Activist & Political · Documentaries · Essays
E em cada paso dessa linha / pode se machucar. Azar! / A esperança equilibrista / sabe que o show de todo artista tem que continuar. And on each step[…]
This is the second (and third) in a series of reviews by our New York correspondent Claire Baiz of entries in this year’s Doc NYC, the Big Apple’s – and one[…]
Documentaries · Festivals & Awards · War
This is the first in a series of reviews by our New York correspondent Claire Baiz of entries in this year’s Doc NYC, the Big Apple’s – and one of[…]
Why hasn’t there been a biopic of John DeLorean, whose life, as his son Zachary says in the documentary Framing John DeLorean, has all the elements for a rip-snorter: “It’s[…]
African American · Documentaries · Sports
Muhammad Ali was one of the great cultural figures of the 20th century, and of course, one of its most brilliant and inspiring sports figures, equally adept in the ring[…]
Activist & Political · Documentaries
Herewith (we love that word) is our second dispatch from the 2019 Tribeca Film Festival, brought to you by our correspondent Claire Baiz, who will be filing dispatches on some[…]
Documentaries · Festivals & Awards · Sound & Language
Herewith we begin our coverage of the 2019 Tribeca Film Festival, courtesy of our intrepid reporter Claire Baiz, who will be filing dispatches on some of the more worthy entries[…]
Counterculture · Documentaries · Music & Musicals
A roar grew in the wrestling room of daybreak . . . And now where once stood solid water stood the reptile king, Tyrannosaurus Rex, reborn and bopping. – Marc[…]
Actors & Personalities · Documentaries
As Robert Clift states in the film: “The people in my life who loved Monty lost him twice: in his death, and then again when they couldn’t find him in[…]
Directors · Documentaries · Essays
I think that this delicate line between reality, and fact, and truth needs to be more clearly defined. We have to redefine reality.1 – Werner Herzog There are dignified stupidities.[…]
Activist & Political · Documentaries · Medical
We’re reposting this review of The Bleeding Edge today, July 27, as it debuts on Netflix. See this important documentary. * * * This is the kind of cogent, well-researched exposé[…]
Documentaries · Philosophy · TV & Streaming
The film’s childhood-centric poignancy is underscored by the depravity of today’s kindergarteners having to be concerned more with the logistics of hardened desks or evacuation drills thanks in part to[…]
Documentaries · Festivals & Awards
“I’m grateful I didn’t grow up with Barbie.” – Gloria Steinem * * * Gloria Steinem isn’t alone. Lisa Simpson hates Barbie. Feminist writer Roxanne Gay wishes Barbie had never[…]
Comedy · Documentaries · Festivals & Awards
The effect is intimate, but not particularly enlightening. Love, Gilda offers a lot of reminiscing, some sweet (and a few heavy) insights, but very little new information about Radner’s life.[…]
Covering topics as banal as the production of plastics and as profound as cultural appropriation, these films aren’t workaday projects so much as serious visual essays that extend Resnais’ preoccupation[…]
Documentaries · Philosophy · Religion & Spirituality
“All time exists all the time” – from the documentary What Is Reality? * * * Emancipate yourself from the tunnel-visioned timekeeper! Return the unbending arrow of time to its[…]
The notion of the body as entry to the soul becomes a fallacy: penetration is not a portal to another person’s psyche – just as Sagawa’s cannibalism of Hartevelt could[…]
Directors · Documentaries · Experimental & Underground
Davies – who can be described as a cultural conservative but never a simple nostalgist – wears his affection for his forgotten eras on his sleeve, generally eschewing close-ups in[…]
Actors & Personalities · Documentaries
Ingrid Bergman In Her Own Words makes clear that her life was messy and episodic, but she earned great love from her directors, co-stars, and family. Don’t wait for Mommie[…]
Documentaries · Religion & Spirituality
Ciro Guerra’s Embrace of the Serpent (2016) can be read as a brilliant subversion of the colonising role that the camera plays in appropriating native cultures in favour of Western[…]
