Activist & Political · African American · Directors · Reviews
“Do the Right Thing ends the morning after Radio Raheem’s death, but we have enough details to know how the rest of the narrative will play out. Radio Raheem was[…]
A respectable and due measure of column inches has been devoted to Pawel Pawlikowski’s latest film, Ida, but as the director himself has intimated, much of it has concentrated on[…]
“Certainly Kit’s story, like that of Charles Starkweather and indeed, that of Warshow’s gangsters, will end in his solitary demise, precisely because his actions have set him apart from others.[…]
“The notion that four nineteen-year-olds pledge to kill themselves if they, in essence, grow up, and then having grown up discover that adult life is nothing but misery and so[…]
Activist & Political · Asian · Reviews
“Something is rotten in the state of Kashmir” – Improvising Shakespeare’s Hamlet. It has taken rather long for a feature film set in Kashmir to get critical acclaim for its[…]
Activist & Political · Essays · Horror · Reviews · SF & Fantasy
There is a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can’t take part; you can’t even passively take part,[…]
Orson Welles’s Too Much Johnson is a youthful tribute to low comedy and reflects of his obsession with bygone times, cultural mores & means of expression.
Directors · Documentaries · Reviews · Writers & Critics
“Jodorowsky capitalizes on the cachet of exclusivity, the wonderful feeling of being one of the elite few who “get it,” and, in treating it like a source of esoteric wisdom,[…]
Note: Criterion has just released (August 12, 2014) Love Streams in a dual-format DVD/Blu-ray edition. See end of this article for details on extras. * * * “Every picture should[…]
This review of L.A. Confidential first appeared in Bright Lights in May 1998. We’ve always been fond of this piece, and are happy to repost it now, not least because[…]
“Based on the sample of crowdfunded films at BAM, “public” funding in a country where public, government funding for arts is rapidly diminishing and has long since paled in comparison[…]
Directors · Exploitation & Erotica · Horror · Reviews
“I can always make something work, if I have a camera.” – John Landis There are two John Landises. There’s the director equally at home with comedy as he is[…]
Activist & Political · Reviews
“As the divide between rich and poor became more extreme, late 20th-century cinema required a new approach to achieve the same end: portraying the existence of the wealthy elite as[…]
“Inherent to defamiliarization or riddling is, of course, a process of refamiliarization: as the film proceeds, we wish to see the strange normalized, the riddle answered. But in The House with Laughing[…]
“While I get Sam Goldwyn’s point about messages and Western Union, I think Shakespeare is always sending the same one: to overcome our worst weaknesses, first we must see them[…]
With such recent releases as The Perks of Being a Wallflower (2012), Moonrise Kingdom (2012), and The Spectacular Now (2013), there continues to be no shortage of movies about young[…]
Actors & Personalities · Reviews · TV & Streaming · Westerns
Today is actor Richard Boone’s birthday (June 18, 1917 – January 10, 1981). We’re celebrating it by reprinting Alan Vanneman’s pithy write-up (previously published in issue 48, May 2005) of[…]
“What befalls Veta can perhaps be justified as part of the film’s critique of psychiatry; after all, her unfortunate experience mocks the short-sightedness and arbitrary operation of the mental health[…]
“Everything goes on in the mind of a man who, nominally at least, has absolute power at court and who, until a few moments before, felt secure in the mutual[…]
“Godzilla has no anarchy or eccentricity, much less any experimental spirit or Japanese weirdness. Edwards is too preoccupied with turning the movie into something new, serious, and, worst of all,[…]
