Crime · Directors · Thrillers & Action
“Claude Chabrol,” David Thomson wrote in his 2010 obituary, “is the kind of figure who could be reclaimed after death.” Very well, then – four years later there is still[…]
Crime · TV & Streaming · Writers & Critics
“The end has already happened, and all Rustin Cohle and Marty Hart can do is arrange the bodies in a pattern that makes them look less like bodies, more like[…]
While Bullitt (1968) is better known for its extended automobile chase sequence through the streets of San Francisco, the film is also a carefully written detective story in the same[…]
Crime · Exploitation & Erotica · Reviews
This is a film from the era of Bernhard Goetz, Curtis Sliwa and the Guardian Angels, and of course, Charles Bronson finding himself facing muggers wherever he may go.
“Studies like this misunderstand the basic use of cinematic myth (which includes action films) as a ceremonial exercise in psychic catharsis, meant to appease the angry darkness of the masculine unconscious.
“Kahaani captures this moment of rising disillusionment and change in the world. There is no ‘riding-into-the-sunset’ happy ending, for Vidya still remains an unhappy widow at the close of the movie: perhaps an appropriate resolution for these angsty times.”
“In Fargo, a milieu of livid pettiness and stunted lives, capitalist migraines, and psychotic rampages prevails beneath the veneer of cheesy, Norman Rockwellian Middle America.”
Activist & Political · Crime · Essays
“I don’t want to be a product of my environment. I want my environment to be a product of me.” – Frank Costello (Jack Nicholson) in The Departed
“This film is about process, about transitory states, about the journey in between the grimy Chicago pool halls that serve as Vince and Eddie’s intellectual and physical training grounds.”
“While Altman’s description of the detective and his generic milieu as it evolved by the early 1970s works up to a point, the idea that his film closes a genre fails under examination. Such a position misjudges the primary pleasure derived from the American detective film, and misinterprets the satisfaction The Long Goodbye’s ending provides when set within this pleasure and these films.”
Crime · Essays · Historical & Epic
“Putting aside whatever doubts the FBI had about its image in these films, the two films represent one of the many fascinating permutations of the gangster film in the studio era, with the heroic FBI agent acting in a manner befitting an upstanding American, yet able to shift gears and punch out a gangster.”
“There’s something curiously remote and cool at the center of it, something slightly out of focus that makes this melodrama rather ambiguous and hard to assemble.”
“Putting the pain back into violence is Friedkin’s real achievement in The Hunted, and indeed his unfashionable, irony-free approach helps explain why the film never found its audience in a decade where torture porn induced new depths of numbness in viewers.”
Crime · Essays · Exploitation & Erotica
“The issues surrounding The Child Molester have become only more ambiguous: despite its cheesy retro aesthetics, it allows no room for nostalgic reflection at how far attitudes have progressed or how much things have changed.”
And Claude Rains.
Crime · Drama · Exploitation & Erotica
Take your seats for a “dark-hearted, midnight fantasia of ecstatic sadism, voyeurism and psychosis”!
Animation · Crime · TV & Streaming · Westerns
“When you come at the king, you best not miss.”
Crime · Silents · Thrillers & Action
“The shadow of Mabuse falls over the 1926 Soviet adventure serial Miss Mend, too, but without the angst and gloom of Lang’s Der Spieler.”
“The film suggests the denial of the common worker, whose service to industry is only as worthy as his social status.”
Crime · Historical & Epic · Reviews
“The Grenouille of the film experiences an emotional epiphany that does not bring him humanity, but at least makes him yearn for its possibilities.”
