Bright Lights Film Journal

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    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

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Books

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Books: Grindhouse, by Eddie Muller and Daniel Faris

  • March 12, 1997

Grindhouse: The Forbidden World of “Adults Only” Cinema,by Eddie Muller and Daniel Faris (New York: St. Martin’s Griffin, 1996, 157 pp., $19.95) Surrealist poet Paul Eluard once said, “There is[…]

Exploitation & Erotica

0

Blaxploitation: A Sketch

  • March 1, 1997

“America consistently countered the growing concepts of black pride and power with a virtual army of self-sacrificing mammy figures (both male and female), pimps, whores, ‘great black hopes,’ and the[…]

Reviews

0

“The Same Paranoid Space”: Nicholas Roeg’s Two Deaths

  • March 1, 1997

Roeg drags us into a nightmare of sophisticated sadomasochism – and we don’t object Nicholas Roeg’s new film opens with images of disconnected body parts – a man’s leg washed[…]

Reviews · War

0

Vittorio de Sica’s The Garden of the Finzi-Continis (1971)

  • March 1, 1997

“His Finzi-Continis, set in the years 1938 to 1943, is an autumnal work in two senses – the subject is the last golden flash of freedom before one of history’s major tragedies,[…]

Reviews · War

1

Combat Autopsy: Raoul Walsh’s The Naked and the Dead

  • March 1, 1997

“What is most disturbing about all of this is the straight, uninflected manner in which Walsh visualizes the story.” Writers on film rarely discuss the combat genre and, when they do, they[…]

Directors · Reviews

0

Last Laugh: Was Hitchcock’s Masterpiece Vertigo a Private Joke?

  • March 1, 1997

“On one level, Vertigo bewitches us with eerie fascination; on another, it leads us on a wild goose chase in search of Scottie’s character. But could the latter really have been Hitchcock’s[…]

Asian · Reviews

0

Tsui Hark’s The Blade (1995)

  • March 1, 1997

“The Blade is the director’s paean to the muscular, exposed male body and a virtual catalog of ways to assault it – pummeling, whipping, biting, beating, and hacking . . .” Tsui Hark’s[…]

Asian · Crime · Reviews

0

Patrick Leung’s Beyond Hypothermia (1996)

  • March 1, 1997

“Her mechanistic thinking precludes her from pursuing the noodle vendor in the usual ways; she can only see him after she has killed, and her sudden appearances and disappearances in[…]

African American · Historical & Epic · Reviews

0

Afro Promo: Jenni Olsen’s Survey of Black Cinema Trailers 1946-1976 on DVD

  • March 1, 1997

“America consistently countered the growing concepts of black pride and power with a virtual army of self-sacrificing mammy figures (both male and female), pimps, whores, ‘great black hopes,’ and the[…]

Experimental & Underground · Reviews

0

Synthetic Pleasures: Techno-Revolution or Just Another Dystopia?

  • September 1, 1996

After seeing this film that features everything from body and mind modifications to cryogenics to the fresh hell of cyberspace, you may want to go eat some dirt. At the[…]

LGBT & Queer

0

The Church of Camp: San Francisco’s Castro Theatre

  • September 1, 1996

Every religion needs a church, and camp followers have worshipped regularly at San Francisco’s Castro Theatre for two decades. John Lennon’s famous quote that the Beatles were more popular than[…]

Directors · Interviews · Silents

0

Angel in Exile, Part II: Talking with Pioneering Director Allan Dwan

  • September 1, 1996

Outtakes from an Interview with Dwan, December 1980 * * * Fairbanks, Shirley Temple, Ronald Reagan, all the “pansies and poseurs of Hollywood” – no one was safe from the[…]

Directors · Experimental & Underground · LGBT & Queer

0

Slapstick Realist: The Cinema of Paul Morrissey

  • September 1, 1996

Junkies, queens, washed-up B-movie hags – these are the scintillating “family values” advocates that campmeister and right-wing Republican Morrissey serves up. * * * Much of the myth, if we[…]

Actors & Personalities · Silents

0

Ollie’s Somersault: Thoughts on Oliver Hardy (and Stan Laurel)

  • September 1, 1996

(from Triste, Solitario y final (Sad, Alone, Final), a novel by Osvaldo Soriano, Einaudi Editore “Roll it!” Makeup had changed the fat man’s face into a clownish mask. He’s in an enormous[…]

Actors & Personalities · Silents

0

Eternal Child: The Many Meanings of a Mask (on Stan Laurel)

  • September 1, 1996

Laurel’s mask – the goofy, sweet-natured grown-up child – had its roots in the classic commedia dell’arte. The reasons why Stan Laurel is always entered in film annals as an[…]

Actors & Personalities · Silents

3

Stealing the Clown’s Clothes: Stan Laurel’s Relationship with Chaplin

  • September 1, 1996

Chaplin’s most famous “creation” was his little tramp – but Stan Laurel did it first, as Chaplin knew all too well. One of the most troubling aspects of Stan Laurel’s[…]

Actors & Personalities · Asian · Historical & Epic · Reviews

0

“Richer Films . . .” Kurosawa’s Seven Samurai (1954)

  • September 1, 1996

This epic set in the 16th century deals with war, honor, courage, and yes, that homo subtext ever present in male bonding movies – punctuated by Toshiro Mifune’s bold butt-baring[…]

Horror · Reviews

0

Half Human, Half Garbage Disposal: The Island of Dr. Moreau (1996)

  • September 1, 1996

See Val Kilmer feed psychedelic mushrooms to the crazed beast-people! See Aissa’s forbidden jungle dance! See the terrible white monster who lumbers across the sets in pancake makeup and Bea[…]

Experimental & Underground · LGBT & Queer · Reviews

0

“An Oasis of Glamor in a Sea of Mediocrity”: Vegas in Space (1991)

  • September 1, 1996

John Waters, Zsa Zsa Gabor, The Bad Seed, Supermarionation – the late Doris Fish trawled through the lowest depths of culture for her homemade camp fairy tale. Drag queen diva Doris Fish[…]

Directors · Documentaries · Experimental & Underground · Reviews

0

Tender Fictions: Barbara Hammer’s Truth Club

  • September 1, 1996

Barbara Hammer continues the groundbreaking investigations into gender that started with Nitrate Kisses – this time using autobiography to tell her truths. Barbara Hammer is best known for her groundbreaking[…]

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