Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • Anyone Miss Movies That Made People Vomit? Schindler’s Watch List

      July 21, 2026

    • The Light He Could Not Keep: On Steven Spielberg’s Disclosure Day

      July 16, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Artists · Directors · Movies · Reviews

0

Inherit the Wind: Talking with Peter Bogdanovich and Joseph McBride About The Other Side of the Wind

  • February 1, 2007

Life with the restless ghost of Orson Welles’ last movie In 1970, after two decades of European exile broken only by his brief return in 1957-58 to make Touch of[…]

Movies · Reviews

0

Through the Looking Glass: Thoughts on The Window

  • February 1, 2007

Ted Tetzlaff brings Bobby Driscoll to the voyeur’s front window The Window (1949) is the kind of movie probably best experienced as a child of 11 or 12, plagued by[…]

Directors

0

The Reckless Art of Erich von Stroheim Part One: The Pinnacle

  • February 1, 2007

“Like every other skilled fabulist on earth there would forever be a part of Stroheim that truly believed his own fantasies.” 1. True Fake Nobleman Somewhere between his departure from[…]

Reviews

0

You Only Live Twice? Martin Campbell’s Casino Royale: Bond Rebottled

  • February 1, 2007

Forget the book,  just see the movie It’s a curious fact that today’s movie franchises are largely based on American comic books and English popular fiction.1 The Harry Potter series,[…]

Directors

0

The Peculiar Kind: The Humor of Funny Ha Ha and Mutual Appreciation

  • February 1, 2007

“People are constantly falling back on their beds — but always in languor, never in passion . . .” It’s difficult not to be grateful to a film that introduces you to six or[…]

Movies · Reviews

0

Note for a “Round the Way Girl”: Craig Brewer’s Hustle & Flow

  • February 1, 2007

“In Hustle, we can appreciate Nola’s (Taryn Manning) yearning to be more than a pimp’s pussy cash box …” Hmmmm … a film about a street hustling pimp with rap star[…]

Uncategorized

0

Bright Sights: Recent DVDs An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases

  • February 1, 2007

Night Train (Jerzy Kawalerowicz, 1959) Call it Train of Fools. In Jerzy Kawalerowicz’s masterwork, a crowded night express travels overbooked with the despairing, the lovelorn, the lustful, a handful of[…]

Movies · Reviews

0

Still the Same Old Story? Definitely. Ed Zwick’s Blood Diamond

  • February 1, 2007

When Leo met Bogy Can white people with regular features still save the world? Hey, we’re in Hollywood, aren’t we? The answer is not no. Blood Diamond serves up some[…]

Artists · Directors · Movies · Reviews

0

A Legacy Slight but Substantial: Fabián Bielinsky’s Nine Queens and The Aura

  • February 1, 2007

“Who are you? Where do you come from?” Fabián Bielinsky’s sudden death last summer makes an unfortunate backstory to his two features, The Aura and Nine Queens, yet even this[…]

Artists · Directors

0

Welcome to the Modern World: Program Notes for a Michelangelo Antonioni- Jack Arnold Film Festival

  • February 1, 2007

“As much as the landscape is a character in It Came From Outer Space, it dominates Antonioni’s L’Avventura . . .” The surprising affinities between the careers of Italian “art film” director Michelangelo[…]

Reviews

0

Cinephilia in Turin: Davide Ferrario’s Dopo Mezzanotte (Italy, 2004)

  • February 1, 2007

Passion in a handful of dust Amanda: “Don’t you have a TV?” Martino: “No. Just movies.” Dopo Mezzanotte begins with sound and fury: a mysterious hero clad in black leather[…]

Reviews

0

Dude, Where’s My Suicide Pill? Alfonso Cuarón’s The Children of Men

  • February 1, 2007

One virgin birth too many There are two reasons why I hate going to art films. The first is that everyone in the audience is as old as I am.[…]

Actors & Personalities · Reviews

0

Looking at Charlie: The Idle Class, Pay Day, The Pilgrim, and A Woman of Paris

  • February 1, 2007

“Now, Goliath was a big man.” With the release of The Kid in 1921, Charlie Chaplin had fulfilled his dream of making a full-length comedy that would be recognized as[…]

Essays

0

How to Hate Titles Correctly: A Pillow Book of Misguided Assertions

  • February 1, 2007

What’s in a name 1. The Rumpelstiltskin-God No matter how mightily I strive to intellectualize my living (not my life, my living, you understand), to sieve from it every iota[…]

Reviews

0

Blood Diamond: Can white people with regular features still save the world?

  • December 11, 2006

Hey, we’re in Hollywood, aren’t we? The answer is not no. Blood Diamond serves up some of the grimmest images of modern Africa, young boys trained to be genocidal murderers,[…]

Reviews

0

A Woman in Trouble is Rescued and Loved

  • December 11, 2006

David Lynch’s Inland Empire, which runs 172 minutes, keeps collapsing in on itself. This is sure to frustrate most people, even Lynch fans. (I was not a big Lynch fan[…]

Genres · Movies · Noir · Noir · Reviews

0

Neo-Noir on Laser: Point Blank, Chinatown, The Long Goodbye

  • November 2, 2006

All the colors of darkness When Cinemascope was introduced, Jacques Rivette and Eric Rohmer hailed the process in the pages of Cahiers du Cinema. Rivette argued that Cinemascope freed the[…]

Movies

0

Following the Blind Swordsman: The Zatoichi Movies

  • November 1, 2006

“He is an itinerant hero, a lone samurai whose mask is his blindness, a mask that hides his many strengths. I am always looking for new cinematic vistas. New directors,[…]

Essays · Genres · Horror · Movies · Reviews

0

Who Owns Norman Bates? On Psycho IV, III, II, I, and More

  • November 1, 2006

“Look at yourself,” she says, “that’s not who you are anymore.” Dedicated to Joseph Stefano (1922-2006) and Anthony Perkins (1932-1992) Anthony Perkins was dying. On March 27, 1990, The National[…]

Essays

1

Suspicious White Powder: Bad Actors in an Age of Bad Equality

  • November 1, 2006

Please dispose of all reality at the back of the theatre An emancipated society . . . should rather point to the bad equality of today, the identity of film[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy