SF & Fantasy · Thrillers & Action
The movie makes a half-hearted attempt at chastising contemporary society and its dependence on technology, on machines (ironically, Sarah would not have survived without the help of a machine). Everyone[…]
The dominant image from Jonathan Glazer’s Under the Skin (2013) is that of an opaque pool of black liquid, into which sink a variety of men who have fallen victim[…]
Once a film gives up on originality, it immediately descends into nihilism. Whatever sensory pleasures such a film may offer, the underlying assumption is that the entire experience is empty[…]
In a dehumanised world it is therefore the replicants who are keener to live, love, and be free. This is another important issue that the film raises: who is actually[…]
So even if you aren’t nostalgic for the heady sense of danger and decadence, do yourself a favor and crash the pod down into Carpenter country – an alternate reality[…]
Essays · New Media · SF & Fantasy · Writers & Critics
“What Jonze, Coover, and Švankmajer are all playing with in their distinctive, varying shades of dark humor are the dual perspectives of the Spielbergian audience, absorbed in the protagonists’ fantasies,[…]
Activist & Political · Essays · Horror · Reviews · SF & Fantasy
There is a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can’t take part; you can’t even passively take part,[…]
This interview with Ray Harryhausen first appeared in Bright Lights in November 2007. We reprint it here as a birthday tribute to the seminal animator. * * * “I wrecked Washington, and[…]
With the latest version of Godzilla opening on May 16, we were reminded of other 1950s drive-in “classics” featuring everything from irradiated giant bugs to women on other planets who look suspiciously[…]
Activist & Political · SF & Fantasy
Avatar metaphorically attacks all martial, colonial, and expansionist histories, which have occurred at the expense of the world’s indigenous peoples and Earth’s biocomplexity. Both implicitly, through the film’s narrative, and[…]
Now anyone who can scrape together a few hundred dollars can load up on enough movie streams and DV-R and giant LCD screens to never leave the house, so who needs a nice house?
Though last December’s lack of promised Mayan doomsday never panned out, December 2013 is laden with new DVDs and theatrical revivals that allow us to pretend the world ended as far back as 1979. Oh if only… we might all be rolling with Humongous by now, or Bane, or what’s the difference?
“Yes, there are things that disappoint about Elysium. But there is also much to relish about Blomkamp’s still-developing wit and vision, especially his parodic assumptions about future dominant languages and ethnicities.”
Essays · Horror · SF & Fantasy
“The choppy narrative arc of the film ends up matching the new hybrid of fast-running, fast-changing zombie: like its undead, the film moves too fast. The bitten person turns in twelve seconds in World War Z, which feels like about the same amount of time given to a story line before turning to another.”
A singular and highly accomplished independent film, Upstream Color is philosophical science fiction in the tradition of the French nouvelle vague, seasoned with a dash of Cronenbergian body horror. Like[…]
Directors · Reviews · SF & Fantasy
“As cold and insincere as it may be for Spielberg to flush an ‘updated’ version back into theaters as a marketing blitz for the forthcoming 3D sequel, Jurassic Park still[…]
“As cold and insincere as it may be for Spielberg to flush an ‘updated’ version back into theaters as a marketing blitz for the forthcoming 3D sequel, Jurassic Park still exemplifies, for better and worse, the staying power and effectiveness of Spielbergian theme park ride filmmaking, independent of the fact that it is actually about a theme park, and its success is a testament to how skilled he can be at showing an audience what it wants to see.”
How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d.— Alexander Pope (As quoted by Mary [Kirsten Dunst])
Noir · Reviews · SF & Fantasy
“The truth of art lies in its power to break the monopoly of established reality to define what is real.” — Herbert Marcuse
Why do lesbians have to be so boring?
