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Actors & Personalities · Drama · DVD & Blu-ray · Silents
What we see in Brooks and Beery on the screen is a mixup of the actors’ hardwired personalities and those contrived for their roles, but this is the sort of[…]
Wonderstruck seems a retreat from some of Haynes’ established themes, in that it’s not set in the fifties and, as a PG-rated, child-oriented adventure film, instead pursues the marvelous and[…]
Haynes spares us slack-jawed bug-eyed Spielbergian reactions shots, but he also denies us deep emotional engagement. The visuals shadow and overwhelm the actors as they wander the bustling Haynes-Selznick landscapes.[…]
Drama · Essays · Uncategorized
Isn’t something less reassuring and a lot more interesting going on – something more inclusive, diverse, and genuinely universal? * * * There are still too many human beings on[…]
The beautiful grime in Blade Runner challenges you to find humanity in the mechanism of our future, humanity which Scott omits. So we search the frigid replicants for their ghosts,[…]
Directors · Documentaries · Experimental & Underground
Davies – who can be described as a cultural conservative but never a simple nostalgist – wears his affection for his forgotten eras on his sleeve, generally eschewing close-ups in[…]
Books · Comics · Franchises & Series
Make Ours Marvel: Media Convergence and a Comics Universe, edited by Matt Yockey. $29.95, 364pp. Austin: University of Texas Press, 2017. In August this year, Netflix released The Defenders, the[…]
Fucking Innocent: The Early Films of Wes Anderson, by John Andrew Fredrick. $15.95, 288 pp. Rare Bird Books, 2017. The first thing to note about John Andrew Fredrick’s book is[…]
Franchises & Series · Thrillers & Action
The scriptwriters and fortune tellers have so cluttered the rest of the film with wild and haphazard injections of in jokes and outlandish gags … that it becomes repetitious and tedious.[…]
“Once you have a hammer, doesn’t everything look like a nail? In Hong Sang-soo’s films, everyone’s a nail.” * * * The most anticipated films on the festival circuit this[…]
Experimental & Underground · Horror · Philosophy · Religion & Spirituality · Romance
Whatever else it is, mother! is ultimately a woman’s anxious nightmare about what it feels like to put your heart and soul into creating something only for people to take[…]
The stories of Dr. King Schultz, Irving Rosenfeld, and Nick Carver contain a critique of American society deeper than just “white guys always get the benefit of the doubt.” These[…]
Horror · Philosophy · Romance
Regardless of whether it is worth doing or not, people will continue to rely on memory as a way to create legacy and heritage. People will always leave things behind,[…]
Actors & Personalities · Film Technology & History · Silents
Ever since the ad appeared, there have been unanswered questions: who or what was behind the rumors of Florence Lawrence’s death? Did these rumors start because the fans of her[…]
Historical & Epic · LGBT & Queer
There are two major threads here. In one, the queer figure from history becomes a way to explore the consequences of existing in a society that wars against the individual’s[…]
While it’s always difficult to make such a claim with assurance – for decades Disney’s 1937 Goofy feature Hawaiian Holiday was confidently thought to hold that honor – Bobby Bumps[…]
Actors & Personalities · Comedy · Directors
“The major point of convergence between Cassavetes and the Dogme movement is an oppositional realist form that blurs the boundaries between being and performing.”
Exploitation & Erotica · Franchises & Series · Producers & Studios
With summer starting to fade, what better way to while away the hours than by revisiting the beach, as imagined by exploitation studio American International Pictures in the early 1960s?[…]
A particular issue is the degree to which the film departs from “fact.” Significant departures from the historical record, if they become frequent enough, are sufficient to sabotage any “historical[…]
Though some have criticized Nolan’s rigidity and near mathematical precision in tackling a historical event (no doubt provoked by the director’s admittedly frustrating tendency to wax philosophic on his own[…]
