Of Perfect Plans and Acts of Creation: Stanley Kubrick’s The Killing
“His plan mirrors Johnny’s, that is, pieces of the plan are known to one person: Johnny and Stanley; and not until the end do we see most of their pieces come into place.
Category: Genres
Essays · LGBT & Queer · Writers & Critics
Contagious Homosexuality: Cruising and Sodom and Gomorrah
“In both Sodom and Gomorrah and Cruising, homosexuality – and its alternate currents – is caught with a glance.”
Activist & Political · Reviews
“They Come in Peace”: Andy Fickman’s Race to Witch Mountain
“Only saviors can save polluted planets, yellow cab drivers are losers . . .”
Porno to the People: The Danish Revolution That Liberated America
“Tease was out, honesty was in.”
Activist & Political · Directors · Interviews
Just Say Oui: An Interview with the Yes Men
“I’m shitting bricks, thinking he’s onto me.”
An Atheist’s Guide to “The Legend of Sleepy Hollow”
When you believe in things you don’t understand, you suffer. – Stevie Wonder * * * In 1949 Walt Disney Studios produced the last, and arguably the best, of their[…]
The Beautiful and the Darned: Avenging TWILIGHT
It’s massively popular, it’s ridiculously mopey, yet it’s also brooding, purple and relatively un-headache-inducing… in short, it’s everything you hate and love about Seattle if you ever tried to move[…]
Music & Musicals · Reviews · TV & Streaming
The Marienbad Music Video
So many music videos and television commercials have ripped off the imagery of Alain Resnais’s Last Year at Marienbad since its 1961 release that it makes perfect sense for someone[…]
Documentaries · LGBT & Queer · Reviews
Alan Turing, 1912-1954, 2009
Since we’re commemorating dire events today, here’s one from queer history worth noting. From today’s Guardian website: Gordon Brown issued an unequivocal apology last night on behalf of the government[…]
The Shallow World of District 9
Even within the notoriously cheese-ridden genre of science fiction, few films can rival the alien visitation picture in terms of how much suspicion they arouse. Rare is the film that[…]
Essays · Film Technology & History · Music & Musicals
Art Thou Troubled? Musicals May Calm Thee
But don’t forget DVD opera
Here Come the Bromides: Living in the Era of the Bromantic Comedy
“Nothing is more exhilarating than philistine vulgarity.” — Vladimir Nabokov
Activist & Political · Reviews
Dark Harvest: Robert Kenner’s Food, Inc.
“It’s not a tomato, it’s the idea of a tomato.”
Sleep Stalking: Jerzy Skolimowski’s Four Nights with Anna
“Just like you wanted, grandma. I’m seeing a woman.”
In Lonely Places: Film Noir Outside the City
“Noir films with non-urban settings exploded the idea that escape into a safer or healthier world was possible, showing how temptation and violence can attack anyone, anywhere.”
The Taking of Pelham One Two Three (1974): The Ultimate NYC Film
“What is this New York-ness?”
The Taking of Pelham 123 (2009): Inflating Pelham
“To be a star, or thought of as a star, was not enough.”
Crime · Drama · Noir · Reviews
Women Larger Than Life: Program Notes 2: King Vidor’s Beyond the Forest (1949) / Gerd Oswald’s Crime of Passion (1957)
Note: The humble program note has a long and noble history. Sometimes anonymous, sometimes not, cheered as often as they were reviled, these brief, ephemeral, often illuminating handouts, likely destined for the dustbin the same night they appeared, offer “wisdom in a nutshell,” as one of Ivy Compton-Burnett’s characters aptly put it. This article is the second in Bright Lights’ series of vintage program notes from those heady days of the 1970s when unstoppable auteurists started their own cine clubs and commandeered movie theaters to bring their idea of cine-culture to audiences. Our late friend Roger McNiven continues the series with fascinating write-ups of two more works on the subject of “women larger than life,” in this case Bette Davis in King Vidor’s woefully underrated Beyond the Forest and Barbara Stanwyck in Gerd Oswald’s undeservedly obscure Crime of Passion. This double feature was screened at the legendary Thalia Theatre in New York City on Monday, December 3, 1979. We have added images but not edited the text, deferring to the time and spirit in which it was written.
Actors & Personalities · Music & Musicals
Astaire Reborn! Jane Powell Gives Fred a Lift in A Royal Wedding
“I hope he knew how much the world loved him.”
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