Going to Extremes #3: The Winter’s Tale (Danger: Twin Souls at Work)
“Everything goes on in the mind of a man who, nominally at least, has absolute power at court and who, until a few moments before, felt secure in the mutual[…]
There Goes the Neighborhood: Godzilla and the Gentrification of Pulp
“Godzilla has no anarchy or eccentricity, much less any experimental spirit or Japanese weirdness. Edwards is too preoccupied with turning the movie into something new, serious, and, worst of all,[…]
Three Masters: Spielberg, Anderson, Haneke, and Their Audience
Is the filmmaker tyrant, aesthete, ringmaster, or hermit? For whom does an artist create? It is a question frequently put, perhaps more to writers than to others, and perhaps the[…]
Godzilla #1: Godzilla ex Machina: Taking All the Fight out of Humanity
“If Godzilla is not benevolent but merely indifferent, then his mercy amounts to that of a man sidestepping an anthill instead of trampling it under his heel.” Conventional academic and[…]
Activist & Political · Documentaries · LGBT & Queer · Reviews
The American Epidemic: AIDS in (Recent) Cinema and History
Discussed in this essay: The Battle of AmFar (Rob Epstein and Jeffrey Friedman, 2013); Dallas Buyers Club (Jean-Marc Vallée, 2013); How to Survive a Plague (David France, 2012); The Normal[…]
Activist & Political · Experimental & Underground · Reviews
“Politics Is Theatre”: On Narimane Mari’s Bloody Beans (Loubia Hamra) (2014)
“It’s not blood, it’s red” – Jean-Luc Godard A few weeks ago Abdelaziz Bouteflika was re-elected for a fourth time as president of Algeria with 81.5% of the vote. Most[…]
Dr. Steve Jones Talks About His Book Torture Porn: Popular Horror After Saw
Dr. Steve Jones has written a book on a subject few people have examined in depth, though the press and critics have vilified it to no end. It’s a subject[…]
Exploitation & Erotica · Reviews · Writers & Critics
Could You Spare Me a Nightmare? The World of Confessions of an Opium Eater (1962)
In honor of Vincent Price’s birthday (May 27, 1911-October 25, 1993), we present Sean Nortz’s thrilling exegesis of one of the actor’s most intriguing and downright bizarre films. (After this piece[…]
Animation · Historical & Epic · Reviews
Private Snafu’s Hidden War: Historical Survey and Analytical Perspective
In honor of Memorial Day, we present Christopher Dow’s lively history and critical analysis of World War II’s favorite cartoon fuck-up, Private Snafu, which appeared originally in Bright Lights in[…]
John Krokidas’ Kill Your Darlings: An Origin Story of the Beats
“[Jack] Kerouac declared in his preface to Galloway that the young artist ‘is colored by his symbols. His hue is vivid: he postures.’ This because the artist is in growth,[…]
Private (and Public) Traps: Truman Burbank’s Audiences in The Truman Show
“Are we trapped like Truman? Is this why we want him to leave his world? Then what will we do? Turn off the set? Leave our society with its endless[…]
Gay Old San Francisco: Hitchcock’s Closet Case and Other Thoughts on Vertigo
“Could Scottie’s real beau ideal be Gavin Elster?” Vertigo is famously about obsession. Brian Da Palma’s homage/rip-off is even called Obsession. But what is Scottie’s obsession, really? San Francisco’s past[…]
Experimental & Underground · Horror · New Media
Found Footage Horror #2: Textures of Silence and Decay: Marble Hornets and the Haunted Archive
This is the second of two articles riffing on found footage horror and new media. The first was Sarolta Mezei’s “Found Footage Horror #1: The Dead Rising: Aspects of Spectrality in[…]
Her Brilliant Career: Honoring Katrin Cartlidge (1961-2002)
Katrin Cartlidge, born May 15, 1961, died on September 7, 2002 at age 41. Julian Upton’s tribute to this remarkable actress first appeared in Bright Lights in November 2003. *[…]
Found Footage Horror #1: The Dead Rising: Aspects of Spectrality in the Vicious Brothers’ Grave Encounters
This is the first of two articles riffing on found footage horror and new media. The second is Alexandra Heller-Nicholas’s “Found Footage Horror #2: Textures of Silence and Decay: Marble Hornets and[…]
BLFJ News · Interviews · Writers & Critics
Bright Lights, Big Cine: Interview with Bright Lights Editor Gary Morris
In the shameless self-promotion department (and because it’s his birthday), we decided to retrieve this interview with Bright Lights’ head honcho Gary Morris. Our favorite interviewer, Matt Sorrento, talked to him in[…]
Move Over, Godzilla! Killer Bugs, Babes, and Beasts in 1950s Drive-in Cinema
With the latest version of Godzilla opening on May 16, we were reminded of other 1950s drive-in “classics” featuring everything from irradiated giant bugs to women on other planets who look suspiciously[…]
Experimental & Underground · Music & Musicals
The World’s First 24-Hour Music Video: Mapping the Cinematic Geography of 24 Hours of Happy
UPDATE May 21, 2014: Six Iranian participants in 24 Hours of Happy were arrested on Tuesday, May 20, and “forced to repent” on national television for that appearance. They posted[…]
Documentaries · Festivals & Awards · LGBT & Queer
Heroes (Mostly) and Villains: Portland’s QDoc Queer Documentary Festival, May 15-18
Portland, Oregon’s notoriety of late has come mainly from being satirized as over-the-top PC (Portlandia), its status as a foodie and craft beer paradise, a haven for runaway teens and activists,[…]
Activist & Political · Documentaries
Recording the Rhythm of Change: A Rhetoric of Revolution in The Square
“The problem with the media is that they oppose change, and turn people against the revolution,” Khalid tells his dad. His Quixotic character is evident: “I am going to keep[…]
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