“There are no waves, there is only the ocean.” – Claude Chabrol * * * From 1968 to 1975 Claude Chabrol directed a dozen films – one of the most[…]
Category: Directors
Directors · Horror · SF & Fantasy
Weird and Pissed Off: Field Notes on John Carpenter’s First Fifteen Years
“It’s better to be a human being than an imitation.”- John Carpenter, on The Thing * * * 1. Begin with sound. Begin with Assault on Precinct 13 (1976). A[…]
Directors · Essays · Philosophy
Asking the Wrong Questions: Reiteration and Doubling in David Lynch’s Lost Highway, Mullholland Drive, and Inland Empire
“Mystery is good, confusion is bad. And there’s a big difference between the two.” – David Lynch * * * A survey of the critical literature pertaining to David Lynch’s[…]
Biopic · Directors · Drama · Experimental & Underground
James Franco’s The Disaster Artist: Hollywood Caught in the Act of Kissing Its Own Ass
“Hollywood oddballs are like everything else in Hollywood. Don’t look too close.” * * * Greg Sestero’s now reasonably famous book The Disaster Artist, co-written by Tom Bissell, is much[…]
Directors · Documentaries · Experimental & Underground
Memories and Confessions: On the Filmography of Terence Davies
Davies – who can be described as a cultural conservative but never a simple nostalgist – wears his affection for his forgotten eras on his sleeve, generally eschewing close-ups in[…]
Book Review: Fucking Innocent: The Early Films of Wes Anderson, by John Andrew Fredrick
Fucking Innocent: The Early Films of Wes Anderson, by John Andrew Fredrick. $15.95, 288 pp. Rare Bird Books, 2017. The first thing to note about John Andrew Fredrick’s book is[…]
Actors & Personalities · Comedy · Directors
Jerry Lewis: b. Joseph Levitch, Newark, New Jersey, 1926-2017, res. Hollywood
“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
Directors · Interviews · Romance
Staging Pleasure: In Conversation with The Love Witch’s Anna Biller
On The Love Witch: “I like to make films with a kind of dream logic. My films are a mix of reality and fantasy, or a mix of what is[…]
Biopic · Directors · Writers & Critics
“Narrative is dead. We’re mourning it.” Intertextuality and Authorship in Abel Ferrara’s Pasolini (2014)
Rather than trying to frame the narrative as a means of truly understanding the mind of its subject, the film emphasizes that the central figure himself controls access to his[…]
Jerry Lewis and the Gender of Work
The gender of work in the work films is a spectrum that includes both the neutered worker of The Bellboy and The Errand Boy and the feminized worker of Cinderfella,[…]
What Makes Them So Successful? A Look into the Philosophy Behind the Coens’ Filmography
The truth is that they tend toward philosophical absurdism, rather than nihilism, and this perspective is what either makes or breaks their film in terms of commercial appeal. The draw,[…]
Activist & Political · Asian · Directors · Interviews
Challenging the Censor: An Interview with Indian Political Documentarian Rakesh Sharma
“India has always assigned a special sort of power to film . . . an extraordinary power to corrupt gullible masses has been given to cinema.” – Rakesh Sharma *[…]
Directors · Film Technology & History · SF & Fantasy
George Lucas’s Wildest Vision: Retrofuturist Auteurism in Star Wars Episode II: Attack of the Clones (2002)
The very foundation of Lucas’s cinematic philosophy is newness – this comes through in his obsession with technological possibilities, and through his genuinely childlike pursuit of spectacle and wonder. His[…]
The Propagation of Empathy, the Absence of Bathos: On Alexander Payne’s Sideways (2004)
Regret is perhaps Payne’s greatest theme. The continual human dramedy, the elegiac comedy, a country full of people with limited potential raised to think everyone is special, confined souls struggling[…]
A Legacy of Hope: Andrzej Wajda, 1926-2016
He studied and documented his country’s history, politics, and national myths in both film and theater, and was a beloved mentor to countless young filmmakers. * * * Andrzej Wajda[…]
Experimenting with the Horrific: A Reappraisal and Retrospective of the Films of Tobe Hooper
Hooper’s interest in horror articulates itself primarily in formal invention: how can the frame be used to incapacitate viewer expectations? * * * Tobe Hooper’s most recent feature film, Djinn[…]
Comedy · Directors · Drama · DVD & Blu-ray · Silents
Two from Flicker Alley: Isn’t Life Wonderful (Griffith, 1924) and Chaplin’s Essanay Comedies, 1915-16
From his very beginnings as a filmmaker, Griffith understood the efficacy of location shooting. Putting actors into real landscapes and streets not only went to authenticating the narrative but had[…]
On Café Society and Woody Allen – Last seen in search of lost innocence, and rich wood paneling!
Art doesn’t have to be autobiographical, does it? Woody can write about the kid he wasn’t as well as the kid he was, can’t he? * * * I haven’t[…]
Directors · Drama · Interviews
“What Remains When You Die”: Nanni Moretti Talks About My Mother (Mia Madre) (2015)
Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]
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