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June 4, 2026
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Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:
The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:
Jackie’s almost eclipsed by the great Michelle Khan. Watch out for that building! Supercop is the second crucial step, after Rumble in the Bronx, in the repackaging of Asian superstar Jackie Chan for American[…]
Directors · Exploitation & Erotica · LGBT & Queer
The “world’s worst director” never apologized for wearing women’s clothes, though many have questioned his taste in sweaters. The story goes that Disney Studios threw Tim Burton a bone in[…]
Actors & Personalities · Silents
“Asta brings a subtle twist to her version of Hamlet not by playing a man, but by playing a woman disguised as a man, adding another level of gender complexity.”[…]
The 2014 release of James Franco’s Interior. Leather Bar. reminds us it’s time to revisit the still-notorious film that inspired it. * * * History shows us how easily yesterday’s[…]
Exploitation & Erotica · Reviews
Stand back when ballooned-up, masacara-drenched go-go girls leave the confines of their cages for a murderous desert rampage! A cornerstone of both camp and punk cultures — no mean feat[…]
Actors & Personalities · Asian · Reviews
Jackie invades America for the second time. Is America finally ready? Jackie Chan’s “newest” film, Rumble in the Bronx, is only new to U.S. audiences. This film was released in 1994[…]
M-G-M’s nearly forgotten Queen of the Lot is enjoying a mini-revival America was built on a vague egalitarianism that scorned the worship of kings and queens, and no wonder —[…]
Actors & Personalities · Documentaries · Reviews
Literally burned by Preminger, driven crazy by an army of husbands, hangers-on, and J. Edgar Hoover, Jean Seberg lives on in a new documentary Jean Seberg was always more icon[…]
Queen alert! Seemingly respectable filmmakers are eagerly repackaging homosexuals as whining, pathetic drag queens for a culture disturbed by sex plagues and nose-ringed militants. If last year’s To Wong Foo led the charge, The Birdcage delivers[…]
With a head like a giant peanut, vast mascara’d eyes, too-kissable lips, baby-doll voice (courtesy of singer Mae Questel), flattened marcelled hair, and mere threads of a dress exposing miles[…]
Directors · Exploitation & Erotica · Interviews
Behind that mountain of oversized tits-and-ass that make up his “body” of work is an extremely intelligent, charming, and funny man, well-versed in cinema history and pop culture. My first[…]
Actors & Personalities · Documentaries
There was more to Carmen Miranda than insane hats and leering grins, a recent documentary shows Camp depends on a glittering surface that often resists penetration. Carmen Miranda is one[…]
Actors & Personalities · Exploitation & Erotica · Interviews
“In the future, everybody will be so sexually satisfied, there’ll be an end to violence, rape and war. We will establish contact with extra-terrestrials and they will be very sexy.”[…]
A Woman’s View: How Hollywood Spoke to Women 1930-1960, by Jeanine Basinger, 1995, 528pp, paper, $17.95 (University Press of New England, 201 E. 50th St. New York, NY 10022). This is[…]
Actors & Personalities · Artists
With his lacerations, deformities, faux stump legs, and shaved head, Chaney was the original Modern Primitive. ReSearch Publications in SF specializes in cultural demi-mondes, everything from Burroughs and J. G.[…]
Actors & Personalities · Artists · Directors · Interviews
Is Gregg Araki’s new film really “a more radical personal and political film than Oliver Stone could have managed in his wettest of wet dreams?” Matthew L. Severson says so,[…]
Unwilling body alterations give these “instant kiddie classics” disturbing undertones. There are two kinds of propaganda: the personal and self-aggrandizing, and the more insidious corporate/social. Personal propaganda is easily recognized[…]
Artists · Directors · Interviews
What does it mean to be a “madwoman” and an artist in American society? A review of Allie Light’s documentary on the subject, along with an interview (below), tries to[…]
Hitchcock has always been considered a director sui generis. John W. Hall looks at Psycho and Touch of Evil to show that even Hitch couldn’t resist the charms — and stylistic strategies — of Orson Welles.[…]
