Directors · Drama · Interviews
“I try very hard to give the characters in my films a sense of humanity. I want this feeling for the audience that these characters exist outside of the frame.[…]
Drama · Interior Monologue · Letters
(interpolating material by Paul Simon, John Sebastian, Johnny Jewel, Johnny Mercer, Emily Jane Meluch, Conor Oberst, Jaret Ray Reddick, and Eddie Argos) * * * The weight of the world[…]
Drama · Historical & Epic · SF & Fantasy · TV & Streaming
It is a fascinating exercise to consume this show according to the twenty-first-century rules of binge-watching. As the hours pass and the on-screen death count rises, the sustained passivity of[…]
Absurdism · Comedy · Drama · Eastern European · Horror
The Cremator, only Juraj Herz’s second film, was adapted from a novel by Ladislav Fuks. It was well received, won a few awards, and was promptly banned for two decades[…]
Drama · Fashion · Noir · Women in Film
The fact that even if that zipper did come down it would simply reveal more dress, a never-ending vortex of clasps and corsets leading to nowhere, seems precisely what the[…]
Drama · Historical & Epic · Women in Film
Where Siegel goes sleazy and conflictual, Coppola goes subtle and sympathetic. Her direction (which won her the Best Director award at the Cannes Film Festival, making her only the second[…]
Cityscapes · Counterculture · Directors · Drama · Sex & Relationships
“I reckon LA as the noisiest, the smelliest, the most uncomfortable and most uncivilized major city in the United States. In short, a stinking sewer. . . .”1 – Adam[…]
Activist & Political · Asian · Drama · Societal Trends
Hu Bo leaves us suspended over this bleak interregnum – where the old has gone but the new is not yet born. His death too, leaves a similar blank spot.[…]
We can further associate the filmmaker, the man with whom we’ve placed our narrative trust, with the “psycho” of both the title and our typical image of one, the latter[…]
Drama · Melodrama · Pre-Code · Romance · War
James Whale’s Waterloo Bridge (1931) and Frank Borzage’s Little Man, What Now? (1934) depict human possibility in terms of what can transpire between two ordinary people, while holding out little[…]
Drama · Women in Film · Workplace
The dull humdrum of the office takes on a kind of bizarre poetry: you find yourself humming along to the copier, placing kitchen objects in patterned formations, making slightly stranger,[…]
Drama · Literature and Film · Russia · SF & Fantasy
While there can be no doubt Solyaris is no artistic masterpiece, the idea that it isn’t a product of its time is more complicated. To the extent that the film[…]
Edward is never really accepted for who he is by those around him, the persecution he is subjected to the result of a communal, warped worldview and individual biases, ranging[…]
With Portrait of a Lady on Fire, Céline Sciamma offers us an unexpectedly timely commentary on our present moment of social distancing, self-quarantines, and curfews. This film about cooped-up lovers,[…]
Celebrity Culture · Drama · Essays
While Rupert isn’t interested in a crisscross murder, he certainly wants Jerry to spot him a segment on Jerry’s show. This is more than a favor..And he appears to go[…]
In Joker, we see a reversal of Tarantino’s aesthetic, where a patently comic character, a joker with a clown face, is, by degrees, rendered tragic, or as near tragic as[…]
Drama · Religion & Spirituality · War
Overt spirituality is often undermined in this film by bizarrely comic episodes from everyday life. Certainly the most bizarre plot element concerns the Glue Man – someone who attacks young[…]
Drama · Essays · Women in Film
Show me one who loves; he knows what I mean. – St. Augustine * * * I’m sharing my favorite places with her outside my alma mater: bald, rolling fields[…]
Designers · Drama · Interviews
We were really careful in coming up with the look of Howard’s world to make assumptions about how old he was when he would’ve formed his taste, and what that[…]
Drama · Essays · Urban Conflict
Our nation has persisted in this state for so long that when we watch Taxi Driver, we always watch it with John Hinckley. It is a film that forces us[…]
