“Do You Find Me Sadistic?” Tarantino’s Inglourious Basterds
“This is the World War II film confronting its Jungian shadow, acknowledging its darkest impulses and finally purging them.”
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“This is the World War II film confronting its Jungian shadow, acknowledging its darkest impulses and finally purging them.”
Reviews · Thrillers & Action · War
“Tarantino thus concedes some of his omnipotence to the medium he so deftly manipulates.”
Activist & Political · Crime · Historical & Epic · Reviews
How a movie exposé of “abuse of power” defends those in power and their institutions
Filming The Great Gatsby in the 21st Century
“VIFF remains the unspoiled oasis for cinephiles looking to get away from it all.”
Festivals & Awards · LGBT & Queer
Getting out of the ghetto
This year’s strong, idiosyncratic line-up reminds us that moviegoing can still be more than “a museum experience”
“An alternative agenda for the festival might be: what can we make of modernism?”
“We keep returning to this story about pod people because we’re terrified of the continuing erosion of our physicality in the postmodern era.”
“Tease was out, honesty was in.”
Essays · LGBT & Queer · Writers & Critics
“In both Sodom and Gomorrah and Cruising, homosexuality – and its alternate currents – is caught with a glance.”
“Connery, never a martyr to false modesty, remains as voluble and combative as ever.”
Books · Essays · Uncategorized · Writers & Critics
Especially when the lovers aren’t
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
A tour of Edwards’ curious 1988 film, with side trips to variations by James Ivory, John Schlesinger, and others
When you believe in things you don’t understand, you suffer. – Stevie Wonder * * * In 1949 Walt Disney Studios produced the last, and arguably the best, of their[…]
It’s massively popular, it’s ridiculously mopey, yet it’s also brooding, purple and relatively un-headache-inducing… in short, it’s everything you hate and love about Seattle if you ever tried to move[…]
Photo: Director Jack Arnold (right) shows star Grant Williams how to handle a giant prop used in the making of The Incredible Shrinking Man. If director Jack Arnold were alive[…]
Music & Musicals · Reviews · TV & Streaming
So many music videos and television commercials have ripped off the imagery of Alain Resnais’s Last Year at Marienbad since its 1961 release that it makes perfect sense for someone[…]
An apt cinematic analogy of the Polanski brouhaha can be found in Charles Laughton’s NIGHT OF THE HUNTER, namely the hyper-reactive old salt of the general store, Mrs. Icey Spoon[…]
