Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Birth of a Nation

Actors & Personalities · Commentary · Silents

0

Political Correctness Run Amok: Life and Lillian Gish at Bowling Green State University, Ohio

  • May 21, 2019

Those who affect a superior attitude toward a great artist such as Lillian Gish are not only ignorant of our cultural heritage but stubbornly unaware that art usually comes from[…]

DeLorean

Documentaries

0

Dispatch from Tribeca #6: Framing John DeLorean

  • May 18, 2019

Why hasn’t there been a biopic of John DeLorean, whose life, as his son Zachary says in the documentary Framing John DeLorean, has all the elements for a rip-snorter: “It’s[…]

Lucky Grandma

Asian · Comedy · Drama

0

Dispatch from Tribeca #5: Lucky Grandma

  • May 15, 2019

“Lucky Grandma,” says Claire Baiz in her fifth Tribeca dispatch, “features richly layered characters in director Sasie Sealy’s homage to Chinatown that make this universal tale both reassuring and groundbreaking.”[…]

Drama · Festivals & Awards

0

Dispatch from Tribeca #4: Standing Up, Falling Down

  • May 9, 2019

In her fourth report from the Tribeca Film Festival, Claire Baiz looks at first-time feature director Matt Ratner’s intriguing family drama Standing Up, Falling Down, which, as a thoughtful film[…]

Muhammad Ali

African American · Documentaries · Sports

0

Dispatch from Tribeca #3: What’s My Name (on Muhammad Ali)

  • May 5, 2019

Muhammad Ali was one of the great cultural figures of the 20th century, and of course, one of its most brilliant and inspiring sports figures, equally adept in the ring[…]

Recorder

Activist & Political · Documentaries

0

Dispatch from Tribeca 2019 #2: Recorder: The Marion Stokes Project

  • May 2, 2019

Herewith (we love that word) is our second dispatch from the 2019 Tribeca Film Festival, brought to you by our correspondent Claire Baiz, who will be filing dispatches on some[…]

Tribeca

Documentaries · Festivals & Awards · Sound & Language

0

Dispatch from Tribeca 2019 #1: Making Waves: The Art of Cinematic Sound

  • April 29, 2019

Herewith we begin our coverage of the 2019 Tribeca Film Festival, courtesy of our intrepid reporter Claire Baiz, who will be filing dispatches on some of the more worthy entries[…]

Composers · Historical & Epic · Reviews · Silents

2

Getting It Right the Second Time: Adapting Ben-Hur for the Screen

  • April 22, 2019

This is an updated and revised version of Gordon Thomas’s article first posted in Bright Lights in May 2006, reposted to celebrate Easter. * * * Bigger is better this[…]

Chansons

LGBT & Queer · Music & Musicals

0

Bonjour, Paris! Musical Conventions in Les Chansons d’amour (2007, Christophe Honoré)

  • April 17, 2019

Les Chansons d’amour is unusual because of the realism of its characters, setting and story; the film has little dance and no big production numbers, but it is a musical.[…]

Lee Tracy

Actors & Personalities · Comedy · Pre-Code

0

Happy Birthday, Lee Tracy (b. April 14, 1898): “A Manic, Scalding Passion for Success”

  • April 14, 2019

“With his impish grin, twinkling eyes, and boyish blond hair, he looks like Tom Sawyer crossed with a Tammany Hall fixer.”

pajaros de verano

Drama · Indigenous

0

Chronicler(s) of the End of the End: On Ciro Guerra and Cristina Gallego’s Pájaros de Verano (Birds of Passage) (2018)

  • April 6, 2019

“The root of oppression is loss of memory.” – Paula Gunn Allen1 * * * The end of the world is a mansion in the middle of the desert. A[…]

Gregory Peck

Actors & Personalities

0

“It’s customary for the boy to have his father’s watch.” Gregory Peck, 1916-2003

  • April 5, 2019

Now we really need him

Steve Martin

Comedy · Holiday

0

Watch It Again! Planes, Trains and Automobiles

  • March 31, 2019

Planes, Trains and Automobiles teaches the other comedies of errors that an error in character is much more significant than an error in judgment. And much more redeemable. * *[…]

Favourite

Drama · Historical & Epic · Women in Film

0

On Pain, Intimacy, and Women Who Want: Yorgos Lanthimos’ The Favourite, #MeToo, and the Afterglow of Pasolini’s Salò

  • March 27, 2019

These women want their words to be heard. They want their will to be known. They want to be able to change their minds. And they want the full mind-body[…]

Noir · Writers & Critics

0

The Glare of the City: Adapting The Long Goodbye

  • March 21, 2019

Altman admitted never finishing the novel and saw no need to remain faithful to it. For that reason, the movie wasn’t well received by Chandler fans. Most didn’t appreciate the[…]

Risen

Historical & Epic · Religion & Spirituality

0

“Tribune, Do You Really Believe All This?” The Somewhat Dispassionate Passion of Sony Affirm’s Risen (2016)

  • March 17, 2019

Risen is the product of a sub-industry whose primary source of success is in providing pious pablum for a complacent and undiscriminating Christian market (although, to be fair, this market[…]

screenplays

Literature and Film · Writers & Critics

0

Script to Screen: Notes on Five Significant Screenplays, the Movies They Were Made Into, and the Process of Adaptation

  • March 9, 2019

The most substantial changes in Nightmare Alley are between the novel and the screenplay. For example, in the novel, Stan, who covets Zeena and her act, kills the alcoholic Pete[…]

Roma

Activist & Political · Drama

0

Roma: A Meditation on (Male) Mobility and (Female) Immobility

  • March 5, 2019

Even the languid pace Cuarón uses throughout the film seems to want to elevate the (feminine and domestic) virtue of soul-nurturing stillness over the (masculine) trait of destructive freneticism. Some[…]

No Way Out

Essays · Thrillers & Action

0

Two Truths: Inside No Way Out (A Gift to a True Friend)

  • March 2, 2019

That’s why I sing for an America that will never be back but that left us with such vivifying memories. You’re not lost, not past, not buried. You’re active, vital,[…]

marc bolan

Counterculture · Documentaries · Music & Musicals

0

Marc Bolan and Born to Boogie: The Great Unsung Rock ’n’ Roll Film

  • February 26, 2019

A roar grew in the wrestling room of daybreak . . . And now where once stood solid water stood the reptile king, Tyrannosaurus Rex, reborn and bopping. – Marc[…]

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