is at best an echo.” – George Borrow

Private Property

Noir

0

Leslie Stevens’ Private Property (1960): Noir’s Edge of Wetness

  • July 31, 2012

Long thought lost, Stevens’ grim exposé of gender roles and sexual psychopathy may be the missing link in noir’s transition to the sixties.

Lola Montes

Reviews

0

“Say Yes, Say Yes to Everything”: On Max Ophuls’ Lola Montes (1955)

  • July 31, 2012

“She is free to ‘move,’ but never escapes being trapped by whatever role she plays, whether in real life or in a performance that represents her life.”

Finding Nemo

Essays

0

The Visual “Finding,” the Linguistic “How,” and the Interrogative “Talk”: Three Examples of Early 21st-Century Rhetoric

  • July 31, 2012

“Soon enough, America’s purported indie filmmakers will regale us with a ‘Remonstrating Cody,’ a ‘Defibrillating Schnitzler,’ a ‘Rehumidifying Allison,’ or a ‘Macerating Tennyson.’ Long live the present participle!”

La Graine et le Mulet

Essays

0

Indeterminate Position: Kechiche, Tragicomedy, and La Graine et le Mulet

  • July 31, 2012

“If Kechiche treats political tragedy, then, it is first by creating abundantly detailed, richly convincing comédie humaine, and nowhere is this more apparent than in what is justly considered his major achievement, La Graine et le Mulet.”

Sex and Zen

Asian · Essays · Exploitation & Erotica · Genres

0

Random Acts of Sensible Violence: Genre, Hong Kong Censorship, and the Brief Ascent of “Category III”

  • July 31, 2012

A New Solution to Herbert Marcuse’s Old Riddle

Interviews · Writers & Critics

0

Political Filmmaking and America’s “Poisoned Chalice”: The Banned Gore Vidal Interview

  • July 31, 2012

“He fears the ‘Party of God’ because he reads their ‘cultural elite’ and ‘family values’ rhetoric as ‘code for [attacking] the media, the Jews, the homosexuals, the adulterers, people who do not believe in God, people who are better looking than you are — put it all together, you have a poisoned chalice.'”

Resnais' You Ain't Seen Nothing Yet

Festivals & Awards

0

Nothing Is Moving: Resnais and Slow Cinema at Karlovy Vary International Film Festival, Czech Republic, 2012

  • July 31, 2012

“Finally, the actors sit before a screen which plays a minimalist version of Eurydice: what will be on the other side of this already unreal scenario?” (on Resnais’ You Ain’t Seen Nothin’ Yet)

Angel Beach

Experimental & Underground · Festivals & Awards

0

All Shook Up: Australian International Experimental Film Festival 2012

  • July 31, 2012

“Despite this titillated vision, we experience a slight distance as a result of the period fashions and bodies — the women appear relatively natural and unsculpted by today’s standards.”

Fargo

Comedy · Crime · Reviews

1

“Film Blanc”: Shoveling Toward the Meaning of Fargo (1996)

  • July 31, 2012

“In Fargo, a milieu of livid pettiness and stunted lives, capitalist migraines, and psychotic rampages prevails beneath the veneer of cheesy, Norman Rockwellian Middle America.”

Reviews · SF & Fantasy

0

Reactionary Riffs: The Failures of Christopher Nolan’s The Dark Knight Rises (2012)

  • July 31, 2012

“The final result of this pretentiousness is The Dark Knight Rises, a Batman film in name only, a joyless endeavor that ignores its heritage and puts on airs to conceal the half-baked politics and juvenile head games hiding behind its dark and scowling mask.”

Charlie in His New Profession

Actors & Personalities · Comedy · Directors · Silents · Uncategorized

0

Looking at Charlie – The Year at Keystone, Part 2: An Occasional Series on the Life and Work of Charlie Chaplin

  • July 31, 2012

Charlie, Mabel, and Mack 2

DVD & Blu-ray

0

Bright Sights: Recent DVDs: The Woodmans, The Seduction of Mimi, Love and Anarchy, All Screwed Up, Mother Joan of the Angels, We Need to Talk About Kevin

  • July 31, 2012

An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases

DVD & Blu-ray · SF & Fantasy

0

It’s Not Just a Movie, or Batman’s Face Is Our Mask

  • July 31, 2012

“Sometimes the truth isn’t good enough, sometimes people deserve more. Sometimes people deserve to have their faith rewarded.” — Batman

The Artist

Reviews

0

Hollywood’s Recurring Dream: Myth and Fantasy in The Artist

  • July 31, 2012

“In the silent era, the film artifact always stands at greater or lesser remove from our sensory experience of the world, never in concordance. It is for this reason that Jean Epstein saw the coming of sound not as the fulfillment of the cinema but as its end point, drowning the fantastic world of the silent screen in what he called a ‘superabundant banality.'”

Pre-Code · Reviews

2

TCM Alert! Myrna Loy Ahoy! THE BARBARIAN (1933) and PENTHOUSE (1933)

  • July 31, 2012

If Zita Johan went off into the Gary Cooper Morocco desert with Valentino as a stud MUMMY and there was 50 SHADES OF GREY UN-PC whipping and dominance head games Stockholm Syndrome romance, well that gives you some of the plot. PRE-CODE RULEZ!

Reviews

1

Films I Saw in Andrew Sarris’ Class

  • June 20, 2012

  Sadly, we report the death of the influential writer, teacher, and film critic, Andrew Sarris (31 October 1928 — 20 June 2012). Sarris will be remembered for bringing the[…]

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