Bright Lights Film Journal

  • TwitterTwitter
  • FacebookFacebook
  • InstagramInstagram
  • Google+Google+
  • RSSRSS
  • About
    • Staff
    • History
    • Contact
    • Advertise with BLFJ
    • Submission Guidelines
    • Banned Words
    • BLFJ News
    • Issue Archive
  • Artists
    • Actors & Personalities
    • Cinematographers
    • Composers
    • Directors
    • Editors
    • Interviews
    • Visual Artists
    • Writers & Critics
  • Movies
    • DVD & Blu-ray
    • Festivals & Awards
    • Lists
    • Reviews
    • Photo Essays
  • Genres
    • Activist & Political
    • Animation
    • Asian
    • Avant Garde & Underground
    • Crime
    • Documentaries
    • Erotica & Exploitation
    • Historical & Epic
    • Horror
    • LGBT & Queer
    • Music & Musicals
    • Noir
    • Pre-Code
    • SF & Fantasy
    • Silents
    • Westerns
  • TV & Streaming
  • Books
  • Contributors
  • Subscribe
  • Ads
    • Most Popular

      All time

    • Black Lives Matter: Whitewashing the Amanda Knox Story in the Netflix Documentary

      49 Comments

    • The Last Airbender: The Most (Incomplete) Fantastic Journey

      30 Comments

    • Latest Stories

      What is new?

    • Anyone Miss Movies That Made People Vomit? Schindler’s Watch List

      July 21, 2026

    • The Light He Could Not Keep: On Steven Spielberg’s Disclosure Day

      July 16, 2026

    • Comments

      Most Recent

    • Blogging Pound’s The Cantos: Canto LXII – gordsellar.com on:

      A Film Divided Against Itself: D. W. Griffith’s The Birth of a Nation (1915)

    • The Esteemed Black Actresses Who Finally Have the Spotlight – The New York Times – Celebrity News on:

      Books: Best Actress: The History of Oscar-Winning Women by Stephen Tapert

Books

3

Book review: Billy Wilder: A Talent for Trouble

  • May 12, 1998

Billy Wilder, by Bernard F. Dick. New York: Da Capo Press (a division of Plenum Publishing), 1996 (updated edition). $13.95, ISBN 0-306-80729-7. Trade paperback, 198pp. To order, contact Da Capo Press[…]

Books

0

Books: September Song; Marihuana, Motherhood, and Madness

  • May 12, 1998

Kudos to Scarecrow for finally wising up and using attractive, well-designed dust jackets on their books. Now if they can only do something about those high prices . . . but onto[…]

Animation · Festivals & Awards · LGBT & Queer

0

Queer Cartoons at the 1998 San Francisco International Lesbian and Gay Film Festival

  • May 1, 1998

“Ooh, Batman, it hurts!” Cartoons have always been a rich repository of queer subtext. How else to explain all those too-close buddies and their serious lack of female companionship? (The[…]

Festivals & Awards · LGBT & Queer

0

Queers Without Fears: The 1998 San Francisco International Lesbian and Gay Film Festival

  • May 1, 1998

“Just as in real life, many of the characters in these works – fictional, real, or reconstructed – don’t fit a precise, undeviating profile.” There are encouraging signs in this[…]

Music & Musicals · Pre-Code · Reviews

0

What Kind of a Cowboy Are You? Eddie Cantor Goes West in Whoopee

  • May 1, 1998

“All Singing! All Dancing! All Color! All Racist!” Whoopee is a find, a treasure, a thing of beauty and a joy forever. Most of all it is a chunk of Flo[…]

Asian · Directors · Reviews

0

Kurosawa on Video: Stray Dog, The Bad Sleep Well, The Lower Depths

  • May 1, 1998

Three of Kurosawa’s scathing critiques of Japanese society past and present – in beautiful new video transfers. Akira Kurosawa has been seen as one of the three components of a[…]

Experimental & Underground · Festivals & Awards · LGBT & Queer

0

The Secret That Won’t Stay Hidden: Queer Innovators at the 1998 San Francisco International Lesbian and Gay Film Festival

  • April 1, 1998

In James Broughton’s Hermes Bird, a seven-minute close-up of a penis in various stages of arousal, the filmmaker reads a line from one of his poems: “This is the secret[…]

LGBT & Queer · Reviews

0

Bugis Street (Yonfan, 1995)

  • April 1, 1998

A bittersweet look at the daily lives of the tranny whores of a legendary red-light district of 1960s Singapore – with free make-up tips! This sweet, sad sketch of a[…]

Directors · Exploitation & Erotica · LGBT & Queer

0

Seduction Is Universal: Thoughts on Radley Metzger

  • April 1, 1998

The master of Euro-erotica is starting to get his due in recent revivals The “golden age” of porn during the ’60s and ’70s was more fool’s gold than real for[…]

Asian · Books · Exploitation & Erotica · Horror

0

Book Reviews: Video Premieres, Vampires on Video, Jackie Chan, Immoral Tales, Filmmaking on the Fringe, Horror and Science Fiction Films

  • November 1, 1997

VideoHound’s Vampires on Video, by J. Gordon Melton (Detroit: Visible Ink Press, 1997). Trade paper, $17.95, 335pp. ISBN 1-57859-002-7. Vampires continue to be an important fixture on the cultural landscape,[…]

Uncategorized

0

Seconds in Eternity: Experimental Film Master Gregory Markopoulos

  • November 1, 1997

Cinema’s long-lost “supreme erotic poet” has come back to the fold – briefly How does it happen that a filmmaker once lauded as “the American avant-garde cinema’s supreme erotic poet”[…]

Animation · Experimental & Underground · Reviews

0

A Crazy Cake: Jan Svankmajer’s Conspirators of Pleasure (1997)

  • November 1, 1997

Noodles up the nose, murdered dolls, toe-sucking fish – these are the hallmarks of Prague’s zaniest surrealist! Forget magic realism; this is magic surrealism, of the highest order. Czech filmmaker[…]

Music & Musicals · Reviews

0

Opera Queens: Werner Schroeter’s Love’s Debris (1996)

  • November 1, 1997

Thrill as the withered opera hags revisit their vital past! Scream as the mock-incestuous-lesbian sisters kiss and waltz! Shudder as hunky baritone Sergei Larin makes goo-goo eyes at a twink![…]

LGBT & Queer · Reviews

0

Queer Love: Neil Hunter and Tom Hunsinger’s Boyfriends (1996)

  • November 1, 1997

This sweet, sad queer ensemble piece from Britain surpasses its more pompous American counterparts. The bitchy, bittersweet gay ensemble movie of the pre-2000 era, e.g., The Boys in the Band or[…]

Reviews · Thrillers & Action

0

Marginalism in Andrew Davis’s The Fugitive (1993)

  • November 1, 1997

A bottle of “Black & Beautiful” hair dye gives Harrison Ford his ticket to the demimonde When I saw The Fugitive, I watched it with a particularly critical eye. Earlier,[…]

Reviews

0

Beautiful, Empty Spaces: Jean-Luc Godard’s Contempt (1963)

  • November 1, 1997

If Brigitte Bardot, Jack Palance, and Fritz Lang aren’t enough of a lure, how about all those beautiful empty spaces? Few observers at the time (1963) were prepared for Godard,[…]

LGBT & Queer · Reviews

0

Queer Kisses: The Cinematic Taboo Before 2000

  • November 1, 1997

What is it about the sight of two men kissing that drives Americans insane? Frank Oz’s In and Out can be read on one level as an attempt to relocate[…]

Asian · Reviews

0

Hong Kong Films, 1997: Enjoy Yourself To-Night, Final Justice, Midnight Zone, Once Upon a Time in China and America

  • November 1, 1997

“I refuse to fever in the lousy ballroom of Mongkok!” Hong Kong cinema is in clear disarray with the transfer to China, a star system in virtual collapse, talent dispersing[…]

Exploitation & Erotica · Producers & Studios · Reviews

0

Albert Zugsmith’s Opium Dreams: Confessions of an Opium Eater

  • November 1, 1997

Can one man’s brain contain Written on the Wind, The Incredible Shrinking Man, LSD, I Hate You!, and Confessions of an Opium Eater? If the man is Albert Zugsmith it could.[…]

SF & Fantasy

0

Future Imperfect: Sci-Fi’s Nationalist Narratives

  • November 1, 1997

The future’s no future, but that’s okay – your spaceship is almost ready! Science fiction is, inevitably, an American genre, its narratives – literary and cinematic – fueled by the[…]

  • « Previous Page
  • Next Page »
  • Links + BSA

    ProjectorScreen.com
    Shop ProjectorScreen.com for the best projectors and projector screens.
    YouTube to MP3
    Wholesale Home Audio Video
    • Weird Band Names
    • How to write a script for a TV show PDF
    • Marketing Enablement
      • TwitterTwitter
      • FacebookFacebook
      • InstagramInstagram
      • Google+Google+
      • RSSRSS

      © 2020 Bright Lights Film Journal | brightlightsfilm.com
      Online since 1996 | ISSN: 0147-4049
      a Studio Hyperset expression · Design by Irina Beffa · Theme Art by Jim McDermott
      Privacy