Hope and History: Beyond Violence
By means of horror?
Red Leaves and Evil: Haunted October 2013 Film Guide (TCM, 10/21-10/31)
Man, Turner Classic Movies has gone off the deep end with this erratic last two weeks before the autumnal solstice and sacrifice of the virgin, the spilling of his blood across the fields, the burning of the Barleycorn effigy, the return of Guy Fawkes, the anti-pope in the silver castle, the shambling junkies of Dean Street. and Onwards. As a trained expert in the cinemarcane allow me to steer your DV-R record finger to these off-kilter spook shows:
AMERICAN MARY (2012) and the Female-Centered Horror Film
Watching the season premiere of American Horror Story Coven and the Soska Sisters’ American Mary back-to-back, I couldn’t help but notice certain … recurrences. Both works feature a scene in[…]
Future Recall: 10 Cage-Free Horror Films on the Web (Netflix, AMC, youtube) that span time…
The discriminating October film enthusiast knows that sometimes bad is better… unless there’s something great you still haven’t seen, and sometimes you can see too much, like the dispiriting amount of torture porn titles on Netflix… Well, HEY! Here’s ten films either free on youtube, AMC, or Netflix Streaming that are MIND-bending, not pliers-bending
Haunted October 13 Film Guide (TCM, 10/1-10/19)
And of course, there’s the horror movies. The speeding darkness and chill draws ghosts and candelabras, witches, demons, and monsters to our cinematic desires like a magnet. And TCM is there. As are we at the Bright Lights After Dark, where we turn those bright lights way, way, way down, so you can’t see the thing.
Happy 100 Years of Frances Farmer
When witches lay curses down upon the cowardly townsfolk about to hang or burn them, it’s almost always “I’ll be back to haunt your ancestors in 100 years!” Is it time then for Frances Farmer to return for that long-awaited revenge on Seattle, the patriarchy, the legal system, Hollywood, and the American Medical Association? Let’s hope
DVD & Blu-ray · Exploitation & Erotica
“Rated R for Retro” Scream Factory Loves the 80s
With Scream! it’s now possible to realize that the 80s as the best decade ever for schlock movies; grindhouses and drive-ins still lured us in like evil aunts. And best of all, we could still be genuinely scared.
John Huston’s “No Exit” Ensemble Dramas
For every filmmaker who is considered an auteur, there is a key work – often a first film like Welles’ Citizen Kane – that expresses in essential form most of[…]
Actors & Personalities · Exploitation & Erotica
Soul Diva, John Waters Star Jean Hill Dies
When people die there is usually an element of shock to the news, but when I heard Jean Hill passed away this week (8/21/13) I wasn’t shocked, since her health[…]
Are You Ready for YouTube Paid Channels?
For the discerning cinema and motorcycle repair video connoisseur, youtube has launched over 69 channels, each around $1.99-$2.99 a month.
Book Review: My Lunches with Orson
My Lunches with Orson: Conversations Between Henry Jaglom and Orson Welles, Edited by Peter Biskind. New York: Metropolitan Books, 2013. Hardcover, $28.00. 306pp. ISBNL 978-0-8050-9725252800 The reader in search of[…]
Book review: The Entertainer, by Margaret Talbot
The Entertainer: Movies, Magic, and My Father’s Twentieth Century, by Margaret Talbot. New York: Riverhead/Penguin Group, paperback, 2013, 432pp, $18.00. Margaret Talbot must have known a straight-ahead biography or “a[…]
DVD & Blu-ray · Horror · Noir
A Stranger Arrives in Town: Francis Coppola’s TWIXT (2011)
How do you begin a story? If I told you a story begins with the arrival of a stranger in town, you would probably think I was talking about a[…]
TCM Freak Rarity Schedule – Aug. 22- Sept. 4 2013
Set thy Tivo for: Rare Hawks, Orange-blazoned Shakes, Gish vs. Men, Glenda the kickass Reporter, Carpenter classics, and uncomfortable laughter…
Touched by a Zombie: Warm Bodies, ParaNorman
Not since Gene Wilder made nice with his monster in Young Frankenstein or the cannibal mutant got the girl (Tucker and Dale vs. Evil) have our deformed horror staples been so effectively pulled from their scar tissue and replaced with loving stitches. We needed these films, like a salve to our nation’s red vs. blue infection.
Book Review – The Worldwide Film Noir Tradition: The Complete Reference to Classic Dark Cinema from America, Britain, France and Other Countries Across the Globe by Spencer Selby
The Worldwide Film Noir Tradition: The Complete Reference to Classic Dark Cinema from America, Britain, France and Other Countries Across the Globe by Spencer Selby. Ames, Iowa: Sink Press, 2013. […]
Essays · Horror · SF & Fantasy
The Lore of the Running Undead (How World War Z Was Lost and Won)
“The choppy narrative arc of the film ends up matching the new hybrid of fast-running, fast-changing zombie: like its undead, the film moves too fast. The bitten person turns in twelve seconds in World War Z, which feels like about the same amount of time given to a story line before turning to another.”
Play-Actor: On Trevor Howard
“The whole point of Howard’s screen persona was surely its combination of the ramrod-straight and the slyly subversive, and its creation of a façade that was eternally gruff yet perpetually seemed to be in on some wonderful joke.”
Those Thrilling Days of Yesteryear: The Lone Ranger Rides Again . . . or Not At All
“Westerns are difficult to sell to modern audiences. ‘The Long Ranger,’ directed by Gore Verbinski, follows ‘Cowboys & Aliens’ and ‘Jonah Hex’ as recent Old West flops.” — Brooks Barnes, “Masked Lawman Stumbles at the Gate,” New York Times, July 8, 2013
Directors · Historical & Epic · Reviews
Tarantino and Spielberg: Two Visions of America
“In Lincoln, the abolition of slavery is the goal of the narrative; the closing scenes are intended to confirm our notion of a historical trajectory that moves from injustice to justice. In Django Unchained, the narrative is simpler, but the notions of justice and history are more complex. The story gives no hint that slavery will ever be abolished. It presents an America that has yet to escape its foundational sin, and may never be able to.”
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