Constructive Empathy: Speaking About Magnus, Cannes 2007
“People can die without love.” The boy is unloved. Magnus has the dead expression of depression as he walks around his Estonian town, stopping in on his selfish vulgar mother,[…]
Category: Directors
Artists · Directors · Producers & Studios · Reviews
Nearer My Corman to Thee: Roger Corman Remembers, and Roger Corman Remembered
Give us another naked nurse and some more explosions! Roger Corman, who turned 81 in April 2007, has assured his place in the history books several times over. As fast[…]
Our Time of Troubles: Ken Loach on War, Irish History, and The Wind That Shakes the Barley
“But I was accused of enjoying walking up and down the red carpet! Their rage knew no bounds.” Now 70, British director Ken Loach has for over 40 years made intimate, compelling,[…]
Twin Piques: Church and Bourgeoisie in Buñuel
That Obscure Agent of Misanthropy? Un Chien Andalou (1929), the “surrealist masterpiece” made in collaboration with Salvador Dali was, in one sense, a new sugar-free version of Rene Clair’s original[…]
Caveh Zahedi’s PSA: Talking with the Auteur of I Am a Sex Addict
“Not only is it personal — it’s downright embarrassing.” Fourteen years in the making and spanning eighteen years, Caveh Zahedi’s I am a Sex Addict, despite a lukewarm reaction upon[…]
Artists · Directors · Movies · Reviews
Inherit the Wind: Talking with Peter Bogdanovich and Joseph McBride About The Other Side of the Wind
Life with the restless ghost of Orson Welles’ last movie In 1970, after two decades of European exile broken only by his brief return in 1957-58 to make Touch of[…]
The Reckless Art of Erich von Stroheim Part One: The Pinnacle
“Like every other skilled fabulist on earth there would forever be a part of Stroheim that truly believed his own fantasies.” 1. True Fake Nobleman Somewhere between his departure from[…]
The Peculiar Kind: The Humor of Funny Ha Ha and Mutual Appreciation
“People are constantly falling back on their beds — but always in languor, never in passion . . .” It’s difficult not to be grateful to a film that introduces you to six or[…]
Welcome to the Modern World: Program Notes for a Michelangelo Antonioni- Jack Arnold Film Festival
“As much as the landscape is a character in It Came From Outer Space, it dominates Antonioni’s L’Avventura . . .” The surprising affinities between the careers of Italian “art film” director Michelangelo[…]
What Time Now? Catching Up Hours in Tsai Ming-liang
What is the best way of placing a body? The opening scenes of The River (1997) are spent trying to make a body move and work in a realistic way. A film[…]
Actors & Personalities · Artists · Directors · Interviews · Movies
What’s Wrong with Fast Food? A Conversation with Richard Linklater and Eric Schlosser on Fast Food Nation
With additional comments by Catalina Sandino Moreno and Ethan Hawke Introduction The distributor’s website describes Richard Linklater’s Fast Food Nation, a dramatic feature based on Eric Schlosser’s best-selling book, as[…]
Artists · Directors · Interviews · Movies · Reviews
Returning to Life: Talking with Almodovar, Penelope Cruz, and Carmen Maura at Cannes
“I do not have the serenity of women. But I admire it.” Pedro Almodovar’s new film Volver (Return) features an unusual number of deaths. Penelope Cruz, in the best performance[…]
The Departed: Crime All the Time
Scorsese gets all Irish on our asses, and it works I admit it. I thought Marty had lost it. I thought he had gone all lazy and cute and Hollywood,[…]
“How My Brain Works”: An Interview with Michel Gondry
“I didn’t want to live under the shadow of other films. I want to exist on my own.” Introduction Like a mashup of cinematic countrymen Georges Melies and Jacques Tati,[…]
Acts of Revenge: Director Park Chan-wook Discusses Lady Vengeance and More
Grand Guignol, Korean style Introduction One of Korea’s most commercially successful young directors, Park Chan-wook is a polarizing figure in the disputatious world of international film circles. Though most acknowledge[…]
Directors · Experimental & Underground
Abstract Film Palimpsests: On the Work of Rey Parla
pa·limp·sest: n., Writing material (as a parchment or tablet) used one or more times after earlier writing has been erased; something having usually diverse layers or aspects apparent beneath the[…]
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