Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Animation

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Abnormal Intelligence: Sam Fell and Chris Butler’s ParaNorman

  • November 1, 2013

“The zombies, horrified by the overwhelming stimuli of television and set upon by hordes of trigger-happy rednecks and torch-wielding schoolteachers, are one of the film’s many desperate victims of bullying[…]

Experimental & Underground

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Roadside Wastrels: Notes on Monte Hellman’s Two-Lane Blacktop

  • November 1, 2013

“What is this anyway? Some kind of masculine power trip? I’m shoved in the back with all the goddamn tools. Screwdrivers and wrenches don’t really do it for me, you[…]

Reviews

0

Enfeebling Fables: Weak Allegory in Les Carabiniers and The Silence

  • October 31, 2013

“If Godard reveals what Benjamin calls ‘the beauty’ of recognizing that twentieth-century art has to become more than a parable, Bergman offers a vision of ‘the misery’: the desperate, impossible effort to find some kind of truth in a text that offers only transmissibility.”

Essays · LGBT & Queer

0

Structural/Sexual Transgression: Todd Haynes’ Poison as a Critique of Homonormativity

  • October 31, 2013

“In the Washington Times I was called ‘the Fellini of Fellatio’ — a proud moment!” —Todd Haynes, “From Underground to Multiplex”

Satin Rouge

Essays

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The Wanking Widow and Other Indecorous Dames: Three Films about Maternal Transgression and the “Fortunate Fall”

  • October 31, 2013

“Popular culture feels compelled to interrogate the ‘barren’ years, in some cases expressed as a contradiction between competing life goals: the other-oriented value of maternal self-sacrifice and the inner-oriented value of following one’s bliss. The aging mother should, in theory, be free to indulge her desires. When desire runs afoul of ‘age appropriate’ codes of conduct, however, the positive goal of self-actualization can take a nasty detour.”

Asian · Reviews

0

Existential Lethargy: Hong Sang-soo’s Nobody’s Daughter Haewon (2013)

  • October 31, 2013

“Jung Eun-chae is a graceful, beautiful Haewon, but her daydreams seem facile, and the backpack she wears for most of the movie — which seems to be empty — tempers this statuesque gracefulness, rendering Haewon an awkward sightseer or a precocious child on a first-time school trip.”

Seth Rogen and Katherine Heigl in Knocked Up

Comedy · Directors · Essays · Writers & Critics

0

Team Apatow and the Tropes of Geek-Centered Romantic Comedy

  • October 31, 2013

“Nowadays, schlubs play schlubs and audiences are expected to accept that geeky males can win over classically beautiful women. What does it tell us about the state of gender relations, sexual fantasy, and desire that a physically average geek like Seth Rogen can trump an iconically attractive and glamorous star like Cary Grant?”

Cyd Charisse and Gene Kelly in It's Always Fair Weather

Actors & Personalities · Music & Musicals

0

It’s Always Fair Weather? I’m Afraid Not: Gene Kelly and Cyd Charisse Say Good-bye to Broadway

  • October 31, 2013

What’s black and white and destroys Western Civilization?

Gravity

Reviews

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Buried Alive in Space: The Non-Story of Gravity

  • October 31, 2013

“As the camera constantly spins with the characters, as one might get motion sickness, we may realize that the film really is about nothing. And it does not matter.”

Ziyi Zhang and Tony Leung in The Grandmaster

Asian · Reviews · Uncategorized

0

Poetry as Motion: Taking a Closer Look at Wong Kar Wai’s The Grandmaster

  • October 31, 2013

“Now the fight becomes something more than a contest of wills, it becomes a careful discovery of kindred spirits as seen through a reciprocal poetry of martial arts form.”

Jake Gyllenhaal

Activist & Political · Reviews

0

David Ayer’s End of Watch (2012) and the Militarization of U.S. Law Enforcement

  • October 31, 2013

“End of Watch incorporates the visual and narrative codes of Iraq War films, inviting the viewer to draw a comparison between the battlegrounds of the “war on terror” and the mean streets of Los Angeles.”

Mortimer and Edward

Essays · Historical & Epic

0

Between Artless Passions and Anal Hells: On the Edinburgh Festival’s Production of Marlowe’s Edward II

  • October 31, 2013

“Why should you love him who the world hates so?”

Holy Motors

Experimental & Underground · Reviews

0

The Church of Holy Motors: A Transformation in Metafilm

  • October 31, 2013

“What is fantasy when scripted shows that dominate popular culture are labeled ‘reality’ and social media allows everyone to be their own celebrity and put on their own performance of their best self?”

Cate Blanchett as Jasmine and Alec Baldwin as Hal in Blue Jasmine

Activist & Political · Reviews

0

Blue Jasmine and the Great Recession: Paean for Our National Nightmares

  • October 31, 2013

“Allen delineates the gaudy days of the subprime years and the divided nation in its aftermath — one divided by misfortune, political and economic abuses and a sense of cultural and social malaise. With a central character who complements both aisles of the economic divide with her 1% past and Generation Y career struggles and a narrative that captures a virulent political right from the financial elites of Wall Street to the angry blue collar workers of San Francisco, Allen’s film is a bitter complement to our post Lehman-Brothers era.”

Lugosi, Karloff, and David Manners in The Black Cat

Essays · Horror

0

Hope and History: Beyond Violence

  • October 31, 2013

By means of horror?

Horror · TV & Streaming

2

Red Leaves and Evil: Haunted October 2013 Film Guide (TCM, 10/21-10/31)

  • October 19, 2013

Man, Turner Classic Movies has gone off the deep end with this erratic last two weeks before the autumnal solstice and sacrifice of the virgin, the spilling of his blood across the fields, the burning of the Barleycorn effigy, the return of Guy Fawkes, the anti-pope in the silver castle, the shambling junkies of Dean Street. and Onwards. As a trained expert in the cinemarcane allow me to steer your DV-R record finger to these off-kilter spook shows:

Horror · TV & Streaming

3

AMERICAN MARY (2012) and the Female-Centered Horror Film

  • October 12, 2013

Watching the season premiere of American Horror Story Coven and the Soska Sisters’ American Mary back-to-back, I couldn’t help but notice certain … recurrences. Both works feature a scene in[…]

Horror · TV & Streaming

1

Future Recall: 10 Cage-Free Horror Films on the Web (Netflix, AMC, youtube) that span time…

  • October 8, 2013

The discriminating October film enthusiast knows that sometimes bad is better… unless there’s something great you still haven’t seen, and sometimes you can see too much, like the dispiriting amount of torture porn titles on Netflix… Well, HEY! Here’s ten films either free on youtube, AMC, or Netflix Streaming that are MIND-bending, not pliers-bending

Horror · TV & Streaming

6

Haunted October 13 Film Guide (TCM, 10/1-10/19)

  • September 28, 2013

And of course, there’s the horror movies. The speeding darkness and chill draws ghosts and candelabras, witches, demons, and monsters to our cinematic desires like a magnet. And TCM is there. As are we at the Bright Lights After Dark, where we turn those bright lights way, way, way down, so you can’t see the thing.

Actors & Personalities

1

Happy 100 Years of Frances Farmer

  • September 19, 2013

When witches lay curses down upon the cowardly townsfolk about to hang or burn them, it’s almost always “I’ll be back to haunt your ancestors in 100 years!” Is it time then for Frances Farmer to return for that long-awaited revenge on Seattle, the patriarchy, the legal system, Hollywood, and the American Medical Association? Let’s hope

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