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November 7, 2026
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Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:
The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
“The documentaries that most stood out have a near fictional flair, blurring the border between reality and fable.” For the ninth year, the formerly predominantly Jewish city of Thessaloniki in[…]
“Nothing evokes the end of the world more than a man running straight ahead on a beach … cocooned in the solitary sacrifice of his energy … In a sense,[…]
A Progress Boccaccio’s Decameron, written immediately after the Black Death, hints at the arrival of a more egalitarian post-pandemic world. This was especially evident in the new approach to gender[…]
“When what you write about is what you see/ What do you write about when it’s dark?” ~ Charles Wright 1. “You’ll have to kill me to get rid of[…]
The King of the Backseat Blowjob gets mildly post-ironist on your ass You can do anything if you try. You must always be yourself, and never compromise. And it’s OK[…]
“The sorrows of narrative immersion are the joys of Brechtian postmodernism …” I love the films of Howard Hawks but I’ve always dismissed Man’s Favorite Sport as unwatchable, mainly because[…]
DVD & Blu-ray · TV & Streaming
Keats, Shelley, and firm, manly thighs Ever wonder what life would be like if English majors ruled the world? A chilling prospect, to be sure, but a damned unlikely one.[…]
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases Mouchette (Robert Bresson, 1967) Robert Bresson’s film, Mouchette, like his previous release, Au Hasard Balthasar[…]
“Plot keywords: drugs, glamour, party, rent boy, sex, bisexual, celebrity, con artist, male model” Say, who’s that old queen in the corner? Why, it’s John Malkovich, having a fairy good[…]
Documentaries · Genres · Movies · Reviews
For boomers, “the idea that Mom and Dad are flawed human beings with complicated histories and real feelings can be hard to accept.” The straight out of a first-grade primer[…]
“But I was accused of enjoying walking up and down the red carpet! Their rage knew no bounds.” Now 70, British director Ken Loach has for over 40 years made intimate, compelling,[…]
“Funny, tender, a little neurotic, a little erotic, and always spontaneous …” A Foreign Affair (1948) is a blunt Billy Wilder comedy set amid the ruins of Berlin, and it’s[…]
“It’s a critique that is one step away from excusing Theo (the ‘woman was asking for it’ defence) …” Matthias Glasner’s The Free Will (Der freie Wille,1 2006) is a[…]
“The Coppola ideal is a young girl trapped in fustiness: she can be an object of voyeurism without a trace of lewdness, and remain spiritually intact even when accessorized.” Sofia[…]
They saw what you did! Could anyone foresee, when six nations signed the Treaty of Rome in 1957, that this economic agreement would evolve into the unprecedented political experiment called[…]
Indigenous film, global dreams1 For most of the film critics who have given it any thought, the term “Canadian Popular Cinema” is a vexing oxymoron. In a paradox that goes[…]
Actors & Personalities · Reviews
Since my esteemed Bright Lights After Dark (and Bright Lights Film Journal) co-contributor C. Jerry Kutner posted his last entry in the (now) ongoing Nutty Professor debate out here in[…]
I’d like to join Tim Lucas and others in acknowledging the passing of Freddie Francis, a fine underrated director and one of the greatest of English cinematographers. He deservedly won[…]
Actors & Personalities · Reviews
In a comment to my previous Jerry Lewis post, Tom Sutpen wrote: Couldn’t agree more . . . except . . . Jerry Lewis has always steadfastly denied any Martin[…]
