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Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:
The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
“The most powerful aspect of Wolfen is not, then, its status as an exemplary and indeed essential period piece, but its unusual situation of contemporary New York City within the[…]
This review of L.A. Confidential first appeared in Bright Lights in May 1998. We’ve always been fond of this piece, and are happy to repost it now, not least because[…]
“Just as Peleshian’s friend put it to Daney some time ago, one could still say that there are indeed some people in the documentary sphere in Russian (and post-Soviet) documentary[…]
“Based on the sample of crowdfunded films at BAM, “public” funding in a country where public, government funding for arts is rapidly diminishing and has long since paled in comparison[…]
Crime · Directors · Thrillers & Action
“Claude Chabrol,” David Thomson wrote in his 2010 obituary, “is the kind of figure who could be reclaimed after death.” Very well, then – four years later there is still[…]
“The monster movie has always been predicated on some anxiety about technology – whether it’s nuclear bombs or genetic engineering – and we may now wonder if this isn’t an[…]
Directors · Exploitation & Erotica · Horror · Reviews
“I can always make something work, if I have a camera.” – John Landis There are two John Landises. There’s the director equally at home with comedy as he is[…]
British filmmaker Joanna Hogg pushes her brave, stripped-back and honest style further with her latest film, Exhibition. Having made a successful debut in 2007 with Unrelated, she continued to focus[…]
Exploitation & Erotica · Photo Essays
“This question of what makes a ‘bad girl’ is posed by the film’s title and answered by its title sequence – implied in the formal quotations (pinups) that inform each[…]
Activist & Political · Reviews
“As the divide between rich and poor became more extreme, late 20th-century cinema required a new approach to achieve the same end: portraying the existence of the wealthy elite as[…]
“Inherent to defamiliarization or riddling is, of course, a process of refamiliarization: as the film proceeds, we wish to see the strange normalized, the riddle answered. But in The House with Laughing[…]
This interview with Ray Harryhausen first appeared in Bright Lights in November 2007. We reprint it here as a birthday tribute to the seminal animator. * * * “I wrecked Washington, and[…]
Aaron Cohen’s profile of the obscure Japanese silent star Tokuko Takagi (also known as Taku Takagi), who came to America in 1906 and made a few films for Thanhouser Studios, first[…]
Crime · TV & Streaming · Writers & Critics
“The end has already happened, and all Rustin Cohle and Marty Hart can do is arrange the bodies in a pattern that makes them look less like bodies, more like[…]
“While I get Sam Goldwyn’s point about messages and Western Union, I think Shakespeare is always sending the same one: to overcome our worst weaknesses, first we must see them[…]
With such recent releases as The Perks of Being a Wallflower (2012), Moonrise Kingdom (2012), and The Spectacular Now (2013), there continues to be no shortage of movies about young[…]
“According to documents provided by the US Department of Justice, in the year he received almost $1 million for the rights to his memoir, Belfort made restitution payments totaling just[…]
Actors & Personalities · Reviews · TV & Streaming · Westerns
Today is actor Richard Boone’s birthday (June 18, 1917 – January 10, 1981). We’re celebrating it by reprinting Alan Vanneman’s pithy write-up (previously published in issue 48, May 2005) of[…]
“What befalls Veta can perhaps be justified as part of the film’s critique of psychiatry; after all, her unfortunate experience mocks the short-sightedness and arbitrary operation of the mental health[…]
Birds of Paradise: Costume as Cinematic Spectacle, ed. Marketa Uhlirova. London: Koenig Books, 2013. 341 pp. I first became intrigued by London’s Fashion in Film at an unusual series of[…]
