Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • Films of Conscience: Raindog and Colin Firth’s Quiet Ambition

      September 8, 2026

    • Make It Grief: Hamnet, Train Dreams, and the Prestige of Loss

      September 5, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Movies · Reviews

0

Moanin’ Low: On Craig Brewer’s Black Snake Moan

  • May 1, 2007

Stick to the trailer If you’ve seen the trailer to Black Snake Moan, stop while you’re ahead. Those two minutes of Samuel L. Jackson’s self-righteousness and Christina Ricci’s writhing make[…]

Festivals & Awards · Movies

0

On the Border of the Thermian Gulf: The Ninth Thessaloniki Documentary Film Festival

  • May 1, 2007

“The documentaries that most stood out have a near fictional flair, blurring the border between reality and fable.” For the ninth year, the formerly predominantly Jewish city of Thessaloniki in[…]

Movies · Reviews

0

Anorexic Logic: On American Psycho

  • May 1, 2007

“Nothing evokes the end of the world more than a man running straight ahead on a beach … cocooned in the solitary sacrifice of his energy … In a sense,[…]

Artists · Directors · Essays · Genres · Horror · Movies · Reviews

0

The Mothering of Evil: In Several Hitchcock Films

  • May 1, 2007

“She is so enthralled by her boy, the loving product from her own body, that she remains blind to his true nature.” One could make the case that Mrs. Bates[…]

Essays · Movies · Reviews

0

Sovereign Remedies: Queen of Hearts to President

  • May 1, 2007

A Progress Boccaccio’s Decameron, written immediately after the Black Death, hints at the arrival of a more egalitarian post-pandemic world. This was especially evident in the new approach to gender[…]

Reviews

0

Of Sexual Hate and Lonely Death: The Mysteries of Pandora’s Box

  • May 1, 2007

“When what you write about is what you see/ What do you write about when it’s dark?” ~ Charles Wright 1. “You’ll have to kill me to get rid of[…]

Reviews

0

Isn’t It Romantic? Hugh and Drew in Marc Lawrence’s Music and Lyrics

  • May 1, 2007

The King of the Backseat Blowjob gets mildly post-ironist on your ass You can do anything if you try. You must always be yourself, and never compromise. And it’s OK[…]

Reviews

0

Fear of Fishing: Closets and Product Placement in Hawks’ Man’s Favorite Sport?

  • May 1, 2007

“The sorrows of narrative immersion are the joys of Brechtian postmodernism …” I love the films of Howard Hawks but I’ve always dismissed Man’s Favorite Sport as unwatchable, mainly because[…]

DVD & Blu-ray · TV & Streaming

0

Tight Pants in Paradise: Tom Selleck Is Magnum, P.I.

  • May 1, 2007

Keats, Shelley, and firm, manly thighs Ever wonder what life would be like if English majors ruled the world? A chilling prospect, to be sure, but a damned unlikely one.[…]

DVD & Blu-ray · Movies

0

Bright Sights: Recent DVDs: Mouchette, Siberiade, 1900, The Oyster Princess, I Don’t Want to Be a Man, King Lear, Another Sky

  • May 1, 2007

An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases Mouchette (Robert Bresson, 1967) Robert Bresson’s film, Mouchette, like his previous release, Au Hasard Balthasar[…]

Reviews

0

Being John, Seeing Stanley: John Malkovich in Brian Cook’s Colour Me Kubrick: A True … ish Story

  • May 1, 2007

“Plot keywords: drugs, glamour, party, rent boy, sex, bisexual, celebrity, con artist, male model” Say, who’s that old queen in the corner? Why, it’s John Malkovich, having a fairy good[…]

Documentaries · Genres · Movies · Reviews

0

Treed by the Family: On 51 Birch Street

  • May 1, 2007

For boomers, “the idea that Mom and Dad are flawed human beings with complicated histories and real feelings can be hard to accept.” The straight out of a first-grade primer[…]

Directors · Interviews

0

Our Time of Troubles: Ken Loach on War, Irish History, and The Wind That Shakes the Barley

  • May 1, 2007

“But I was accused of enjoying walking up and down the red carpet! Their rage knew no bounds.” Now 70, British director Ken Loach has for over 40 years made intimate, compelling,[…]

Actors & Personalities

0

Uneasy Living: The Insecure Charm of Jean Arthur

  • May 1, 2007

“Funny, tender, a little neurotic, a little erotic, and always spontaneous …” A Foreign Affair (1948) is a blunt Billy Wilder comedy set amid the ruins of Berlin, and it’s[…]

Reviews

0

No Exit: On Matthias Glasner’s The Free Will

  • May 1, 2007

“It’s a critique that is one step away from excusing Theo (the ‘woman was asking for it’ defence) …” Matthias Glasner’s The Free Will (Der freie Wille,1 2006) is a[…]

Historical & Epic · Reviews

0

Fashion and Dunst: The Substance of Marie Antoinette

  • May 1, 2007

“The Coppola ideal is a young girl trapped in fustiness: she can be an object of voyeurism without a trace of lewdness, and remain spiritually intact even when accessorized.” Sofia[…]

Festivals & Awards · Reviews

0

Secrets of the European Union: Chicago’s Tenth Annual EU Film Festival

  • May 1, 2007

They saw what you did! Could anyone foresee, when six nations signed the Treaty of Rome in 1957, that this economic agreement would evolve into the unprecedented political experiment called[…]

Essays · Movies

0

Across the Great Divide: Canadian Popular Cinema in the 21st Century

  • May 1, 2007

Indigenous film, global dreams1 For most of the film critics who have given it any thought, the term “Canadian Popular Cinema” is a vexing oxymoron. In a paradox that goes[…]

Actors & Personalities · Reviews

0

More Dean Martin, Jerry Lewis, The Nutty Professor, no Gorilla (I think), and no Allen Ginsberg (or Ginzberg)

  • March 29, 2007

Since my esteemed Bright Lights After Dark (and Bright Lights Film Journal) co-contributor C. Jerry Kutner posted his last entry in the (now) ongoing Nutty Professor debate out here in[…]

Cinematographers

0

FREDDIE FRANCIS (1917-2007)

  • March 21, 2007

I’d like to join Tim Lucas and others in acknowledging the passing of Freddie Francis, a fine underrated director and one of the greatest of English cinematographers. He deservedly won[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy