Bright Lights Film Journal

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Festivals & Awards · LGBT & Queer

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Queer Voices: The 1997 San Francisco International Lesbian and Gay Film Festival

  • July 1, 1997

The world’s biggest lesbian and gay filmfest shows the pleasures and pitfalls of gay auteurs caught between assimilation and opposition. Watch out for the “Stepford” homosexual! Gay culture is at[…]

LGBT & Queer · Reviews

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Worshipping Delon: Queer Notes on Rene Clement’s Purple Noon

  • July 1, 1997

Noon isn’t the only thing that’s purple in this continental ode to Alain Delon’s crotch. Some “classics” earn that status from innovative mise en scene, others from memorable performances, still[…]

Documentaries · LGBT & Queer · Reviews

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Queer Documentary: Gay USA (1978)

  • July 1, 1997

Queer activism circa 1978 showed a diverse optimistic community moving ever closer to unity — before the body blow of AIDS. Porn directors aren’t usually known for their political consciousness;[…]

LGBT & Queer · Reviews

0

Trans-itions: Richard Spence’s Different for Girls (1996)

  • July 1, 1997

In a cinema crowded with self-conscious transgressions, Kim offers the real article when she strips to show her straight boyfriend the thrilling secrets of the altered body. Transsexual imagery has typically[…]

LGBT & Queer · TV & Streaming

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PBS’s Queer Newsmagazine In the Life: June 1996

  • July 1, 1997

The theme of the latest edition of the acclaimed PBS queer newsmagazine is the queer body and the queer body politic under assault. The body as battleground is the tacit[…]

Asian · LGBT & Queer · Reviews

0

Bending the Gender Till It Breaks: Hong Kong’s Who’s the Man? Series

  • July 1, 1997

Hong Kong’s gender-benders are the stuff of legend; director Patrick Chan adds two key works to the canon in these 1996 bookend satires of fame, pop music, and forbidden kisses.[…]

Books

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Books: Grindhouse, by Eddie Muller and Daniel Faris

  • March 12, 1997

Grindhouse: The Forbidden World of “Adults Only” Cinema,by Eddie Muller and Daniel Faris (New York: St. Martin’s Griffin, 1996, 157 pp., $19.95) Surrealist poet Paul Eluard once said, “There is[…]

Exploitation & Erotica

0

Blaxploitation: A Sketch

  • March 1, 1997

“America consistently countered the growing concepts of black pride and power with a virtual army of self-sacrificing mammy figures (both male and female), pimps, whores, ‘great black hopes,’ and the[…]

Reviews

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“The Same Paranoid Space”: Nicholas Roeg’s Two Deaths

  • March 1, 1997

Roeg drags us into a nightmare of sophisticated sadomasochism – and we don’t object Nicholas Roeg’s new film opens with images of disconnected body parts – a man’s leg washed[…]

Reviews · War

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Vittorio de Sica’s The Garden of the Finzi-Continis (1971)

  • March 1, 1997

“His Finzi-Continis, set in the years 1938 to 1943, is an autumnal work in two senses – the subject is the last golden flash of freedom before one of history’s major tragedies,[…]

Reviews · War

1

Combat Autopsy: Raoul Walsh’s The Naked and the Dead

  • March 1, 1997

“What is most disturbing about all of this is the straight, uninflected manner in which Walsh visualizes the story.” Writers on film rarely discuss the combat genre and, when they do, they[…]

Directors · Reviews

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Last Laugh: Was Hitchcock’s Masterpiece Vertigo a Private Joke?

  • March 1, 1997

“On one level, Vertigo bewitches us with eerie fascination; on another, it leads us on a wild goose chase in search of Scottie’s character. But could the latter really have been Hitchcock’s[…]

Asian · Reviews

0

Tsui Hark’s The Blade (1995)

  • March 1, 1997

“The Blade is the director’s paean to the muscular, exposed male body and a virtual catalog of ways to assault it – pummeling, whipping, biting, beating, and hacking . . .” Tsui Hark’s[…]

Asian · Crime · Reviews

0

Patrick Leung’s Beyond Hypothermia (1996)

  • March 1, 1997

“Her mechanistic thinking precludes her from pursuing the noodle vendor in the usual ways; she can only see him after she has killed, and her sudden appearances and disappearances in[…]

African American · Historical & Epic · Reviews

0

Afro Promo: Jenni Olsen’s Survey of Black Cinema Trailers 1946-1976 on DVD

  • March 1, 1997

“America consistently countered the growing concepts of black pride and power with a virtual army of self-sacrificing mammy figures (both male and female), pimps, whores, ‘great black hopes,’ and the[…]

Experimental & Underground · Reviews

0

Synthetic Pleasures: Techno-Revolution or Just Another Dystopia?

  • September 1, 1996

After seeing this film that features everything from body and mind modifications to cryogenics to the fresh hell of cyberspace, you may want to go eat some dirt. At the[…]

LGBT & Queer

0

The Church of Camp: San Francisco’s Castro Theatre

  • September 1, 1996

Every religion needs a church, and camp followers have worshipped regularly at San Francisco’s Castro Theatre for two decades. John Lennon’s famous quote that the Beatles were more popular than[…]

Directors · Interviews · Silents

0

Angel in Exile, Part II: Talking with Pioneering Director Allan Dwan

  • September 1, 1996

Outtakes from an Interview with Dwan, December 1980 * * * Fairbanks, Shirley Temple, Ronald Reagan, all the “pansies and poseurs of Hollywood” – no one was safe from the[…]

Directors · Experimental & Underground · LGBT & Queer

0

Slapstick Realist: The Cinema of Paul Morrissey

  • September 1, 1996

Junkies, queens, washed-up B-movie hags – these are the scintillating “family values” advocates that campmeister and right-wing Republican Morrissey serves up. * * * Much of the myth, if we[…]

Actors & Personalities · Silents

0

Ollie’s Somersault: Thoughts on Oliver Hardy (and Stan Laurel)

  • September 1, 1996

(from Triste, Solitario y final (Sad, Alone, Final), a novel by Osvaldo Soriano, Einaudi Editore “Roll it!” Makeup had changed the fat man’s face into a clownish mask. He’s in an enormous[…]

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