Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • Manufactured Lives: Commodities and Ideology in Blade Runner

      June 9, 2026

    • The Unseen Line: Cinema as Geometry

      June 4, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Jake Gyllenhaal

Activist & Political · Reviews

0

David Ayer’s End of Watch (2012) and the Militarization of U.S. Law Enforcement

  • October 31, 2013

“End of Watch incorporates the visual and narrative codes of Iraq War films, inviting the viewer to draw a comparison between the battlegrounds of the “war on terror” and the mean streets of Los Angeles.”

Mortimer and Edward

Essays · Historical & Epic

0

Between Artless Passions and Anal Hells: On the Edinburgh Festival’s Production of Marlowe’s Edward II

  • October 31, 2013

“Why should you love him who the world hates so?”

Holy Motors

Experimental & Underground · Reviews

0

The Church of Holy Motors: A Transformation in Metafilm

  • October 31, 2013

“What is fantasy when scripted shows that dominate popular culture are labeled ‘reality’ and social media allows everyone to be their own celebrity and put on their own performance of their best self?”

Cate Blanchett as Jasmine and Alec Baldwin as Hal in Blue Jasmine

Activist & Political · Reviews

0

Blue Jasmine and the Great Recession: Paean for Our National Nightmares

  • October 31, 2013

“Allen delineates the gaudy days of the subprime years and the divided nation in its aftermath — one divided by misfortune, political and economic abuses and a sense of cultural and social malaise. With a central character who complements both aisles of the economic divide with her 1% past and Generation Y career struggles and a narrative that captures a virulent political right from the financial elites of Wall Street to the angry blue collar workers of San Francisco, Allen’s film is a bitter complement to our post Lehman-Brothers era.”

Lugosi, Karloff, and David Manners in The Black Cat

Essays · Horror

0

Hope and History: Beyond Violence

  • October 31, 2013

By means of horror?

Horror · TV & Streaming

2

Red Leaves and Evil: Haunted October 2013 Film Guide (TCM, 10/21-10/31)

  • October 19, 2013

Man, Turner Classic Movies has gone off the deep end with this erratic last two weeks before the autumnal solstice and sacrifice of the virgin, the spilling of his blood across the fields, the burning of the Barleycorn effigy, the return of Guy Fawkes, the anti-pope in the silver castle, the shambling junkies of Dean Street. and Onwards. As a trained expert in the cinemarcane allow me to steer your DV-R record finger to these off-kilter spook shows:

Horror · TV & Streaming

3

AMERICAN MARY (2012) and the Female-Centered Horror Film

  • October 12, 2013

Watching the season premiere of American Horror Story Coven and the Soska Sisters’ American Mary back-to-back, I couldn’t help but notice certain … recurrences. Both works feature a scene in[…]

Horror · TV & Streaming

1

Future Recall: 10 Cage-Free Horror Films on the Web (Netflix, AMC, youtube) that span time…

  • October 8, 2013

The discriminating October film enthusiast knows that sometimes bad is better… unless there’s something great you still haven’t seen, and sometimes you can see too much, like the dispiriting amount of torture porn titles on Netflix… Well, HEY! Here’s ten films either free on youtube, AMC, or Netflix Streaming that are MIND-bending, not pliers-bending

Horror · TV & Streaming

6

Haunted October 13 Film Guide (TCM, 10/1-10/19)

  • September 28, 2013

And of course, there’s the horror movies. The speeding darkness and chill draws ghosts and candelabras, witches, demons, and monsters to our cinematic desires like a magnet. And TCM is there. As are we at the Bright Lights After Dark, where we turn those bright lights way, way, way down, so you can’t see the thing.

Actors & Personalities

1

Happy 100 Years of Frances Farmer

  • September 19, 2013

When witches lay curses down upon the cowardly townsfolk about to hang or burn them, it’s almost always “I’ll be back to haunt your ancestors in 100 years!” Is it time then for Frances Farmer to return for that long-awaited revenge on Seattle, the patriarchy, the legal system, Hollywood, and the American Medical Association? Let’s hope

DVD & Blu-ray · Exploitation & Erotica

2

“Rated R for Retro” Scream Factory Loves the 80s

  • September 8, 2013

With Scream! it’s now possible to realize that the 80s as the best decade ever for schlock movies; grindhouses and drive-ins still lured us in like evil aunts. And best of all, we could still be genuinely scared.

Directors

0

John Huston’s “No Exit” Ensemble Dramas

  • September 7, 2013

For every filmmaker who is considered an auteur, there is a key work – often a first film like Welles’ Citizen Kane – that expresses in essential form most of[…]

Actors & Personalities · Exploitation & Erotica

2

Soul Diva, John Waters Star Jean Hill Dies

  • September 5, 2013

When people die there is usually an element of shock to the news, but when I heard Jean Hill passed away this week (8/21/13) I wasn’t shocked, since her health[…]

TV & Streaming

0

Are You Ready for YouTube Paid Channels?

  • September 2, 2013

For the discerning cinema and motorcycle repair video connoisseur, youtube has launched over 69 channels, each around $1.99-$2.99 a month.

Books · Directors

4

Book Review: My Lunches with Orson

  • August 27, 2013

My Lunches with Orson: Conversations Between Henry Jaglom and Orson Welles, Edited by Peter Biskind. New York: Metropolitan Books, 2013. Hardcover, $28.00. 306pp. ISBNL 978-0-8050-9725252800 The reader in search of[…]

Books

0

Book review: The Entertainer, by Margaret Talbot

  • August 24, 2013

The Entertainer: Movies, Magic, and My Father’s Twentieth Century, by Margaret Talbot. New York: Riverhead/Penguin Group, paperback, 2013, 432pp, $18.00. Margaret Talbot must have known a straight-ahead biography or “a[…]

DVD & Blu-ray · Horror · Noir

6

A Stranger Arrives in Town: Francis Coppola’s TWIXT (2011)

  • August 18, 2013

How do you begin a story?  If I told you a story begins with the arrival of a stranger in town, you would probably think I was talking about a[…]

Reviews · TV & Streaming

1

TCM Freak Rarity Schedule – Aug. 22- Sept. 4 2013

  • August 18, 2013

Set thy Tivo for: Rare Hawks, Orange-blazoned Shakes, Gish vs. Men, Glenda the kickass Reporter, Carpenter classics, and uncomfortable laughter…

Animation

1

Touched by a Zombie: Warm Bodies, ParaNorman

  • August 8, 2013

Not since Gene Wilder made nice with his monster in Young Frankenstein or the cannibal mutant got the girl (Tucker and Dale vs. Evil) have our deformed horror staples been so effectively pulled from their scar tissue and replaced with loving stitches. We needed these films, like a salve to our nation’s red vs. blue infection.

Books · Noir

4

Book Review – The Worldwide Film Noir Tradition: The Complete Reference to Classic Dark Cinema from America, Britain, France and Other Countries Across the Globe by Spencer Selby

  • August 6, 2013

The Worldwide Film Noir Tradition: The Complete Reference to Classic Dark Cinema from America, Britain, France and Other Countries Across the Globe by Spencer Selby. Ames, Iowa: Sink Press, 2013. […]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy