Festivals & Awards · Uncategorized
“At a protest against the demolition of the historic Emek theatre, Nil was beaten and kicked by police offers. My fellow FIPRESCI juror, the excellent critic Berke Göl, was grabbed by the throat, punched, and arrested. Hundreds of other protestors — largely film critics, actors, and directors including festival guest Costa-Gavras — were subject to police force.”
“As Cyril’s frenetic movement appears to up the tempo of the film, the directors drastically slow down the pace by using long takes, and as little cutting as possible. It is amid the two contrasting tendencies that Cyril’s story finds the perfect narrative balance.”
“Don’t we most of all resent the person who helps?” — Victor Quinn
“Moorehead cannot pause to celebrate performances of Adele and the fabulous Shirley Bassey because they contradict her depiction of the Oscars as an unabated mudslide of anti-woman vulgarity; she does not discuss the implications of Michelle Obama’s appearance, either. Why?”
“Rupert Pupkin is uniquely a product of late capitalism near the close of the twentieth century; his fantasies reflect mass media’s ability to twist the real world into an insubstantial collection of images that mimic reality — the representation of self becomes more than the actual self, and it becomes impossible to tell the difference.”
“The film beautifully captures the slow decomposing of its characters by following a parallel process at the level of cinematic composition.”
“Indeed, if there is a single distinguishing feature of Beresford’s technique, it is a persistent evenhandedness that refuses to either exalt or vilify. In writing the screenplay for Breaker Morant, he explains, ‘I wasn’t interested in making these men out to be heroes. I wasn’t trying to whitewash the situation. What I was interested in was the moral responsibility in times of war.'”
The directorial personality of Michael Curtiz remains elusive, but his visual talent is indisputable. Look closely at the lighting and composition of these images from Mystery of the Wax Museum[…]
Hungarian-born filmmaker, Michael Curtiz (pictured with Joan Crawford, above), is considered by many to be one of the quintessential Hollywood directors – he is, after all, the man who[…]
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
“Caché lays bare a heavy psychological truth about the collective unconscious — without submitting to another perspective, we may not be able to recognize and acknowledge the abject parts of our own selves, even when they are clearly presented to us, hidden in plain sight.”
How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d.— Alexander Pope (As quoted by Mary [Kirsten Dunst])
“The bride is like a child who has found herself in a new body overnight. Different parts of her have been stained red, white, and gold; she bears all the carnal colors and signs — but what to do with them?”
“Aldo Raine is nothing more than Adolf Hitler wrapped in an American flag.”
“Renoir’s static images contain a great deal of emotional intensity — like that last lyrical shot of the sun setting in La Fille — and the sheer beauty of his two-dimensional compositions generates an emotional in volvement within the viewer (like that in the viewer of a painting) and a sense of emotional treatment of the romantic material within the frame, yet preserves an awareness of the existence of a larger world beyond the borders of the frame.”
“Spielberg’s post-millennial Lincoln epitomizes the more experienced politician’s awe for Justice (as distinguished from the malleable Law), which is to be sought by whatever means necessary and inevitably involves sacrifice, perhaps of one’s very soul. There’s more than a touch of Faust in this script.”
DVD & Blu-ray · Music & Musicals
“Passions, whether violent or not, must never be expressed to the point of exciting disgust, and as music, even in the most terrible situations, must never offend the ear, but must please the listener, or in other words must never cease to be music… .”
Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed . . . — from Percy Bysshe Shelley, “Ozymandias”
“It is a much starker contrast than, say, in Hitchcock’s London films of the same period, where the humorous grace notes of the urban everyday and a happy ending are balanced throughout by a recognition of the inherent instability and all-out terror of the same modernity that produces those grace notes.”
The James Bond series is ostensibly about a jet-setting spy drinking martinis with beautiful women and saving the world. Skyfall, the newest entry in the 007 franchise, is certainly glamorous[…]
