Fun and Hunger Games. And Other Reality Shows.
For a science fiction film francise to become truly successful, it helps not to be too original. The most successful of these franchises are based on ideas that have been floating[…]
Category: Genres
Horror · Reviews · TV & Streaming
FridayLight NetfixStreamFest: The Corman-Price Poe Cycle
Price’s florid hamminess fills in the sparse patches of Corman’s sometimes spare mise en scene, and the sparseness conversely gives Price lots of room to floridly ham. Add Les Baxter’s crazy scores, some good freaky psychedelic California painters to make the portraits of dead and evil
uncles and incestuous sisters and flowing red paint credits, and sharp scripts by Richard Matheson and pre-CHINATOWN Robert Towne, and viola!
Exploitation & Erotica · Reviews · TV & Streaming
Sex, Drugs and Germans: 6 Hidden Gems of Netflix Streaming
Homicidal gang debs, tripping youth, murderous charismatic hippie cult leaders,German lesbian junkie spies, sexy German terrorists: 6 Rare, Strange, awesome films (all on Netflix Streaming) from or about the late 60s-early 70s.
Activist & Political · African American · Reviews
Scatological Cinema, or Why The Help Stinks
Only white Hollywood would make a mainstream movie where toilets and shit are used as significant tropes to tell a story of black-white relations, as if the topic is right up black folks’ alley.
Actors & Personalities · Experimental & Underground
In a Garden of Tin Men: Marion Eaton (1932–2011) Remembered
“Marion’s character in Thundercrack!, the daft and delusional farm widow Gert Hammond, harkened back to a much more handcrafted Tennessee Williamsesque archetype. She infuses Gert with real pathos as well as genuine creepiness in a series of hauntingly photographed monologues that transcend the film’s threadbare conceits.”
Turn, Turn, Turn: The Seasons of Korean Cinema
“If the technical advancement of cinema now means that nature has been conquered, and most movies take place in a meteorological nowheresville created in a digital effects lab (where the weather is either hyper-real or airlessly unpresent), it strikes me as significant that the weather, the presence of the seasons, persists so strongly in Korean cinema, even as it has grown to rival Hollywood in sophistication, ambition, and technical achievement.”
The Bird Identity: Brad Bird’s Mission: Impossible — Ghost Protocol
“Some of the most refreshing aspects of Ghost Protocol are the ways in which it defies so many of the accepted conventions of modern action movies, most of which can probably be attributed to Bird’s economic and meticulous mise en scène.”
“Dad, Is That You?” Revisiting M. Night Shyamalan’s The Sixth Sense
“Fatherhood, in a sense of a conscious begetting, is unknown to man.” — James Joyce, Ulysses
Blue Movie: Rediscovering the Spark in Shinya Tsukamoto’s A Snake of June
“An incessant downpour dominates every exterior scene, and even some interior ones through sound. Water becomes a central motif, from Rinko relaxing contemplatively in the bath to Shigehiko watching people drown in the tank.”
“You Know Billy, We Blew It”: Historical Influences on the “Rough Rebels” and How the Counterculture Was Excluded from Hollywood
Hippies and radicals, back of the (cultural) bus
There’s a Holdup in the Bronx, Brooklyn’s Broken out in Fights — but Who Gives a Damn? Joe E. Ross and Fred Gwynne, not as funny as I remembered them in Nat Hiken’s Car 54, Where Are You?
You can go home again; it’s just not a lot of fun when you get there
Mind over Mother: Ecstasy and Cruelty in Brian De Palma’s Carrie
“One reason for [Carrie’s] success in both print and film, I think, lies in this: Carrie’s revenge is something that any student who ever had his gym shorts pulled down in Phys Ed or his glasses thumb-rubbed in study hall could approve of. In Carrie’s destruction of the gym . . . we see a dream revolution of the socially downtrodden.”2
Activist & Political · Reviews
The Plague 2.0: On Steven Soderbergh’s Contagion
“The original industrial accidents as, for instance, the derailment of a train or the crash of an airplane, were all specific, localized, and particular accidents. They were taking place at a certain place and at a certain moment in time. Now, however, the revolution of instantaneous transmissions brought about by telecommunications makes the accident global.” — Paul Virilio
Actors & Personalities · Experimental & Underground
Robert Cowan (1930-2011): Unsung Superstar of the Underground
“Bob and the new people he introduced us to were very inspiring because it meant to me, by seeing them, that you can get older and still run around in a world of uncharted horizons.” – George Kuchar
Activist & Political · Crime · Essays
“What Are Kingdoms but Gangs of Criminals?” The Politics of The Departed
“I don’t want to be a product of my environment. I want my environment to be a product of me.” – Frank Costello (Jack Nicholson) in The Departed
Actors & Personalities · Asian
A Mere Mortal After All: On the Death of Dev Anand
“Endless self-parody is not a ‘new idea’ — and unless conducted with the awareness of the irony inherent in the process, it is a prank a person may play for years before realizing the joke is on him.”
Grounded in the World after Eden: On Nicholas Winding Refn’s Drive
The horror lingers and seeps; the feelings are sponged away.” — Anthony Lane, “Road Kill” The New Yorker September 26, 2011
Counterculture · Essays · Writers & Critics
On the Road to the Ninth Circle of Hell: Easy Rider Merges Lanes with Dante’s Inferno and Faust
How Easy Rider laid the groundwork for Wild Hogs
The Savvy Tivo: Exotic Pre-codes for 12/12-12/20
In darker shadowy lairs, Myrna Loy meets with her devoted astrologer, Swami Yogadaci (the ever villainous C. Henry Gordon) to figure out how and when the constellations want her to assassinate her former sorority snubbers. Loy’s the villain, ostensibly, but you’ll be rooting for her all the way (unless you’ve never felt the sting of a snubbing yourself).
DVD & Blu-ray · Pre-Code · Reviews
Criterion goes Pre-Code: DESIGN FOR LIVING (1933)
Unseen for years thanks to its “dangerously progressive” attitudes towards sexual relationships outside wedlock, tomorrow, Tuesday 12/6/12! Criterion has released it in the stand-alone glory it deserves, replete with extras and an essay by the great Kim Morgan.
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