Bright Lights Film Journal

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Activist & Political · African American · Exploitation & Erotica · Genres

0

Hillbilly Hustle: The Thin Line Between Hillybilly Sexploitation and Blaxploitation in Trash Cinema

  • January 31, 2008

“How you gonna keep um’ down on the farm after they seen all this?”

Composers · Essays · Music & Musicals · Sound & Language · Writers & Critics

0

False Consonance and False Consciousness: Contrarian Notes on the Ideology of Film Music

  • January 31, 2008

“Defenseless against music, I must submit to its despotism and, depending on its whim, be god or garbage.”

Editors · Essays

0

Only the Pictures: We’re All Editing, Ed

  • January 31, 2008

But about this audit

Reviews

0

Communication Breakdown: Reboarding Jim Jarmusch’s Mystery Train

  • January 31, 2008

“You only need one leg to get around. Sure helps to have two.”

Directors · Experimental & Underground

0

Peter Watkins and the Politics of Expression: On Edvard Munch (1974) and The Freethinker (1994)

  • January 31, 2008

“Watkins’ filmmaking bravely seeks an insistence on personal truth — his own and the viewer’s.”

Actors & Personalities · Music & Musicals

0

Ode to Lili: And Leslie Caron

  • January 31, 2008

“This MGM movie is studio-system filmmaking at its most protective, and it’s designed entirely to showcase Leslie Caron …”

Actors & Personalities · Essays · SF & Fantasy

0

A Boy and His Dog: On Will Smith, Apocalypse, and I Am Legend

  • January 31, 2008

“Neville remains wholly oblivious, falling into each trap the ferals set … “

Drama · Reviews

0

When Virtue Sleeps: The Moral World of Denys Arcand’s L’Âge des Ténèbres

  • January 31, 2008

“We are asked to think morally: is the happiness these characters seek possible or desirable?”

Documentaries · Religion & Spirituality

0

Innocence Lost or Regained? The Clear-Eyed Vision of Jesus Camp

  • January 31, 2008

“Real things happening to real people”

African American · Essays

0

Thank God for Uncle Tom: Race and Religion Collide in The Green Pastures

  • January 31, 2008

A kinder, gentler condescension

Exploitation & Erotica · Reviews

0

The Foxy, the Dead, and the Foxier: Re-Visiting Death Proof

  • January 31, 2008

“He’s old enough to be my dad!”

Festivals & Awards

0

Tickets to the Dark Side: The 43rd Chicago International Film Festival

  • January 31, 2008

“We will see whose heart is sharpest!”

Actors & Personalities

0

Nuts to the Squirrels and Roués Redeemed: The Discreet Charm of Charles Boyer

  • January 31, 2008

“In Boyer, self-belief and theatrical technique are seamlessly fused together.”

DVD & Blu-ray · Reviews

0

Bright Sights: Recent DVDs: Our Hitler, Sawdust and Tinsel, Black Sun, Marketa Lazarova, Battleship Potemkin, Nosferatu, Automatons

  • January 31, 2008

An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases

Crime · Reviews

0

Downward Mobility: On Roger Corman’s Bloody Mama

  • January 31, 2008

“You never could make a decent living … you never did mount me proper.”

Directors · Interviews

0

Rebel, Rebel: Gregg Araki Reflects on The Living End and His Totally F***ed Up Career at Sundance 2008

  • January 31, 2008

“My whole thing, all my life, was march to your own drummer.”

Actors & Personalities · Essays

0

Presence and Absence: Toward a Working Conception of Screen Characters

  • January 31, 2008

“A basic consistency on the actor’s part remains uniquely convincing as character, no matter how simplistic that character’s definition.”

Drama

0

Stunted Lives: On 4 Months, 3 Weeks, & 2 Days

  • January 31, 2008

Unsettling and unmissable

Comedy · Essays

0

The Double Standard: The Twins of Two-Faced Woman and Sylvia Scarlett

  • January 31, 2008

“She is both sentimental and shameless.”

Horror · Reviews

1

Lewton/Tourneur – The Lennon & McCartney of Cinema

  • January 14, 2008

Bright Lights After Dark tips its hat to the Val Lewton Blogathon hosted here, and encourages its readers to check out the documentary, Val Lewton: The Man in the Shadows,[…]

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