Bright Lights Film Journal

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53 Search results for "jerry lewis"

Music & Musicals · Reviews

0

The Fabulous Baker Boys Explains Why There’s No People Like Show People

  • January 1, 2001

Damn we’re good. With the single exception of biting the heads off of rats, lounge acts are the lowest form of show business. As such, they exert a perverse fascination[…]

Actors & Personalities · LGBT & Queer

2

The Sissy Gaze in American Cinema

  • December 1, 1998

Shed a tear for that shimmering, noble, lost creature of the cinema — the sissy! What’s wrong with Hollywood? Nowadays you hear everyone asking that. This very morning, I heard[…]

Phyllis Dietrichson, Walter Neff, and Barton Keyes: Double Indemnity

Directors · Essays

2

Some Like It Not: The Key to Successful Relationships in the Films of Billy Wilder

  • March 28, 2023

Billy Wilder (1906-2002) died on March 27, age 95. We honor him by reposting Jason Carpenter’s fine analysis of the master’s work, first published in Bright Lights in 2016. *[…]

Candyman

African American · Drama · Dreams · Horror · Urban Conflict

0

Candymen: Slumming, Scarifying, and Gentrifying in 1992 and 2022

  • February 22, 2022

Good mornin’, Mr. Benson, I see you’re doin’ well. If I had me a shotgun I’d blow you straight to hell. – Robert Hunter/Jerry Garcia, “Candyman,” 1970 * * *[…]

Citizen Kane

Biopic · Drama · Gothic · Mystery · Myth and Archetype · Psychology

0

Death Came to Charles Foster Kane: Orson Welles in the Underworld

  • February 8, 2021

“The opus begins in dying.”   – James Hillman “Just as each Gothic tale is itself a dream and also a mirror showing the reader his mind, everything within these symbolic[…]

Producers & Studios

0

The Fall of the House of Warner: The Warner Brothers

  • January 25, 2014

“In the 1930s, Warners effectively became the studio to go to for social critique, a risky position to hold under the Hays Code when pictures could be censored not just[…]

Actors & Personalities · Comedy · Silents

0

Looking at Charlie — A King in New York: An Occasional Series on the Life and Work of Charlie Chaplin

  • July 31, 2013

A King Without a Crown

Ellen Page and Jesse Eisenberg in To Rome with Love

Memoir · Reviews

0

Ozymandias Melancholia: Woody Allen’s To Rome with Love: A Personal History

  • January 31, 2013

Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed . . . — from Percy Bysshe Shelley, “Ozymandias”

A scene from David Sington's The Flaw

Essays

0

Between the Idea and the Reality the Shadow Falls

  • October 31, 2011

So please mind the gap

Genres · Noir

0

In Lonely Places: Film Noir Outside the City

  • July 31, 2009

“Noir films with non-urban settings exploded the idea that escape into a safer or healthier world was possible, showing how temptation and violence can attack anyone, anywhere.”

Essays · Exploitation & Erotica · Genres

0

Men in Women-in-Prison: Masochism, Feminism, Fetish

  • July 31, 2008

“Nobody wants to pay to becastrated anymore.”

Directors · Writers & Critics

0

Sirk and the Critics

  • April 30, 2005

(above) The happy-go-lucky “Sirk ensemble” from All That Heaven Allows: Russell Metty, Agnes Moorehead, Sirk, Jane Wyman, Rock Hudson, Ross Hunter, and dialogue director Jack Davis.

Historical & Epic · Reviews · SF & Fantasy · Writers & Critics

0

Robinson Crusoe and the Ethnic Sidekick

  • October 1, 2000

Who knew that Crusoe and Friday would be resurrected daily for service to western culture’s nefarious needs? While we are waiting for Dreamworks’ The Legend of Bagger Vance (starring Matt[…]

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