Megan Feeney has a PhD in American Studies from the University of Minnesota and recently (2019) published Hollywood in Havana: US Cinema and Revolutionary Nationalism in Cuba before 1959 with the University of Chicago Press. 
Essays · Feminism · Women in Film · Work and Workplace
Sarah is a good astronaut because she is a mother, not in spite of it. And she is a good mother because she is a good astronaut. If Sarah were[…]
Even the languid pace Cuarón uses throughout the film seems to want to elevate the (feminine and domestic) virtue of soul-nurturing stillness over the (masculine) trait of destructive freneticism. Some[…]
“Sadly for Lou, Margot just isn’t a long-term kind of gal. The promise of what she could have is so much more tantalizing than what she has. Daniel represents a perpetual new day, seemingly existing only at dawn for much of the film.”
