Comedy · Drama · Festivals & Awards
To Dust (dir. Shawn Snyder) “Isn’t that sweet,” I thought when I picked up my mother’s dropped pocket calendar. So many dates had names on them. Mom doesn’t want to[…]
I don’t like these three guys in this coffee shop either. I can’t help but compare them to the Ghostbox opportunists who were written to be disliked. That much –[…]
Drama · SF & Fantasy · Women in Film
Even as it has sunk like a stone commercially, Annihilation has drawn a flurry of passionate responses, mainly, it seems, from women writers. Many single out its admixture of beauty[…]
Designers · Drama · Women in Film
This is the second of two pieces on Phantom Thread. See Sam Ankenbauer’s different take in the previous post. * * * The articulation of female pleasure in The Phantom[…]
Note: This is the first of two reviews of Phantom Thread. Watch for Raymond De Luca’s take later this week. Each viewing paints old interactions in new colors, and the film thrives[…]
The internal structure of Lady Bird is, I think, unconsciously designed to evoke the monster mother and then deflect the daughterly hostility she provokes by turning things around to insist,[…]
Activist & Political · Drama · Essays
Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a[…]
Drama · LGBT & Queer · SF & Fantasy
As in romance novels, the excitement of sexual provocation is the heart of the story. It occupies two-thirds of the film: “His finger brushed mine” developed in fifteen stages. The[…]
Biopic · Directors · Drama · Experimental & Underground
“Hollywood oddballs are like everything else in Hollywood. Don’t look too close.” * * * Greg Sestero’s now reasonably famous book The Disaster Artist, co-written by Tom Bissell, is much[…]
Drama · Philosophy · SF & Fantasy
“I was the shadow of the waxwing slain By the false azure in the window pane. I was the smudge of ashen fluff – and I Lived on, flew on,[…]
Actors & Personalities · Drama · DVD & Blu-ray · Silents
What we see in Brooks and Beery on the screen is a mixup of the actors’ hardwired personalities and those contrived for their roles, but this is the sort of[…]
Wonderstruck seems a retreat from some of Haynes’ established themes, in that it’s not set in the fifties and, as a PG-rated, child-oriented adventure film, instead pursues the marvelous and[…]
Haynes spares us slack-jawed bug-eyed Spielbergian reactions shots, but he also denies us deep emotional engagement. The visuals shadow and overwhelm the actors as they wander the bustling Haynes-Selznick landscapes.[…]
Drama · Essays · Uncategorized
Isn’t something less reassuring and a lot more interesting going on – something more inclusive, diverse, and genuinely universal? * * * There are still too many human beings on[…]
Drama · Memoir · Religion & Spirituality · Women in Film
Both protagonists undertake a kind of “work of the self,” whereby they simultaneously come to terms with trauma – in one case, paternal betrayal, in the other, maternal abandonment by[…]
Peckinpah’s ethics and form are evinced best in his sixth film, Straw Dogs, where we also discover the key to his aesthetic of violence. David Sumner takes a sabbatical to Yorkshire,[…]
Trainspotting has been criticized as “pro-drug” for its flighty and pictorial depictions of heroin use, but I don’t think that’s even an issue. The grimy mundanity of the world surrounding[…]
Hitchcock’s one-word titles have never been so instructive. Psycho is the feeling of being preyed on by your self, as by one of Norman’s stuffed birds. It is the primal[…]
Biopic · Drama · Essays · TV & Streaming
“In keeping with Channel 40’s policy of bringing you the latest in ‘blood and guts,’ and in living color, you are going to see another first – attempted suicide.” –[…]
Keep the Change does something unusual, casting actors on the autism spectrum to play autistic roles. The strategy is already a success in its first outing – the film just[…]
