Vlad Dima is an Associate Professor of African Cultural Studies and French at the University of Wisconsin, Madison. He has published numerous articles, mainly on French and Francophone cinemas, but also on Francophone literature, comics, American cinema, and television. He is the author of Sonic Space in Djibril Diop Mambety's Films (Indiana University Press, 2017). His second book, The Beautiful Skin: Football, Fantasy, and Cinematic Bodies in Africa, is forthcoming in 2020 with the Michigan State University Press. 
Franchises & Series · Superheroes
Phoenix’s body is mostly skin and bones, which is ironic since the film attempts to flesh out the Joker. In fact, this Joker’s ribs and shoulder blades seem to be[…]
Franchises & Series · Thrillers & Action
Fallout is basically about Ethan holding on, not just to elevators, helicopters, or sliding rocks, but to immortality and the ridiculous notion of the perfect man. He is fast, strong,[…]
This film is indeed all about catharsis, ours certainly but mostly Logan’s: liberating violence alongside liberal use of profanity, both underpinned by what we know to have been eighteen long[…]
African · Experimental & Underground
Bekolo’s cinema is not just “African,” or postcolonial, or experimental, or narrative. It is also a cinema that constantly searches for itself, for what it is and what it can accomplish.[…]
SF & Fantasy · Thrillers & Action
The movie makes a half-hearted attempt at chastising contemporary society and its dependence on technology, on machines (ironically, Sarah would not have survived without the help of a machine). Everyone[…]
Comedy · Crime · Sound & Language
American Hustle is, foremost, a film about appearances, about what is real and the constant dialogue between the diegetic and the extra-diegetic, which is especially compelling at the level of[…]
“As the camera constantly spins with the characters, as one might get motion sickness, we may realize that the film really is about nothing. And it does not matter.”
Essays · Horror · SF & Fantasy
“The choppy narrative arc of the film ends up matching the new hybrid of fast-running, fast-changing zombie: like its undead, the film moves too fast. The bitten person turns in twelve seconds in World War Z, which feels like about the same amount of time given to a story line before turning to another.”
“The film beautifully captures the slow decomposing of its characters by following a parallel process at the level of cinematic composition.”
“As Cyril’s frenetic movement appears to up the tempo of the film, the directors drastically slow down the pace by using long takes, and as little cutting as possible. It is amid the two contrasting tendencies that Cyril’s story finds the perfect narrative balance.”
More like the Big Wang Theory
“‘If you ever wonder where your dreams come from, look around: this is where they’re made.’ Maybe the value of Scorsese’s film lies exactly in this sentence and the context in which it is delivered.”
“Ford creates a unique cinematic experience in which the visual, the aural, and even the olfactory mix to produce a powerful synesthetic experience.”
Reviews · Thrillers & Action · War
“Tarantino thus concedes some of his omnipotence to the medium he so deftly manipulates.”
