Actors & Personalities · Music & Musicals
It’s Always Fair Weather? I’m Afraid Not: Gene Kelly and Cyd Charisse Say Good-bye to Broadway
What’s black and white and destroys Western Civilization?
Category: Music & Musicals
CJK’s Blu-ray of the Month: The Beatles HELP! (Richard Lester, 1965)
You might think that everyone knows the Beatles. But you would be wrong. When a couple of weeks ago I asked the clerk at Best Buy if they had the[…]
Essays · Historical & Epic · Music & Musicals
The Music of Words: Storytelling in Two Powell & Pressburger Films
“While Powell and Pressburger were masters of the classic show-don’t-tell method, they also daringly broke the rule by telling, not showing. Both techniques ultimately serve the same purpose. Despite the aesthetic of excess often attributed to the Archers’ films, they gain power by withholding certain elements, requiring the audience to supply what’s not there.”
DVD & Blu-ray · Music & Musicals
Opera Goes Blu, and So Should You: An Amateur’s Guide to Mozart’s Operas on Blu-ray
“Passions, whether violent or not, must never be expressed to the point of exciting disgust, and as music, even in the most terrible situations, must never offend the ear, but must please the listener, or in other words must never cease to be music… .”
“Where Are We Now?” A Still Life in Moving Frame
“I wish I was beside her but I’m not there, I’m gone” — from I’m Not There, Bob Dylan
Actors & Personalities · Music & Musicals · TV & Streaming
Fred’s on TV! But You Can’t See Him, Except on YouTube
Read about what you can’t see
Actors & Personalities · Music & Musicals · Reviews
Nothin’ but Legs! Fred and Cyd Go out Kicking in Cole Porter’s Silk Stockings
Sorry, folks, but this is the last dance
Composers · Directors · Music & Musicals · Noir
Clashing Harmonics: The Characteristics of Sound in Orson Welles’ Touch of Evil
“Welles familiarizes us with the geography of the town largely through source music. Los Robles is presented as a labyrinth, an inter-place where physical and moral borders are erased.”
Actors & Personalities · Music & Musicals · Reviews
Funny Face! Audrey Hepburn’s Fabulous Fifties Fashion Frolic! Also Starring Fred Astaire
Paris! Gershwin! Been there! Heard that!
Documentaries · Music & Musicals · Reviews
“I’m Glad I’m Not Me”: The Many Faces of Bob Dylan in Dont Look Back
“It comes as no surprise that Dylan, who has made a career out of dodging tidy classifications and labels, would be involved with a film that exhibits traits of both schools of cinéma vérité, rendering it as one of the most challenging and important works of the 1960s.”
Documentaries · Music & Musicals · Reviews
Docurama Bizarra: MELLODRAMA; ELEPHANT IN THE LIVING ROOM
A documentary on the weird world of Ohioans keeping dangerous wild animals as pets (it’s legal there), this film couldn’t be more timely in the light of recent events
Documentaries · Music & Musicals · Reviews
Who Took the Folk Out of Music? Everybody, It Seems
“How does Tibet’s cultural destruction differ, in essence, from Time-Warner’s choreographed glamorization of bitches and ho’s in inner-city America, or death metal’s hold over disenfranchised Midwestern youth?”
Actors & Personalities · Music & Musicals
Yeah, I’m 56 and She’s 24. What’s Your Point? Fred Astaire and Leslie Caron, frequently though not continuously irresistible in Daddy Long Legs
Come on, do the Sluefoot? That I can resist.
Music & Musicals · Writers & Critics
It Would Make John Waters Proud, But Shakespeare? Musical Spectacle and the Missing Bard in Hamlet 2
“Coogan’s representation of Jesus, ascending high above the audience, is far removed from the silly, sexy Jesus who sang to us earlier wearing a wife-beater.”
Documentaries · Music & Musicals
Out of His Head: Vikram Jayanti’s The Agony and the Ecstasy of Phil Spector
“I’m dealing in rock ‘n’ roll. I’m, like, I’m not a bona fide human being.” — Phil Spector
Directors · Interviews · Music & Musicals
Family Remains: An Interview with Lev Anderson and Chris Metzler on Documenting Fishbone in Everyday Sunshine
“Being middle-age rock and rollers, just trying to pay the bills, isn’t an easy lifestyle.”
Actors & Personalities · Music & Musicals
A Few Steps Shy of a Masterpiece: Fred Astaire and Cyd Charisse Apply Themselves in The Band Wagon
“She came at me in sections . . . she was bad . . . she was dangerous . . . she was my kind of woman.”
Perverse Pianists: How They Do It
“Aldridge’s shoot is so striking because it purports to discover glamour in the mind of an unhinged woman: an associative path that has been cut by cinema.”
Essays · Historical & Epic · Music & Musicals · Writers & Critics
Boris Godunov in America: Notes on a Meyerhold Production Resurrected*
“My God! — cried out a querulous voice within me — is it possible that we, artists of the stage, are doomed by the materiality of our bodies to eternal servitude and the representation of crude reality?” — Stanislavsky, questioning his Realistic method after a failed 1904 production of symbolist one-act plays by Maeterlink2 “The stage is art . . . There’s a genre painting by Kramskoy in which the faces are portrayed superbly. What would happen if you cut the nose out of one of the paintings and substituted a real one? The nose would be “realistic” but the picture would be ruined.” — Chekhov, explaining to an actor why offstage sounds of croaking frogs and buzzing dragonflies would not render a 1898 production of The Seagull more “realistic”3
Music & Musicals · Reviews · Uncategorized
The Runaways Get Bio-Picked
If the brief stardom of Buddy Holly and the even briefer star of Ritchie Valens should get the Hollywood biopic treatment, then why not the first all-girl balls-out rock act?[…]
