Bright Lights Film Journal

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Actors & Personalities · Interviews

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Interview with Louise Hassing, or Live Cinema

  • April 1, 2000

Dogme secrets revealed by Lars von Trier’s “most promising actress” The 17th International Short Films Festival of Aix en Provence, in December 1999, apart from the competition, focused on Scandinavian[…]

Experimental & Underground · Reviews

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George Kuchar’s Secrets of the Shadow World

  • April 1, 2000

What do Sasquatch droppings and flying saucers have in common? George Kuchar, of course. Underground film impresario Jack Stevenson tells the story of how George Kuchar dealt with a problem[…]

Activist & Political · Documentaries · Reviews

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Three Films by Richard Dindo: Grüninger’s Fall; Ernesto Che Guevara: The Bolivian Diary; Arthur Rimbaud: A Biography

  • April 1, 2000

The eminent Swiss documentarian looks at saints and sinners of history – without saying which are which “My films revolve around absence,” Swiss documentarian Richard Dindo has said, but the[…]

Directors · Noir · Reviews

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Three Films by Edgar G. Ulmer: Bluebeard, The Strange Woman, and Moon over Harlem

  • April 1, 2000

Making art in the most unlikely circumstances Edgar G. Ulmer (1904-1972) was one of many beneficiaries of the wave of auteurism that galvanized critics in France in the 1950s and[…]

Directors · Exploitation & Erotica · Reviews

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Graverobbers and Drag Queens from Outer Space! Four Ed Wood Greats on DVD

  • April 1, 2000

Plan 9 from Outer Space; Glen or Glenda; Jail Bait; Bride of the Monster One of my fondest memories of a communal movie experience is seeing my first Ed Wood[…]

Music & Musicals · Reviews

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Punk Girls on Film: Ladies and Gentlemen, the Fabulous Stains

  • March 1, 2000

The kids are not all right! Riot girls have a long and noble history that extends far back beyond Hole and Courtney Love. No doubt the experts in this realm[…]

Books

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Book review: Sin in Soft Focus, by Mark A. Vieira

  • January 14, 2000

Sin in Soft Focus: Pre-Code Hollywood, by Mark A. Vieira. (New York: Harry N. Abrams, Inc., 1999). Cloth, $39.95, 340pp. ISBN 0-81094-475-8 “Pre-Code” is the catchall term, now familiar to[…]

Books

0

Book review: The Werewolf Book, by Brad Steiger

  • January 14, 2000

The Werewolf Book: The Encyclopedia of Shape-Shifting Things, by Brad Steiger. (Detroit: Visible Ink Press, 1999). Trade paperback, $19.95, 397pp. ISBN 1057859-078-7 The werewolf, like most other monsters of folklore, has[…]

Books

0

Book review: Little Joe, Superstar, by Michael Ferguson

  • January 13, 2000

Little Joe, Superstar: The Films of Joe Dallesandro, by Michael Ferguson. Laguna Hills, CA: Companion Press, 1998. ISBN 1-889138-09-6, Trade paper, $18.95. Monique von Vooren was mesmerized by his “translucent skin”; Sylvia Miles called it[…]

Books

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Book reviews: The New Historical Dictionary of the American Film Industry; Joseph H. Lewis

  • January 13, 2000

The New Historical Dictionary of the American Film Industry, by Anthony Slide. Lanham, MD: Scarecrow Press,1998. Oversize hardcover, ISBN 0-8108-3426-X, 207pp, $55.00. Film dictionaries have become a genre unto themselves lately, and[…]

Directors · Exploitation & Erotica · Interviews

0

Roger Corman on New World Pictures: An Interview from 1974

  • January 1, 2000

Fun in the New World Corman founded New World in 1970; it was his second attempt to control production and distribution (after the ill-fated Film Group, which lasted a couple[…]

Directors · Experimental & Underground · LGBT & Queer

0

Laughing Pan: James Broughton

  • January 1, 2000

Ecstasy for all! says the pied piper of queer experimental film Every movement has its muses. James Broughton probably would have copped to being a muse, or perhaps more accurately,[…]

Crime · Noir · Reviews · Uncategorized

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Carol Reed’s The Third Man on Criterion

  • January 1, 2000

Good golly, Mr. Holly! In one of the many extras in Criterion’s sumptuous DVD presentation of Carol Reed’s The Third Man, Peter Bogdanovich calls the film “the greatest non-auteur film[…]

Reviews · Silents

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Denounced, Cut, and Burned: The Passion of Joan of Arc

  • January 1, 2000

The film suffered almost as much as Joan before arriving in a gorgeous DVD. In spite of the hype, DVD is more often promise than fulfillment. Many, perhaps most, of[…]

LGBT & Queer · Reviews

0

Life Is … Pretty Good: Hermine Huntgeburth’s The Trio

  • January 1, 2000

Criminal high jinks with a different kind of family Family, aka “the F word,” comes in many forms, or so says Hermine Huntgeburth’s bittersweet black comedy The Trio (1998). This[…]

LGBT & Queer · Reviews

0

Still Breathing: Ana Kokkinos’s Head On

  • January 1, 2000

Ari’s a mess – it’s in his kiss Ana Kokkinos’s debut feature Head On was one of the more distinctive entries in San Francisco’s 1999 Lesbian and Gay Film Festival,[…]

LGBT & Queer · Reviews

0

Lukas Moodysson’s Show Me Love

  • January 1, 2000

Teenage lesbians gleefully terrorize Sweden Mention teenage love and lust, and images immediately arise of tabloid TV shows and creepy Internet chat rooms overrun by drooling chicken hawks and FBI[…]

Crime · LGBT & Queer · Reviews

0

Hell in the Heartland: Boys Don’t Cry

  • January 1, 2000

These boys do, and so do the girls The credits for Boys Don’t Cry list “Killer Films” as one of the production companies, and that’s as apt a description of[…]

Experimental & Underground · Reviews

0

Wojciech Has’s The Saragossa Manuscript

  • January 1, 2000

The legendary head flick from the ’60s in a polished new print “Head movies” – those mind-bending epics like 2001 or El Topo that are supposedly best viewed under the[…]

Reviews · War

0

Worthy of the Slaughter? On Saving Private Ryan

  • January 1, 2000

It’s not just Ryan who needs saving. My friend Kevin and I were lingering over one too many bourbons. The jukebox was playing “What If God Was One of Us.”[…]

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