Bright Lights Film Journal

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Seconds in Eternity: Experimental Film Master Gregory Markopoulos

  • November 1, 1997

Cinema’s long-lost “supreme erotic poet” has come back to the fold – briefly How does it happen that a filmmaker once lauded as “the American avant-garde cinema’s supreme erotic poet”[…]

Animation · Experimental & Underground · Reviews

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A Crazy Cake: Jan Svankmajer’s Conspirators of Pleasure (1997)

  • November 1, 1997

Noodles up the nose, murdered dolls, toe-sucking fish – these are the hallmarks of Prague’s zaniest surrealist! Forget magic realism; this is magic surrealism, of the highest order. Czech filmmaker[…]

Music & Musicals · Reviews

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Opera Queens: Werner Schroeter’s Love’s Debris (1996)

  • November 1, 1997

Thrill as the withered opera hags revisit their vital past! Scream as the mock-incestuous-lesbian sisters kiss and waltz! Shudder as hunky baritone Sergei Larin makes goo-goo eyes at a twink![…]

LGBT & Queer · Reviews

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Queer Love: Neil Hunter and Tom Hunsinger’s Boyfriends (1996)

  • November 1, 1997

This sweet, sad queer ensemble piece from Britain surpasses its more pompous American counterparts. The bitchy, bittersweet gay ensemble movie of the pre-2000 era, e.g., The Boys in the Band or[…]

Reviews · Thrillers & Action

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Marginalism in Andrew Davis’s The Fugitive (1993)

  • November 1, 1997

A bottle of “Black & Beautiful” hair dye gives Harrison Ford his ticket to the demimonde When I saw The Fugitive, I watched it with a particularly critical eye. Earlier,[…]

Reviews

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Beautiful, Empty Spaces: Jean-Luc Godard’s Contempt (1963)

  • November 1, 1997

If Brigitte Bardot, Jack Palance, and Fritz Lang aren’t enough of a lure, how about all those beautiful empty spaces? Few observers at the time (1963) were prepared for Godard,[…]

LGBT & Queer · Reviews

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Queer Kisses: The Cinematic Taboo Before 2000

  • November 1, 1997

What is it about the sight of two men kissing that drives Americans insane? Frank Oz’s In and Out can be read on one level as an attempt to relocate[…]

Asian · Reviews

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Hong Kong Films, 1997: Enjoy Yourself To-Night, Final Justice, Midnight Zone, Once Upon a Time in China and America

  • November 1, 1997

“I refuse to fever in the lousy ballroom of Mongkok!” Hong Kong cinema is in clear disarray with the transfer to China, a star system in virtual collapse, talent dispersing[…]

Exploitation & Erotica · Producers & Studios · Reviews

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Albert Zugsmith’s Opium Dreams: Confessions of an Opium Eater

  • November 1, 1997

Can one man’s brain contain Written on the Wind, The Incredible Shrinking Man, LSD, I Hate You!, and Confessions of an Opium Eater? If the man is Albert Zugsmith it could.[…]

SF & Fantasy

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Future Imperfect: Sci-Fi’s Nationalist Narratives

  • November 1, 1997

The future’s no future, but that’s okay – your spaceship is almost ready! Science fiction is, inevitably, an American genre, its narratives – literary and cinematic – fueled by the[…]

Festivals & Awards · LGBT & Queer

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Queer Voices: The 1997 San Francisco International Lesbian and Gay Film Festival

  • July 1, 1997

The world’s biggest lesbian and gay filmfest shows the pleasures and pitfalls of gay auteurs caught between assimilation and opposition. Watch out for the “Stepford” homosexual! Gay culture is at[…]

LGBT & Queer · Reviews

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Worshipping Delon: Queer Notes on Rene Clement’s Purple Noon

  • July 1, 1997

Noon isn’t the only thing that’s purple in this continental ode to Alain Delon’s crotch. Some “classics” earn that status from innovative mise en scene, others from memorable performances, still[…]

Documentaries · LGBT & Queer · Reviews

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Queer Documentary: Gay USA (1978)

  • July 1, 1997

Queer activism circa 1978 showed a diverse optimistic community moving ever closer to unity — before the body blow of AIDS. Porn directors aren’t usually known for their political consciousness;[…]

LGBT & Queer · Reviews

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Trans-itions: Richard Spence’s Different for Girls (1996)

  • July 1, 1997

In a cinema crowded with self-conscious transgressions, Kim offers the real article when she strips to show her straight boyfriend the thrilling secrets of the altered body. Transsexual imagery has typically[…]

LGBT & Queer · TV & Streaming

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PBS’s Queer Newsmagazine In the Life: June 1996

  • July 1, 1997

The theme of the latest edition of the acclaimed PBS queer newsmagazine is the queer body and the queer body politic under assault. The body as battleground is the tacit[…]

Asian · LGBT & Queer · Reviews

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Bending the Gender Till It Breaks: Hong Kong’s Who’s the Man? Series

  • July 1, 1997

Hong Kong’s gender-benders are the stuff of legend; director Patrick Chan adds two key works to the canon in these 1996 bookend satires of fame, pop music, and forbidden kisses.[…]

Books

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Books: Grindhouse, by Eddie Muller and Daniel Faris

  • March 12, 1997

Grindhouse: The Forbidden World of “Adults Only” Cinema,by Eddie Muller and Daniel Faris (New York: St. Martin’s Griffin, 1996, 157 pp., $19.95) Surrealist poet Paul Eluard once said, “There is[…]

Exploitation & Erotica

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Blaxploitation: A Sketch

  • March 1, 1997

“America consistently countered the growing concepts of black pride and power with a virtual army of self-sacrificing mammy figures (both male and female), pimps, whores, ‘great black hopes,’ and the[…]

Reviews

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“The Same Paranoid Space”: Nicholas Roeg’s Two Deaths

  • March 1, 1997

Roeg drags us into a nightmare of sophisticated sadomasochism – and we don’t object Nicholas Roeg’s new film opens with images of disconnected body parts – a man’s leg washed[…]

Reviews · War

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Vittorio de Sica’s The Garden of the Finzi-Continis (1971)

  • March 1, 1997

“His Finzi-Continis, set in the years 1938 to 1943, is an autumnal work in two senses – the subject is the last golden flash of freedom before one of history’s major tragedies,[…]

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