Bright Lights Film Journal

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    • Manufactured Lives: Commodities and Ideology in Blade Runner

      June 9, 2026

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

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      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Horror

2

Spider Eats Butterfly: Jack Clayton’s The Innocents (1961)

  • September 15, 2015

The film makes a far more subtle statement about childhood’s inevitable, metaphorical death: All innocent children must eventually grow into corrupted adults, and adults will only suffer for trying to[…]

Actors & Personalities · Silents

1

Beautiful Dead Girl: On Early Hollywood Casualty Olive Thomas (Oct. 20, 1894-Sept. 10, 1920) and The Olive Thomas Collection on DVD

  • September 10, 2015

Note: Gordon Thomas’s review of the DVD set The Olive Thomas Collection, first published on November 1, 2005, is also a provocative profile of one of Hollywood’s most fascinating early scandals/tragedies. To[…]

Angelica Huston with John Huston in the 1950s. Photo reproduced courtesy of Wikimedia Commons.

Actors & Personalities · Books

0

Hollywood Royalty: Two Autobiographies by Anjelica Huston

  • August 28, 2015

She was never classically beautiful, at least by Hollywood’s exaggerated standards: a few too many sharp angles on her face, a few too many vertical inches on her frame. But[…]

Benedict Cumberbatch and Keira Knightley in The Imitation Game

Essays

0

Film: An Adaptive Species. Part 2 of 2: Brainy, Sexy, and Not Totally Doomed

  • August 19, 2015

It’s more than magic * * * With Rachel Weisz as a fourth-century intellectual surrounded by far from intellectually questing males, Agora was Spain’s most commercially successful film of 2009.[…]

Screenshot: Bradley Cooper as Chris Kyle in American Sniper

Activist & Political · Essays · War

13

Innocents Abroad: Clint Eastwood’s American Sniper (2014)

  • August 5, 2015

American Sniper becomes neither a post-ideological assertion of the nobility of the soldier forced to reflect on his own beliefs, nor a latter-day western investigating the presence of violence at[…]

Experimental & Underground

0

Technology and Transcendence: On Joshua Gen Solondz’s Prisoner’s Cinema (2012)

  • July 26, 2015

The duplicity of hallucination/sight and transcendence/imprisonment is essential to the meaning: flicker cinema breaks the normal illusion of cinema – movement – replacing it with the audience’s self-consciousness of their[…]

Emilia Clarke, Schwarzenegger, and Kyle Reese

SF & Fantasy · Thrillers & Action

1

He’s Back: The Paratextual Life of Terminator: Genisys

  • July 18, 2015

The movie makes a half-hearted attempt at chastising contemporary society and its dependence on technology, on machines (ironically, Sarah would not have survived without the help of a machine). Everyone[…]

A screenshot from Pontecorvo's The Battle of Algiers

Activist & Political · Essays

0

Lone Rangers: Using Terror to Publicize “Revolution”

  • July 15, 2015

From the margins, both a “crazy man” and visionary artists can ask: How can leaders govern when language has been debased and words no longer have true meaning? * *[…]

Directors · Interviews · Visual Artists · Writers & Critics

1

“That’s something the viewer can choose to see.” An Interview with Mike Leigh on Mr. Turner

  • July 12, 2015

MIKE LEIGH: People have said to me, “Oh, I’m surprised Turner was like that, I would have thought he would be rather Byronic and beautiful and ascetic and nervously brilliant”[…]

SF & Fantasy

7

Into the Deep: Reflections on Jonathan Glazer’s Under the Skin (2013)

  • July 8, 2015

The dominant image from Jonathan Glazer’s Under the Skin (2013) is that of an opaque pool of black liquid, into which sink a variety of men who have fallen victim[…]

The Man with the Movie Camera

DVD & Blu-ray · Silents

2

Recent DVD and Blu-ray Releases from Flicker Alley: The House of Mystery, Dziga Vertov, Joan the Woman, The Marriage Circle

  • June 30, 2015

The House of Mystery (Volkoff, 1921-23), Dziga Vertov: The Man with the Movie Camera and Other Restored Works (Vertov, 1924-1934), Joan the Woman (DeMille, 1916), and The Marriage Circle (Lubitsch,[…]

Essays · SF & Fantasy

18

Notes on a Stupid Dinosaur Movie: Jurassic World and the Hollywood Blockbuster

  • June 15, 2015

Once a film gives up on originality, it immediately descends into nihilism. Whatever sensory pleasures such a film may offer, the underlying assumption is that the entire experience is empty[…]

Les Miserables (1933), directed by Raymond Bernard

Drama · Essays · Writers & Critics

2

Film: An Adaptive Species. Part 1 of 2: Between a Book and a Hard Place

  • June 11, 2015

Lincoln (2012) & Wolf Hall (2015)/Les Miserables (1933) & Great Expectations (1946/2012) * * * So, notwithstanding humanist art or realistic biography, we go on hurting each other. “Everybody hurts,” as[…]

Drama · Production History

0

Bringing Day to Night: The Resurrection of The Night of the Hunter

  • June 3, 2015

“It’s really a nightmarish Mother Goose story.”1 – Charles Laughton, director Given the above description, any initial box office success for The Night of the Hunter (1955) was likely to[…]

Boyhood (screenshot)

Essays · Memoir · New Media

1

Boyhood: When Art Is Just Winging It

  • May 28, 2015

When the technology of transmitting typed words or smartphone photos and GoPro filming accompanies our every movement and all this runs far ahead of thought, a culture leaves behind both[…]

Ascyltus and Encolpius (screenshot)

DVD & Blu-ray · Essays · Historical & Epic · Writers & Critics

3

Sexual Confusion, the Attractions of Moral Chaos, and the Contrarieties of Personality: Navigating the Vagaries of Fellini Satyricon (1969)

  • May 21, 2015

He was the spectator at his own drama, like a person at a play he doesn’t understand. – Victor Hugo1 “On the other hand, I don’t want to do Petronius[…]

American Sniper (screenshot)

Genres · War

2

The American Hubris Cycle: A Survey of Recent Survival Narratives and Friends as Collateral Damage

  • May 18, 2015

I will focus on films that contain both of the following markers: (1) an American character exhibits daring but reckless behavior, which triggers continuing, gory disaster for a multinational group;[…]

Screenshot of Stephania Mirza Curbelo from El Hombre Nuevo (The New Man)

Documentaries · Festivals & Awards · LGBT & Queer

0

Better Endings: QDoc: Portland’s Ninth Queer Documentary Film Festival (May 14-17, 2015)

  • May 14, 2015

“It’s time to give her story a better ending,” says Jane Anderson in her documentary Packed in a Trunk: The Lost Art of Edith Lake Wilkinson, speaking of her great[…]

Pris (Daryl Hannah) and Sebastian (William Sanderson). Screenshot

Drama · SF & Fantasy

3

Slave Runner: Genetic Engineering, Slavery, and Immortality in Ridley Scott’s Blade Runner (1982)

  • May 5, 2015

In a dehumanised world it is therefore the replicants who are keener to live, love, and be free. This is another important issue that the film raises: who is actually[…]

Welles and cinematographer Gary Graver during the shooting of The Other Side of the Wind. Courtesy of Photofest

Books · Directors · Interviews · Writers & Critics

1

Orson’s Charmed Circle of Fragments: A conversation with Josh Karp on his new book Orson Welles’s Last Movie: The Making of The Other Side of the Wind

  • April 30, 2015

I could begin to see how the movie was art imitating life and then morphed into life imitating art, with such a palpable sense of the greatest director who ever lived[…]

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