Whose Noir Is It, Anyway? Robert Aldrich’s Kiss Me Deadly
Mike Hammer deconstructed, or Mike Hammer disrespected? Back in the day — way, way back in the day, when life in America was not a total girlie show — Americans[…]
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Mike Hammer deconstructed, or Mike Hammer disrespected? Back in the day — way, way back in the day, when life in America was not a total girlie show — Americans[…]
“Even the least imaginative people are incredulous about aging: surely this isn’t the only story, the only body I get to inhabit.” To start off, Hong Kong films may not[…]
“Macheath: I’m not asking you to put on an opera.” ~ Bertolt Brecht, The Threepenny Opera, Act 1, scene 2 Down the crooked lanes of London, gangster Mackie Messer stalks a[…]
Just Like Those Mind-Forged Manacles Blues A desire for revenge is a normal response to crime. Ask anyone who has just had his house burgled or car stolen. But there[…]
This is my ranked list of 31 Essential Horror Films culled from Ed Hardy, Jr.’s 183 Official Nominees for the 31 Flicks That Give You the Willies List. In keeping[…]
[youtube=http://www.youtube.com/watch?v=MUpUKcCrBP8] When I first saw Rose Hobart (excerpted above) back in the 1970s, it was a revelation to me. Its maker, Joseph Cornell (1903-1972), was an American surrealist who specialized[…]
STOP THE PRESSES! The Invasion sends out (gasp) mixed messages! Well, most Hollywood films send out mixed messages, don’t they? Mixed messages are far more the Hollywood rule than the[…]
Commie on a plane – Oliver Blake and Dana Andrews in The Fearmakers Under the credits of Jacques Tourneur’s The Fearmakers (1958) we see a bearded Dana Andrews being tortured[…]
Historical & Epic · Movies · Reviews
What’s Greek history without distortions, inaccuracies, and falsehoods? In the western Aegean, in a narrow pass by the Gulf of Malis, 300 Spartans and their Hellenic allies, led by King[…]
Genres · Horror · Movies · Reviews
Look familiar? When considering any contemporary zombie film, it is virtually impossible to resist comparison to the work of George A. Romero. Although many directors within the genre attempt to[…]
DVD & Blu-ray · Experimental & Underground · Reviews
Autobiography sometimes trumps art in these uneven works Su Friedrich is a disciplined and highly skilled filmmaker who teaches school (film and video production at Princeton, to be precise) and[…]
“There’s no overt sexuality to Rawang’s care for Hsiao Kang. It’s a tender act of love, a selfless giving of himself to another.” With I Don’t Want to Sleep Alone[…]
Ecce homo I looked at him closely and more quickly (one can, without taking one’s eyes off an object, look very quickly. At that moment my “gaze” swooped down on[…]
Directors · Exploitation & Erotica
It came from San Francisco This is the first of a two-part article exploring how hard-core porn evolved through the efforts of Jim and Artie Mitchell and other pioneers, with[…]
DVD & Blu-ray · Music & Musicals · Reviews
“It flashes before our eyes, and we are not even sure what we have witnessed.” There is an incongruous moment in Please Leave Quietly (2006), the long-awaited concert DVD from[…]
Art for [PAM]’s sake The “Perpetual Art machine” [PAM] is a new media project begun in 2005 that presents the work of a large number of video artists as pieces[…]
“What these Americans have could happen to us. And this is frightening.” Michael Moore’s Sicko begins with clips of what happens to Americans who don’t have health insurance. A man[…]
Yes, Matt Groening and James L. Brooks are rich, rich white men, and thanks to The Simpsons Movie, they’re going to be even richer. Much as I would like to[…]
Most critics have approached Werner Herzog’s latest film Rescue Dawn with qualifying kid gloves, as if it would be impolite to question a late work from such a grand old[…]
Fans of Hong Kong action cinema have long had to wade through murky, treacherous terrain, even with the arrival of DVD: bad transfers, faded, junky prints, badly cropped pan&scan;[…]
