Bright Lights Film Journal

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    • Desire as a Postcard: Michael Mann’s Cinema and the Postmodern Male Subject

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Screenshot: Bradley Cooper as Chris Kyle in American Sniper

Activist & Political · Essays · War

13

Innocents Abroad: Clint Eastwood’s American Sniper (2014)

  • August 5, 2015

American Sniper becomes neither a post-ideological assertion of the nobility of the soldier forced to reflect on his own beliefs, nor a latter-day western investigating the presence of violence at[…]

Experimental & Underground

0

Technology and Transcendence: On Joshua Gen Solondz’s Prisoner’s Cinema (2012)

  • July 26, 2015

The duplicity of hallucination/sight and transcendence/imprisonment is essential to the meaning: flicker cinema breaks the normal illusion of cinema – movement – replacing it with the audience’s self-consciousness of their[…]

Emilia Clarke, Schwarzenegger, and Kyle Reese

SF & Fantasy · Thrillers & Action

1

He’s Back: The Paratextual Life of Terminator: Genisys

  • July 18, 2015

The movie makes a half-hearted attempt at chastising contemporary society and its dependence on technology, on machines (ironically, Sarah would not have survived without the help of a machine). Everyone[…]

A screenshot from Pontecorvo's The Battle of Algiers

Activist & Political · Essays

0

Lone Rangers: Using Terror to Publicize “Revolution”

  • July 15, 2015

From the margins, both a “crazy man” and visionary artists can ask: How can leaders govern when language has been debased and words no longer have true meaning? * *[…]

Directors · Interviews · Visual Artists · Writers & Critics

1

“That’s something the viewer can choose to see.” An Interview with Mike Leigh on Mr. Turner

  • July 12, 2015

MIKE LEIGH: People have said to me, “Oh, I’m surprised Turner was like that, I would have thought he would be rather Byronic and beautiful and ascetic and nervously brilliant”[…]

SF & Fantasy

7

Into the Deep: Reflections on Jonathan Glazer’s Under the Skin (2013)

  • July 8, 2015

The dominant image from Jonathan Glazer’s Under the Skin (2013) is that of an opaque pool of black liquid, into which sink a variety of men who have fallen victim[…]

The Man with the Movie Camera

DVD & Blu-ray · Silents

2

Recent DVD and Blu-ray Releases from Flicker Alley: The House of Mystery, Dziga Vertov, Joan the Woman, The Marriage Circle

  • June 30, 2015

The House of Mystery (Volkoff, 1921-23), Dziga Vertov: The Man with the Movie Camera and Other Restored Works (Vertov, 1924-1934), Joan the Woman (DeMille, 1916), and The Marriage Circle (Lubitsch,[…]

Essays · SF & Fantasy

18

Notes on a Stupid Dinosaur Movie: Jurassic World and the Hollywood Blockbuster

  • June 15, 2015

Once a film gives up on originality, it immediately descends into nihilism. Whatever sensory pleasures such a film may offer, the underlying assumption is that the entire experience is empty[…]

Les Miserables (1933), directed by Raymond Bernard

Drama · Essays · Writers & Critics

2

Film: An Adaptive Species. Part 1 of 2: Between a Book and a Hard Place

  • June 11, 2015

Lincoln (2012) & Wolf Hall (2015)/Les Miserables (1933) & Great Expectations (1946/2012) * * * So, notwithstanding humanist art or realistic biography, we go on hurting each other. “Everybody hurts,” as[…]

Drama · Production History

0

Bringing Day to Night: The Resurrection of The Night of the Hunter

  • June 3, 2015

“It’s really a nightmarish Mother Goose story.”1 – Charles Laughton, director Given the above description, any initial box office success for The Night of the Hunter (1955) was likely to[…]

Boyhood (screenshot)

Essays · Memoir · New Media

1

Boyhood: When Art Is Just Winging It

  • May 28, 2015

When the technology of transmitting typed words or smartphone photos and GoPro filming accompanies our every movement and all this runs far ahead of thought, a culture leaves behind both[…]

Ascyltus and Encolpius (screenshot)

DVD & Blu-ray · Essays · Historical & Epic · Writers & Critics

3

Sexual Confusion, the Attractions of Moral Chaos, and the Contrarieties of Personality: Navigating the Vagaries of Fellini Satyricon (1969)

  • May 21, 2015

He was the spectator at his own drama, like a person at a play he doesn’t understand. – Victor Hugo1 “On the other hand, I don’t want to do Petronius[…]

American Sniper (screenshot)

Genres · War

2

The American Hubris Cycle: A Survey of Recent Survival Narratives and Friends as Collateral Damage

  • May 18, 2015

I will focus on films that contain both of the following markers: (1) an American character exhibits daring but reckless behavior, which triggers continuing, gory disaster for a multinational group;[…]

Screenshot of Stephania Mirza Curbelo from El Hombre Nuevo (The New Man)

Documentaries · Festivals & Awards · LGBT & Queer

0

Better Endings: QDoc: Portland’s Ninth Queer Documentary Film Festival (May 14-17, 2015)

  • May 14, 2015

“It’s time to give her story a better ending,” says Jane Anderson in her documentary Packed in a Trunk: The Lost Art of Edith Lake Wilkinson, speaking of her great[…]

Pris (Daryl Hannah) and Sebastian (William Sanderson). Screenshot

Drama · SF & Fantasy

3

Slave Runner: Genetic Engineering, Slavery, and Immortality in Ridley Scott’s Blade Runner (1982)

  • May 5, 2015

In a dehumanised world it is therefore the replicants who are keener to live, love, and be free. This is another important issue that the film raises: who is actually[…]

Welles and cinematographer Gary Graver during the shooting of The Other Side of the Wind. Courtesy of Photofest

Books · Directors · Interviews · Writers & Critics

1

Orson’s Charmed Circle of Fragments: A conversation with Josh Karp on his new book Orson Welles’s Last Movie: The Making of The Other Side of the Wind

  • April 30, 2015

I could begin to see how the movie was art imitating life and then morphed into life imitating art, with such a palpable sense of the greatest director who ever lived[…]

Kurt Russell as Snake Plissken. Screenshot

DVD & Blu-ray · SF & Fantasy

0

Plissken on Parade: Escape from New York (1981) Comes to Blu-ray

  • April 28, 2015

So even if you aren’t nostalgic for the heady sense of danger and decadence, do yourself a favor and crash the pod down into Carpenter country – an alternate reality[…]

Silent Light

Drama · Essays

0

Approaching and Transcending the Limit: The Experience of Death and Possibilities of Renewal in Carlos Reygadas’ Silent Light and Dreyer’s Ordet

  • April 23, 2015

Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. Once out of[…]

Gaspard Ulliel( as Yves Saint Laurent in Bertrand Bonello's Saint Laurent

Biopic · Designers

0

The Line, The Eye: Yves Saint Laurent on Film

  • April 20, 2015

Mesmerizing designs pull our eyes away from the tiresome demands of history, but Bonello doesn’t portray Yves as an escapist. Instead, he suggests that we cannot assume a straightforward relation[…]

Avatar: Sci-Fi? Fantasy? Western? Action Flick?

Genres

2

The Plot Genre Revolution: Or, Why the Western Isn’t a Genre

  • April 16, 2015

Fortunately for those of us who like distinct and finite categories, the number of plot genres is limited in this formulation by the narrow scope of human desires: find love,[…]

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