Books · Drama · German Cinema · LGBT & Queer · Melodrama
Fassbinder Thousands of Mirrors by Ian Penman (Semiotext(e), May 2023, pp. 200, $11.99. * * * In William Motley’s best-selling 1947 novel Knock on Any Door, the author cites an adage that[…]
African · African American · Drama · Essays · Exile and Displacement · Family · Historical & Epic · Race · SF & Fantasy
A think piece discussing the movies Antebellum, Black Panther, Django Unchained, Get Out, and Us. It compares their reception and portrayal of anti-black racism and black suffering, via the lens[…]
Why would writer-director Todd Field make the character so eloquent, cast her with such a beloved actress, and spend so much screen time building pathos for her, all the while[…]
Future events in political campaigns came to be much worse than the events of late 1987 proved to be. One might be inclined to scoff at Gary Hart’s response given[…]
Documentaries · Drama · Family
The fourth wall is broken in the first moments of filming, and the opening scene sets up the dynamic between the filmmaker and the filmed. From there on out, Fredriksson[…]
What makes Judith Hearne such a compelling portrait of female alcoholism is the novel and film’s attention to the many factors that drive Judith’s drinking – the initial encouragement of[…]
Directors · Drama · Family · Writers & Critics
Right before the unnerving camping incident, Sammy has been told by his uncle Boris, who once tamed lions used in movies, that art is a dangerous undertaking and that it[…]
African American · Animals · Drama · Hollywood · Surrealism
In this instance, the look is also a threat to those doing the looking. The act of seeing can be damaging not only to the target but also to the[…]
Drama · LGBT & Queer · Men & Masculinity · Westerns
Though the possible motivations behind Ford’s deep admiration for James have been a topic of debate since the film’s release, little attention, unfortunately, has been paid to the shared relationship[…]
Counterculture · Dialogue · Drama · Romance
The subsequent dialogue between the two films developed after much negotiation and cajoling. They were inclined to be hostile to the other. I tried to inform them about their common[…]
Drama · Dreams · Essays · French Cinema
to Lyssa You either go mad, or you learn about metaphors. – Allie Light * * * fou (masculine): crazy, mad, madman; see l’amour fou folle (feminine): crazy, mad, madwoman;[…]
Absurdism · Comedy · Drama · Mystery
Whereas the Dude is a wholly passive protagonist, thrown begrudgingly into the chaos of conspiracy by the force of pure coincidence and designs of other, more motivated actors, Under the[…]
Absurdism · Drama · Essays · Media · Philosophy · SF & Fantasy
“Where’s the TV Guide?” – last line of the film * * * Introduction Truman Burbank exits the only world he knows. We – the television audience in the film,[…]
We all wait for everything to come into focus, and if we are lucky, we might eventually get access to one snapshot that tells an incomplete story. So naturally, while[…]
Comedy · Drama · French Cinema
Amélie brings life to the unseen. * * * Talk with someone about a piece of art, and they’ll tell you about themselves. Let me share my thoughts on Amélie,[…]
Actors & Personalities · Directors · Drama · Women in Film
“[H]er favorite expression of strained intensity would be less quickly relieved by a merciful death than by Ex-Lax.”
Comedy · Communism and Socialism · Directors · Drama · Eastern European · Russia · War · Writers & Critics
Billy Wilder turned to these two plays because they offered the situations, structure, and characters that would allow his imagination to flower and create contemporary stories – a patriotic military[…]
Crime · Drama · Women in Film
Ramsay uses the distinct qualities of cinema, images and sound, to immerse you in the psychic space of her characters – and what an uncommonly beautiful space it is. It’s[…]
African American · Comedy · Drama · Eco · Race · Urban Conflict
The fundamental question of who will suffer the most from extreme heat, and on a broader scale climate change, is bound to systemic issues of race and class. Through Lee’s[…]
“Movies are dreams, doll, that you never forget,” says Mrs. Fabelman (Michelle Williams). She’s circling the nature of them, which the critic Andre Bazin described when he called cinema “an[…]
