Scattered pleasures and frequent irritations As someone who has followed Atom Egoyan’s career closely since his pre-Exotica days, viewing his most recent feature films has been an intensely ambivalent experience.[…]
This one’s got it all, including the kitchen sink Kurosawa’s cinema is large in every sense of the word. He often spent a year or more on preparation, sometimes had[…]
Directors · Music & Musicals · Producers & Studios · Reviews
Come and meet those dancing feet, and pianos, and buildings, and . . . Give the nearest Warner Home Video executive a big hug. The company has at last remastered[…]
On the madness of Dr. Gene When I was a child and life was simple, one of my favorite forms of entertainment on the dawn of a dreary Sunday morning[…]
“Godard 24 times per second” “I need a day to tell the history of a second, a year to tell the history of a minute, a lifetime to tell the[…]
Glory Road? Make that Dead End. The first time I knew race was more of an influence than a seven-foot center was when I went to support the Villanova basketball team[…]
Bwaaaaah! There’s a whole new wave of sensitive guy films emerging in the last few years, a wave that finally begins to recede (hopefully) with the stunning failure of Cameron[…]
Cinema’s supreme pictorialist surrenders to “the cop on the beat” Wallace Beery was always a strange case. An outstanding character actor throughout the silent era and the early sound period,[…]
“Who doesn’t want to be rescued by their narrator?” Sometimes a film’s camera takes you on one track, while its music sends you on another, wider one: it offers you[…]
Actors & Personalities · Directors · Silents
“I was never young, and if you were never young, how can you ever feel old?” Towards the end of Follow Me, Boys! (1966), a particularly obnoxious piece of Walt[…]
“Just put your sneakers on and go. Go on the journey.” New York native Barbara Kopple has been a vital and socially progressive voice in documentary filmmaking for the past[…]
“Nothing is so transient as sanity and safety . . .” Free from his past and sufficiently angry to wage war, Germain enlists Vorzet’s talents as psychiatrist — he believes[…]
“All of us have these hidden moments in our lives . . .” “I wish you a disturbing evening!” This is how Michael Haneke, who won Best Director award at[…]
Asian · Directors · Interviews
And other tasty subjects Fruit Chan’s Dumplings provoked unprecedented attention at the 2005 Melbourne International Film Festival, first and foremost because of its controversial and idiosyncratic narrative, but also because[…]
The body beautiful meets the body besieged Leni Riefenstahl and Fred Wiseman, though rarely grouped together, are in a category apart from most documentary filmmakers in that they both used[…]
“It’s a spring break party 24/7 365 days a year!” Bobby Abate In his online bio, queer avant-garde filmmaker Bobby Abate compares himself to Britney Spears. Like her, he says,[…]
Activist & Political · Directors · Documentaries · Reviews
On Dream Girls, The Day I Will Never Forget, Divorce Iranian Style, Shinjuku Boys, Gaea Girls, and Runaway The combination of reality TV and George W. Bush’s ascendancy (one wants[…]
Directors · Exploitation & Erotica · LGBT & Queer
“The whole world wears a jockstrap!” One of the late George Sanders’ greatest contributions to culture was found in an interview with Rex Reed (in the book Conversations in the[…]
On Manderley and more Most directors at Cannes you can meet at their hotels lining the boardwalk, for a Perrier and an interview. Not Lars von Trier, the director of[…]
