Anna Backman Rogers, Sofia Coppola: The Politics of Visual Pleasure (New York: Berghahn Books, 2019). The Coppola who emerges from Rogers’s study is therefore something of a double agent. On[…]
The women in these feminist films have power, but they’re more complex than fatale. * * * In the ultra-buoyant realms of badass, the femme fatale is equal to any[…]