Bright Lights Film Journal

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Activist & Political · Reviews

0

Some Mother’s Son: Postcolonial, Postnational . . . Posthistorical?

  • July 1, 2000

A crash course in Anglo/Irish politics and America/Hollywood’s transformation of “the Troubles” for its own dubious purposes Part One The last decade has witnessed the emergence in Ireland of what[…]

Directors · Exploitation & Erotica · Interviews

0

“Not That I’m Horatio Alger”: Russ Meyer on The Supervixens

  • July 1, 2000

SuperRuss speaks! I interviewed Russ Meyer in 1974 at his office in Los Angeles. He answered the door himself, dressed in red jockey shorts with a strip of film dangling over his[…]

Noir · Reviews · Uncategorized

0

High Gallows: Revisiting Jacques Tourneur’s Out of the Past

  • July 1, 2000

Jacques Tourneur’s riveting 1947 film noir, usually ranked as one of the best of the genre, was adapted from Daniel Mainwaring’s evocatively titled novel Build My Gallows High (published under the name Geoffrey[…]

Noir · Reviews

0

Fritz Lang’s M on DVD

  • July 1, 2000

A textbook classic restored to perfection courtesy of Criterion The roots of noir go back to German Expressionism, and there’s no movie that’s more German, Expressionist, or noir than Fritz Lang’s masterful –[…]

Directors · Experimental & Underground

0

Wasted: Radical Filmmaker Ian Kerkhof in Brief

  • July 1, 2000

Western Civ gets a brutal debunking courtesy of this South African expat auteur The titles of Ian Kerkhof’s films are both seduction and warning about what to expect from the[…]

Actors & Personalities · Directors · Experimental & Underground · LGBT & Queer

1

Raging and Flaming: Jack Smith in Retrospect

  • July 1, 2000

New York’s pioneering campmeister’s flame still sears Not long ago, Fran Lebowitz invoked the sad-comic image of a sailor disembarking in New York, heading to Times Square, and experiencing total[…]

Directors · Experimental & Underground · LGBT & Queer

0

Home Movies from Hell: The Films of Luther Price

  • July 1, 2000

The master of Super-8 radical cinema takes us into the cave of the unknown, with extraordinary results The Super-8 camera and projector were once the beloved means by which postwar[…]

Documentaries · Festivals & Awards · LGBT & Queer

0

The 2000 San Francisco International Lesbian and Gay Film Festival: The Documentaries

  • July 1, 2000

Friendly Christians, bitter rent boys, and South Africa’s liberated queens are part of this year’s queer reality parade To some jaundiced eyes, documentaries have an inherent fascination and gravitas lacking[…]

Actors & Personalities · Reviews

0

Erin Brockovich: Easy on the Eyes, Brutal on the Brain

  • July 1, 2000

Julia Roberts has tits! It’s a well-known fact that Julia Roberts can turn the world on with her smile. When she puts her whole bod into it, the very heavens start to[…]

Experimental & Underground · Reviews

0

The Depths Described: Lawrence Brose’s De Profundis

  • July 1, 2000

Wilde’s infamous letter from prison becomes a springboard for a surreal queer experience De Profundis was the closest Oscar Wilde ever came to a queer apologia and defense, written as a[…]

LGBT & Queer · Reviews · Uncategorized

1

Second Chances: The Remake of Lillian Hellman’s The Children’s Hour

  • July 1, 2000

The 1960s brought back Hellman’s lesbian who vanished three decades earlier. But why does she die? “She found the lie with the ounce of truth.” – The Children’s Hour, film[…]

Directors · Reviews

0

Carl Dreyer: Day of Wrath, Ordet, Gertrud on VHS

  • July 1, 2000

The later masterworks of one of cinema’s titans in fine VHS transfers Film has always been considered something of a mongrel art form, inherently populist and therefore of dubious aesthetic[…]

Actors & Personalities · Documentaries · Exploitation & Erotica · Reviews

0

Sex: The Annabel Chong Story: A Documentary

  • July 1, 2000

Liberated porn queen or psychological wreck? You be the judge. In a demimonde as duplicitous as the porn world, it shouldn’t be too surprising to find that some of its players[…]

Reviews

0

American Psycho: If looks could kill, this dude wouldn’t need a blade

  • July 1, 2000

The year is 1987. Wall Street smoothie Patrick Bateman (Christian Bale) is preparing to meet the new day. As he anoints his buff-enough-for-Bay-Watch bod with an endless series of unguents, emollients,[…]

Activist & Political

0

Go Forth and Multiply: Abortion in Hollywood Movies of the ’90s

  • July 1, 2000

In spite of what you’ve heard, abortion was not an option in that decade’s mainstream Hollywood cinema Ah, movie magic. Hollywood always manages to make difficult situations turn out well after two[…]

Reviews

0

Black Cats, Urban Renewal, and Magic Windows: Paris in Recent French Cinema

  • June 1, 2000

The pleasures and pitfalls of cultural change, collectivism, and – oh yes, an unusual pair of cats As the new century begins, it is now possible to look back on[…]

Books

0

Book review: Out Takes, edited by Ellis Hanson

  • April 14, 2000

Out Takes: Essays on Queer Theory and Film, edited by Ellis Hanson (NC: Duke University Press, 1999), Trade paper, $19.00 U.S., ISBN 0-82232-342-7 Out Takes is the latest offering from Duke[…]

Books

0

Book review: Back Lot, by Maurice Rapf

  • April 14, 2000

Back Lot: Growing Up with the Movies, by Maurice Rapf. (Lanham, Md.: The Scarecrow Press, Inc., 1999). Cloth, $39.50. 211pp. ISBN 0-8108-3583-5 Maurice Rapf was a communist. He also forced[…]

Music & Musicals · Reviews

1

“A Third Party Might Spoil This”: The Gay Divorcee

  • April 1, 2000

Fred and Ginger get continental on your ass The Gay Divorcee1 is the quintessential Fred Astaire and Ginger Rogers movie. It’s not their best – largely because Ginger’s dancing skills[…]

Documentaries · Reviews

0

Turning to Stone: Black Tar Heroin: The Dark End of the Street (2000)

  • April 1, 2000

Going down in San Francisco’s street-kid heroin underground Behind the image of San Francisco as a creative epicenter and ultimate party town drawing talented, disaffected kids from around the country[…]

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