Gordon Thomas, trained as a painter, is a photographer living in Jamaica Plain, Massachusetts with his wife. Film has fascinated and worried him ever since, as a small child, he saw Godzilla in 1954. 
Activist & Political · African American · Essays · Historical & Epic · Silents
D. W. Griffith died on July 23, 1948. To commemorate this seminal figure in cinema history, we repost BLFJ regular Gordon Thomas’s deep dive, which first appeared in 2016, into[…]
DVD & Blu-ray · Historical & Epic · Reviews
“What do such large loose baggy monsters, with their queer elements of the accidental and the arbitrary, artistically mean?” – Henry James, from the preface of his novel The Tragic[…]
Composers · Historical & Epic · Reviews · Silents
This is an updated and revised version of Gordon Thomas’s article first posted in Bright Lights in May 2006, reposted to celebrate Easter. * * * Bigger is better this[…]
Look Back in Anger (Tony Richardson, 1959); The Entertainer (Tony Richardson, 1960); Saturday Night and Sunday Morning (Karel Reisz, 1960); A Taste of Honey (Tony Richardson, 1961); The Loneliness of[…]
Actors & Personalities · Drama · DVD & Blu-ray · Silents
What we see in Brooks and Beery on the screen is a mixup of the actors’ hardwired personalities and those contrived for their roles, but this is the sort of[…]
Comedy · Directors · Drama · DVD & Blu-ray · Silents
From his very beginnings as a filmmaker, Griffith understood the efficacy of location shooting. Putting actors into real landscapes and streets not only went to authenticating the narrative but had[…]
Counterculture · Documentaries · DVD & Blu-ray · Music & Musicals
“BOB: Well, you always know who you are. I just don’t know who I’m gonna become.” – Sam Shepard. True Dylan: A One-Act Play as It Really Happened One Afternoon in[…]
Books · Drama · DVD & Blu-ray
What’s remarkable, in both book and film, is how the metafictional elements do not detract from our emotional investment in the straightforward fiction. Where Fowles’ interjected commentary and authorial intrusions form[…]
Actors & Personalities · Silents
Note: Gordon Thomas’s review of the DVD set The Olive Thomas Collection, first published on November 1, 2005, is also a provocative profile of one of Hollywood’s most fascinating early scandals/tragedies. To[…]
The House of Mystery (Volkoff, 1921-23), Dziga Vertov: The Man with the Movie Camera and Other Restored Works (Vertov, 1924-1934), Joan the Woman (DeMille, 1916), and The Marriage Circle (Lubitsch,[…]
DVD & Blu-ray · Essays · Historical & Epic · Writers & Critics
He was the spectator at his own drama, like a person at a play he doesn’t understand. – Victor Hugo1 “On the other hand, I don’t want to do Petronius[…]
What’s in the bag is Marcello Clerici, and the bag, not surprisingly, is empty. * * * Upon its release in 1970, how many of us were prepared for The[…]
Actors & Personalities · DVD & Blu-ray · Silents
Chaplin, Mabel Normand, Mack Sennett, Harry Langdon, W. C. Fields, Ben Turpin – the gang’s all here. Flicker Alley, a home video company founded in 2007, is not solely dedicated[…]
DVD & Blu-ray · Reviews · Silents
For many of us, cinema long ago replaced religion, but why not combine the two by celebrating Easter with a reading of Gordon Thomas’s study of King of Kings, part “un” of[…]
Following up on the author’s previous Phantom piece, here he discusses Mary Philbin’s innocence, Lon Chaney’s dedication, and the larger implications of Norman Kerry’s “roving hands.” Written by Philip J.[…]
DVD & Blu-ray · Reviews · Silents
“Erik, like Darth Vader, is much more interesting with as little backstory as possible.” — Mike Gebert, Nitrateville, site administrator1 When fairy tales, literature, and the movies hand us a[…]
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases Foolish Wives (Erich von Stroheim, 1922) Reading that the initial cut of Foolish Wives ran[…]
Historical & Epic · Reviews · Silents
“If head and heart are united, harmony can exist even in the midst of strife. Let them come into opposition, however, and chaos enters from which there is no escape and no conclusion possible except a tragic one.” — Francis G. Gentry. “Triuwe and Vriunt in the Nibelungenlied.” Amsterdam: Rodopi: 1975. p. 45.”Perception is everything. It turns villains into heroes and victims into collaborators.” — Hilary Mantel. “A Change of Climate.” New York: Henry Holt and Company: 1997. p. 317.
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
An ongoing column that looks at some of the most intriguing of recent, under-the-radar releases
