Directors · Drama · Interviews
Editor’s note: This is the second director interview by our correspondent Amir Ganjavie, this one conducted at the 2015 Toronto Film Festival. The film discussed, My Mother, is being released in the U.S.[…]
Shyamalan’s three films portray an imbalanced and endangered world; they engage to varying degrees with the imagery and anxiety surrounding terrorist attacks in the wake of September 11, 2001, while[…]
Dreams and Pistol Shots * * * From Leslie Halliwell to David Thomson, capsule reviews of Hitchcock’s Spellbound have made sure we know that the psychiatry on offer is pure[…]
Activist & Political · Essays · SF & Fantasy
To be a popular film, which is the intent of the Purge series, is to play into what an audience loves; and in the case of something it is not[…]
The new Ghostbusters seems quite pleased with itself, but it leaves the overwhelming impression that nobody involved really believed in it. Despite the original film’s numerous flaws and Bill Murray’s[…]
Drama · Essays · Writers & Critics
Today (July 20) is Cormac McCarthy’s birthday. He’s 83. We send birthday wishes his way by reposting Sophia Nguyen’s persuasive discussion of McCarthy and the book/film of The Counselor, which[…]
The common theme of these films is the peculiar connection between women and animals, and their shared devaluation in a hierarchical, male-dominated structure. It is, after all, not a coincidence[…]
Activist & Political · Drama · Essays · War · Writers & Critics
The response to The Deer Hunter amounted to a serious public debate over the Vietnam War that extended beyond film critics to engage a wide range of viewers. It wasn’t[…]
The box office and critical reaction to many of these film noirs varied wildly and widely, especially with viewers in the middle of the country. “The picture is too long[…]
It is this very concept of challenging traditional models and exposing not viscera but inconsistencies within societal constructs that makes The Machinist arguably one of the most horrifying films ever[…]
The Color Wheel has been criticized in some circles for having an improvisatory and unfocused structure, yet all the film’s major thematic concerns are explicitly introduced in its compact pre-credit[…]
In movieland, there is also the kind of coincidence where someone indeed has planned it, someone acting from behind the scene, manipulating appearances. In this case, a coincidence is a[…]
The homely, jowly face, dictatorial blatherings, and ragged leather chaps masked one of the great makers of modern cinema Few filmmakers lived their private lives more publicly than Rainer Werner[…]
Designers · Historical & Epic · Horror
The Witch thrives on its damning details. It seems authentically claustrophobic and austere. Threats to faith take their toll. The untouched surroundings and natural lighting allow each period detail revelrous[…]
Actors & Personalities · Exploitation & Erotica · Interviews
It’s time again to tip our hat to Pam Grier, who’s 67 today (born May 26, 1949), by reposting Steve Ryfle’s interview. Here the incomparable star of Foxy Brown and[…]
The subtle beauty of John M. Stahl’s early ’30s work is revealed by the exquisite 35mm prints screening at New York’s Museum of Modern Art in the series Universal Pictures: Restorations and[…]
Among Cahn’s champions is Dave Kehr, a curator at the Museum of Modern Art, who has programmed a four-week series (running through Wednesday, June 15) devoted to his tenure at[…]
Directors · Interviews · SF & Fantasy
The Lobster tries to look at how we are as people – what it means to be single, alone, or involved with someone and all of the constraints that society[…]
Directors · Drama · Interviews
For me, the idea of having an academy of muses is an impossible, if not ridiculous, idea; but, the discussions and debates that occurred among them struck me as fascinating,[…]
Asian · Directors · Documentaries · Interviews
Note: This interview was conducted in English during the Hong Kong International Film Festival in Sha Tin, Hong Kong, on 3 April 2016. The author wishes to thank Esther Yau,[…]
