Actors & Personalities · Pre-Code
Miriam Hopkins & the Pre-Code Menage-a-trois
Imagine Angelina Jolie and Jennifer Aniston deciding to live together and share Brad Pitt! How hot would that be? But no, now we live in a much more (as in[…]
Category: Genres
Documentaries · Religion & Spirituality
Innocence Lost or Regained? The Clear-Eyed Vision of Jesus Camp
“Real things happening to real people”
When Virtue Sleeps: The Moral World of Denys Arcand’s L’Âge des Ténèbres
“We are asked to think morally: is the happiness these characters seek possible or desirable?”
Actors & Personalities · Essays · SF & Fantasy
A Boy and His Dog: On Will Smith, Apocalypse, and I Am Legend
“Neville remains wholly oblivious, falling into each trap the ferals set … “
Actors & Personalities · Music & Musicals
Ode to Lili: And Leslie Caron
“This MGM movie is studio-system filmmaking at its most protective, and it’s designed entirely to showcase Leslie Caron …”
Directors · Experimental & Underground
Peter Watkins and the Politics of Expression: On Edvard Munch (1974) and The Freethinker (1994)
“Watkins’ filmmaking bravely seeks an insistence on personal truth his own and the viewer’s.”
Composers · Essays · Music & Musicals · Sound & Language · Writers & Critics
False Consonance and False Consciousness: Contrarian Notes on the Ideology of Film Music
“Defenseless against music, I must submit to its despotism and, depending on its whim, be god or garbage.”
Activist & Political · African American · Exploitation & Erotica · Genres
Hillbilly Hustle: The Thin Line Between Hillybilly Sexploitation and Blaxploitation in Trash Cinema
“How you gonna keep um’ down on the farm after they seen all this?”
Documentaries · Festivals & Awards · War
Onward and Inward: On the 2007 Thessaloniki International Film Festival
“Each work limns a moral dilemma that has no discernible answer.”
The Double Standard: The Twins of Two-Faced Woman and Sylvia Scarlett
“She is both sentimental and shameless.”
Stunted Lives: On 4 Months, 3 Weeks, & 2 Days
Unsettling and unmissable
Downward Mobility: On Roger Corman’s Bloody Mama
“You never could make a decent living … you never did mount me proper.”
Exploitation & Erotica · Reviews
The Foxy, the Dead, and the Foxier: Re-Visiting Death Proof
“He’s old enough to be my dad!”
Thank God for Uncle Tom: Race and Religion Collide in The Green Pastures
A kinder, gentler condescension
Lewton/Tourneur – The Lennon & McCartney of Cinema
Bright Lights After Dark tips its hat to the Val Lewton Blogathon hosted here, and encourages its readers to check out the documentary, Val Lewton: The Man in the Shadows,[…]
The White Reindeer (Valkoinen Peura, 1952)
Christa Lang Fuller, widow of Sam, in response to my post re 31 Essential Horror Films writes: “Please add Valkoinen peura (1952) to the top of your list as one[…]
The Searcher: On Ethan Edwards and John Ford’s Masterpiece
“Ride away . . . ride away . . .” John Ford’s The Searchers (1956) opens with the arrival of Ethan Edwards (John Wayne) at his brother’s home in southern[…]
The Wages of Skin: The Irrepressible Rise of All-American Smut
Linda Lovelace meets the Forty Thieves Having seen how sixties San Francisco spawned a generation of irreverent young celluloid porn barons — “Before The Green Door” in Bright Lights 57[…]
The Passion of the Auteurist: On Man of Cinema: Pierre Rissient
“It’s not enough to like this movie” He has been called the Kissinger of Cinema and the King of Cannes. Quentin Tarantino describes him as “a samurai warrior for films[…]
Made in China: Jennifer Baichwal and Edward Burtynsky on Their Travels Across Manufactured Landscapes
“We’ve created a world that buffers us from nature.” In the past few years, there has been a healthy emission of premium-grade eco-conscious documentaries — Darwin’s Nightmare, Our Daily Bread,[…]
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