Essays · Film Technology & History · Music & Musicals
Art Thou Troubled? Musicals May Calm Thee
But don’t forget DVD opera
Category: Genres
Here Come the Bromides: Living in the Era of the Bromantic Comedy
“Nothing is more exhilarating than philistine vulgarity.” — Vladimir Nabokov
Activist & Political · Reviews
Dark Harvest: Robert Kenner’s Food, Inc.
“It’s not a tomato, it’s the idea of a tomato.”
Sleep Stalking: Jerzy Skolimowski’s Four Nights with Anna
“Just like you wanted, grandma. I’m seeing a woman.”
In Lonely Places: Film Noir Outside the City
“Noir films with non-urban settings exploded the idea that escape into a safer or healthier world was possible, showing how temptation and violence can attack anyone, anywhere.”
The Taking of Pelham One Two Three (1974): The Ultimate NYC Film
“What is this New York-ness?”
The Taking of Pelham 123 (2009): Inflating Pelham
“To be a star, or thought of as a star, was not enough.”
Crime · Drama · Noir · Reviews
Women Larger Than Life: Program Notes 2: King Vidor’s Beyond the Forest (1949) / Gerd Oswald’s Crime of Passion (1957)
Note: The humble program note has a long and noble history. Sometimes anonymous, sometimes not, cheered as often as they were reviled, these brief, ephemeral, often illuminating handouts, likely destined for the dustbin the same night they appeared, offer “wisdom in a nutshell,” as one of Ivy Compton-Burnett’s characters aptly put it. This article is the second in Bright Lights’ series of vintage program notes from those heady days of the 1970s when unstoppable auteurists started their own cine clubs and commandeered movie theaters to bring their idea of cine-culture to audiences. Our late friend Roger McNiven continues the series with fascinating write-ups of two more works on the subject of “women larger than life,” in this case Bette Davis in King Vidor’s woefully underrated Beyond the Forest and Barbara Stanwyck in Gerd Oswald’s undeservedly obscure Crime of Passion. This double feature was screened at the legendary Thalia Theatre in New York City on Monday, December 3, 1979. We have added images but not edited the text, deferring to the time and spirit in which it was written.
Actors & Personalities · Music & Musicals
Astaire Reborn! Jane Powell Gives Fred a Lift in A Royal Wedding
“I hope he knew how much the world loved him.”
Essays · Historical & Epic · Music & Musicals
On the Incomprehensibility of Timely Films Past Their Time: Or, A Signing Fool Watches The Singing Fool
“Not frustration of a desire of the subject, but frustration by an object in which his desire is alienated and which the more it is elaborated, the more profound the alienation from his jouissance becomes for the subject.”
Little Stabs of Queer Happiness (and Horror): Random Short Reviews of the Worthy and the Worthless in Recent and Old School Cinema
“A seemingly average person continually surprises and unsettles us by doing something strange and following it up with something even more spectacularly strange.”
Pixar’s Up: The Japanese Connection
“It’s just a little less Disney”
Fellini, Michael Jackson, and La Voce della Luna (1990)
In America, the 1960s were the golden age of the foreign film. Film directors like Michelangelo Antonioni, Jean-Luc Godard, Ingmar Bergman, and Alain Resnais were considered “superstars,” and[…]
Directors · Exploitation & Erotica · Reviews
Ed Wood Blogathon: Screwy Details in THE NIGHT OF THE GHOULS
It’s a shame that Ed Wood’s last non-skin film, NIGHT OF THE GHOULS (1959), had to go unseen all through the prime time of Wade Williams’ TV horror package. It[…]
Directors · Exploitation & Erotica · Reviews
José Mojica Marins Meets the Spirit of Ed Wood in the World of Coffin Joe
[youtube=http://www.youtube.com/watch?v=YLgx38t7AQ4] [youtube=http://www.youtube.com/watch?v=pAdAixzYq-k] Thank you, Spirit of Ed Wood Blogathon, for giving me an excuse to write about José Mojica Marins, the Brazilian screenwriter, director, and star of films every bit[…]
DRAG ME TO HELL / STUCK – Women in Trouble
The first is a supernatural horror film. The second is a horror story without any trace of the supernatural. Otherwise, they are remarkably similar. Both apply the horror film’s fundamental[…]
Actors & Personalities · Documentaries
“Just Another Man”: On James Toback’s Tyson
“Toback, to his credit, and despite the empathy he feels toward his subject, doesn’t pull his punches.”
DVD & Blu-ray · Experimental & Underground
Opposition Compositions: Treasures IV: American Avant Garde Film 1947-1986 on DVD
“Avant garde filmmaking has been defined almost entirely in opposition to the Hollywood mainstream.”
Actors & Personalities · Exploitation & Erotica · Pre-Code
Desperation and Divinity: “Help us, Mae!”
Hazy thoughts on the transition from real sex to digital hallucinations
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