Fellini’s Society Rehearsal: Orchestra Rehearsal Reconsidered
In which “Fellini takes us beyond our frailties and chaos”
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In which “Fellini takes us beyond our frailties and chaos”
Actors & Personalities · Directors · Reviews
Garfield wraps it up in this 1941 prole drama based on a Group Theatre production
Hogan’s Hero becomes Rerun Victim in a few delirious years.
As Bergman goes, so go attitudes toward European art cinema.
The title is a little too accurate
Directors · Experimental & Underground
Those crazy “cut-ups” Burroughs, Gysin, and Balch restored to their rightful place in avant-garde film history Preface This is the first serious critical study to contextualize the films of Burroughs,[…]
Directors · Experimental & Underground · Interviews · Visual Artists
“I have been making art for 50 years and have never allowed myself to be corrupted. Quite the opposite, I was locked up.” – Otto Mühl As I tremulously reflect[…]
Criterion serves up two more deep-dish DVDs from yesteryear Sullivan’s Travels (1941) Hollywood’s self-exams are usually dipped in acid: What Price Hollywood?, A Star is Born, Sunset Boulevard, The Bad[…]
Two of the most elusive auteurs tell all, or at least some. ROBERT BRESSON: WITHOUT A TRACE A documentary about Robert Bresson (1901?-1999), with the director cooperating – indeed, appearing[…]
Ida Lupino: Mother of Us All! “Any rocks up there to give you a problem, darlin’? Now, Walter baby, while we’re here we might as well take the posse through.[…]
Actors & Personalities · Directors · Silents
“Why are they all ugly little men?” asked Cindy, after I’d dragged her to three solid weeks of Charlie Chaplin, Buster Keaton, Harry Langdon, and Harold Lloyd at a silent[…]
“A brain full of razor blades and a heart full of chutzpah” In his screenplay for The Fortune Cookie (1966), Billy Wilder, who has died at age 95, described ‘Whiplash[…]
“While the first Superman film, directed by Richard Donner (on which Lester served as an uncredited producer), is essentially reverential and respectful towards the subject, Lester’s attitude in his second[…]
Has Tarantino gone underground or is he revving up to zap the box office with another mega hit? Another whole year has gone by and still no new film from[…]
African American · Directors · Producers & Studios
For many black auteurs seeking distribution, working around the system has proven as rewarding – and necessary – as working within it Since the popularity and commercial success of films[…]
This movie master is still busy after all these years Few artists in the history of the medium have mastered their craft so well as has filmmaker Robert Wise. The[…]
Directors · Essays · Producers & Studios · Reviews
Opening the Eyes Wide Shut censorship battles for a close look A recent viewing of Eyes Wide Shut (1999) on HBO reminded me when, three summers ago, I had counted[…]
Three features, a documentary, and a rare short showcase the peculiar pleasures of the late Russian director “Surrealism,” “incitement to suicide,” and my favorite, “traffic in art objects leading to[…]
Directors · Horror · Interviews
Wit and wisdom from the man who created one of cinema’s most enduring genres JOHN WISNIEWSKI: Your background in academics was quite different from that of your partner David Friedman.[…]
Directors · Experimental & Underground · Reviews
Free-associating with a master of free cinema “Free cinema” has the dull ring of an oxymoron. The extreme level of control required and the mass of pressures that collide in[…]
