If Zita Johan went off into the Gary Cooper Morocco desert with Valentino as a stud MUMMY and there was 50 SHADES OF GREY UN-PC whipping and dominance head games Stockholm Syndrome romance, well that gives you some of the plot. PRE-CODE RULEZ!
Exploitation & Erotica · SF & Fantasy
If you’re excited about the promos for the Ridley Scott science fiction movie coming out this summer, Prometheus… it might be a good time to visit some of the films that have been mentioned over the years as the inspirations for ALIEN, and it just so happens they’re all pretty short and all available on Netflix streaming – a perfect weekend triple bill.
“The Story of O and Traumnovelle are two tales of outrageous sex that nevertheless come across as lulling and gentle. Sleeping Beauty deserves to be ranked with those works, in[…]
Activist & Political · Essays · SF & Fantasy
“With the Uncanny one has reached the fringes of the Numinous.” — C.S. Lewis”Becoming a cyborg is the ultimate goal.” — Kevin Warwick on Singularity Hub
“The morally complex interrelationship of hero/villain, which is partially accountable for the remarkable intensity of his films, has at its roots the film noirs of the 1940s. The darker side of human nature, the interiority of these earlier, psychologically troubled characters, is the determining force in Mann’s noirs. We see the director striving for the depth and complexity of characterization he ultimately achieved in the great films of the 1950s.”
Directors · Genres · Noir · Westerns
“Mann’s 1950 threesome — The Devil’s Doorway, Winchester ’73, The Furies — was the most auspicious quantum jump by an American director since John Ford’s equivalent Americana triumvirate of 1939 (Stage Coach, Young Mr. Lincoln, Drums Along the Mohawk) lifted him into the major phase of his career. Yet Mann’s achievements seem destined to remain unappreciated and the director himself obscure.”
Experimental & Underground · Reviews
“It is the tunnel vision, the burrowing into specific obsessions, of In Passing’s individual filmmakers, combined with the broad scope of the collaborative form, that constitute the film’s unique allure.”
African American · Essays · LGBT & Queer
“Beneath its self-presentation as a satiric comedy of manners lie cogent interrogations of notions about race and class, the history of blacks in America, the limits of assimilation, the representations of black gay men, the nature of African American and Hollywood homophobia, and the fluidity of racial identity. Smith performs, resists, and usurps this character in order to effect certain cultural interventions and to further the cause of his public star identity.”
It’s thumb’s up and thumb’s down for Mann’s sprawling, fascinating, multi-auteur epic that inspired “bone-headed” imitations from Ridley Scott (Gladiator) and Mel Gibson (Braveheart)
“This is a winter movie, an elegy tinged with regret.”
Composers · Directors · Music & Musicals · Noir
“Welles familiarizes us with the geography of the town largely through source music. Los Robles is presented as a labyrinth, an inter-place where physical and moral borders are erased.”
Directors · Experimental & Underground
“EXPORT’s antagonistic body undergoes a bloody rebirth, her mutilation inhibiting the screen’s attempt to dominate the body and recentering a commodified humanity whose “eros” struggles to leave its sanguine imprint.”
“Both films suggest Europe has run aground spiritually, as they both depict the Catholic Church and its representatives to be as bloodthirsty as the conquistadors.”
Actors & Personalities · Essays · War
“I read so much about immigrants, how they must adjust to customs and the words of foreign lands. Maybe because I was never treated like an immigrant! Nobody made excuses for me. Not then – not now. Nobody cares about my roots.”1 – Marlene Dietrich, April 15, 1985
“The train is a symbol for whatever you want it to be,” the film’s director, Andrei Konchalovsky, explains. “It can be viewed as a prison because they can’t get out of it, or considered as freedom because they escaped from prison on it, or considered as our civilization running out of control because no-one can stop it.”
Asian · Historical & Epic · War
“The monumental approach, as one would guess, takes history as something to be inspired by, as a record of human greatness that serves to encourage similar greatness by individuals in future times; in the case of City of Life and Death, it is the various acts of compassion and solidarity that play this role.”
“Sex mingles easily with religion, and their blending has one of those slightly repulsive and yet exquisite and poignant flavors, which startle the palate like a revelation — of what? That, precisely, is the question.” – Aldous Huxley, The Devils of Loudun “The Devils is Arthur Miller’s The Crucible with open sores, open bonfires, court intrigue, the King shooting Protestants for sport, the callous and ludicrous behaviour of the Inquisition, the two-facedness of the King’s soldiers and sex-deprived nuns. It’s about the corruption of a whole town and the man at the centre who defies it. — Ken Russell, quoted in the London Times, March 13, 2012
Documentaries · Music & Musicals · Reviews
“It comes as no surprise that Dylan, who has made a career out of dodging tidy classifications and labels, would be involved with a film that exhibits traits of both schools of cinéma vérité, rendering it as one of the most challenging and important works of the 1960s.”
Actors & Personalities · Music & Musicals · Reviews
Paris! Gershwin! Been there! Heard that!
Directors · Exploitation & Erotica · Noir
“Through his ability to improvise his own scenarios and engage others in their perambulations, Haas successfully negotiates the threat of circumstance that ensnared Pavel and, most always, wills out.”
