Bright Lights Film Journal

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Erich von Stroheim at the editing table

Editors · Essays

2

Cutters’ Way: The Mysterious Art of Film Editing

  • October 31, 2012

“The basic rules of film editing, first established in the silent era, still govern the industry today: maintain your eye lines, preserve continuity, respect planarity (the rules governing the transposition of three dimensions onto a two-dimensional plane), find a good rhythm, and, most important, always advance the story.”

Confidence

DVD & Blu-ray

0

Bright Sights: Recent DVDs: Das Weib des Pharao, Confidence, The Navigator, Casa de Lava

  • October 31, 2012

An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases

Samurai Cop

Lists

0

Nine Techniques for the Bad Viewer: A Manifesto

  • October 31, 2012

“Immerse yourself: you should never exist outside a movie.”

Alphaville

Noir · Reviews · SF & Fantasy

2

Technocratic Totalitarianism: One-Dimensional Thought in Jean-Luc Godard’s Alphaville

  • October 31, 2012

“The truth of art lies in its power to break the monopoly of established reality to define what is real.” — Herbert Marcuse

Pre-Code · Reviews

2

Chump’s Ticket: BED OF ROSES (1933), SMART WOMAN (1931)

  • September 18, 2012

“Who’d of thunk there was a fake Mae West?”

Books

0

Book review: A Companion to Rainer Werner Fassbinder, Ed. by Brigitte Peucker

  • August 24, 2012

A Companion to Rainer Werner Fassbinder. Ed. Brigitte Peucker. Chichester: Wiley-Blackwell, 2012, 656pp, £110/$199.95. When Fassbinder first burst onto the scene, his German contemporaries were horrified by his lifestyle, and[…]

Chauncey Gardner (Peter Sellers) in Being There

Reviews · TV & Streaming

1

The Essence of Television: The Irresistibility of Chauncey Gardner

  • August 1, 2012

“The beauty of Being There‘s satire lies in the strategy of depicting both television and its effects in a single man whose personality absorbs friend and foe, combines idiocy and[…]

Chungking Express

Directors · Essays

0

“Every Man and Woman Is an Island”: Modern Discontent in the Films of Wong Kar-wai

  • July 31, 2012

“Wong shows that certain modernized countries have been able to flourish economically because they have embraced globalization, but with powerful emotional consequences for their people.”

Seth Rogen and Michelle Williams in Take This Waltz

Reviews

0

Girl, Spinning: Sarah Polley’s Take This Waltz (2011)

  • July 31, 2012

“Sadly for Lou, Margot just isn’t a long-term kind of gal. The promise of what she could have is so much more tantalizing than what she has. Daniel represents a perpetual new day, seemingly existing only at dawn for much of the film.”

Cyd and Fred in Silk Stockings

Actors & Personalities · Music & Musicals · Reviews

1

Nothin’ but Legs! Fred and Cyd Go out Kicking in Cole Porter’s Silk Stockings

  • July 31, 2012

Sorry, folks, but this is the last dance

Prometheus

Reviews · SF & Fantasy

0

Lost in Space: Stunning Special Effects Can’t Obscure the Flaws in Ridley Scott’s Prometheus (2012)

  • July 31, 2012

“What is human?” Scott asks. “Make us care,” the audience replies.

Activist & Political · Essays

0

Death of a President: The Last Temptation of Anti-Bush Critics

  • July 31, 2012

“Where many people watch a film for a true or faithful rendition of an historical event, I needed confirmation that the thing I was viewing was . . . made up!”

Martin Scorsese's Hugo

Essays · Historical & Epic

0

(Re)Staging the Story: The Pre-History of Cinema

  • July 31, 2012

“Though most people in earlier times could not even have imagined the present role of science and technology, nor, even more implausibly, the apparently alternate life offered by the cinema and its recent offshoots, the human imagination refused to be tied down.”

Sam Shepard in Don't Come Knocking

Essays · Westerns

0

New Fathers, Old Conflicts? Patriarchal Politics in 3:10 to Yuma, Don’t Come Knocking, and Atmen

  • July 31, 2012

“Is emotional capacity, as figured by film, an entity of fixed dimension, so that if men are represented as more caring, women must be represented as caring less?”

Stefano Sollima's A.C.A.B.

Activist & Political · Festivals & Awards

0

Growing Pains: The 2012 Moscow and Odessa International Film Festivals

  • July 31, 2012

“Peter Greenaway’s theses on the death of cinema perhaps inspired the greatest discussion at the Odessa festival: his insistent repetition that cinema was dead but that the screen is very much alive was received as an interesting provocation but didn’t convince many.”

Welles's Macbeth

Essays

0

Meet the Macbeths: Again and Again and Again

  • July 31, 2012

Almost as though we’re addicted or something

Bill Murray and Scarlett Johansson

Actors & Personalities · Directors · Essays

0

Love of Sophia: Lost in Translation, Transcendence, Transfiguration

  • July 31, 2012

“Translation is at best an echo.” – George Borrow

Private Property

Noir

0

Leslie Stevens’ Private Property (1960): Noir’s Edge of Wetness

  • July 31, 2012

Long thought lost, Stevens’ grim exposé of gender roles and sexual psychopathy may be the missing link in noir’s transition to the sixties.

Lola Montes

Reviews

0

“Say Yes, Say Yes to Everything”: On Max Ophuls’ Lola Montes (1955)

  • July 31, 2012

“She is free to ‘move,’ but never escapes being trapped by whatever role she plays, whether in real life or in a performance that represents her life.”

Finding Nemo

Essays

0

The Visual “Finding,” the Linguistic “How,” and the Interrogative “Talk”: Three Examples of Early 21st-Century Rhetoric

  • July 31, 2012

“Soon enough, America’s purported indie filmmakers will regale us with a ‘Remonstrating Cody,’ a ‘Defibrillating Schnitzler,’ a ‘Rehumidifying Allison,’ or a ‘Macerating Tennyson.’ Long live the present participle!”

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