Actors & Personalities · Reviews
Dean Martin & Jerry Lewis vs. Julius Kelp & Buddy Love
In a comment to my previous Jerry Lewis post, Tom Sutpen wrote: Couldn’t agree more . . . except . . . Jerry Lewis has always steadfastly denied any Martin[…]
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Actors & Personalities · Reviews
In a comment to my previous Jerry Lewis post, Tom Sutpen wrote: Couldn’t agree more . . . except . . . Jerry Lewis has always steadfastly denied any Martin[…]
In four films, two for Alfred Hitchcock (Rope {1948} and Strangers on a Train {1951}), one for Nicholas Ray (They Live by Night {1948}) and one for Luchino Visconti (Senso[…]
Asian cinema triumphs in this year’s D&T, Tony Rayns’s last For over a decade the Vancouver International Film Festival’s Dragons and Tigers program has provided a crucial forum for emerging[…]
Note: With so much queer media happening lately — from feature films to reality TV shows to movies-of-the-week — I decided, like Cary Grant in Bringing Up Baby, to “go[…]
That Obscure Agent of Misanthropy? Un Chien Andalou (1929), the “surrealist masterpiece” made in collaboration with Salvador Dali was, in one sense, a new sugar-free version of Rene Clair’s original[…]
Actors & Personalities · Asian
“The women of To’s world are not just endearingly kooky, but often unacceptably bizarre and amoral in their excited reactions to events.” Five years ago, I was starting to think[…]
Hey! How did we win the Cold War, anyway? Yale? Wasps? Homoerotic subtext? Do any of these spell Robert De Niro? I’m guessing no, but Bobby, in his second outing[…]
“Never mind that Hudson was a gay man playing a straight man playing a gay man in love with a man who was really a woman.” Universal Studio, never in[…]
Night Train (Jerzy Kawalerowicz, 1959) Call it Train of Fools. In Jerzy Kawalerowicz’s masterwork, a crowded night express travels overbooked with the despairing, the lovelorn, the lustful, a handful of priests[…]
Artists · Directors · Essays · Movies · Reviews
Beyond the queer readings of Strangers on a Train Men’s envy toward other men is a peculiarly anxiety-arousing topic and is rarely discussed, let alone openly admitted. Envy traditionally is deeply[…]
Getting down way down under You may not be aware of this yet — few Americans are — but Robin Williams likes black people. He also likes Latinos. And why[…]
“Hovering between treason and tribute . . .” Stephen Frears’ film The Queen starts with this quote from Henry V which announces that a whole Shakespearean drama is about to[…]
“Casablanca provides twenty-first-century Americans with an oasis of hope in a desert of arbitrary cruelty and senseless violence.” As we approach the sixty-fifth anniversary of Casablanca (1942), it is clear that[…]
“Not only is it personal — it’s downright embarrassing.” Fourteen years in the making and spanning eighteen years, Caveh Zahedi’s I am a Sex Addict, despite a lukewarm reaction upon[…]
“It’s sort of what we have instead of God” “. . . you talk less about good movies than about what you love in bad movies.” — Pauline Kael, Trash,[…]
Artists · Directors · Movies · Reviews
Life with the restless ghost of Orson Welles’ last movie In 1970, after two decades of European exile broken only by his brief return in 1957-58 to make Touch of[…]
Ted Tetzlaff brings Bobby Driscoll to the voyeur’s front window The Window (1949) is the kind of movie probably best experienced as a child of 11 or 12, plagued by[…]
“Like every other skilled fabulist on earth there would forever be a part of Stroheim that truly believed his own fantasies.” 1. True Fake Nobleman Somewhere between his departure from[…]
Forget the book, just see the movie It’s a curious fact that today’s movie franchises are largely based on American comic books and English popular fiction.1 The Harry Potter series,[…]
“People are constantly falling back on their beds — but always in languor, never in passion . . .” It’s difficult not to be grateful to a film that introduces you to six or[…]
