Actors & Personalities · French Cinema
Delphine Seyrig: The Eternal Return
“Seyrig is capable of stopping an entire film with one decisive physical gesture, one smile, one glare, one sound from her smoky, murmuring voice.”
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Actors & Personalities · French Cinema
“Seyrig is capable of stopping an entire film with one decisive physical gesture, one smile, one glare, one sound from her smoky, murmuring voice.”
Actors & Personalities · Dance · Dancers · Hollywood · Music & Musicals
He is transfixing just walking across the screen in his first movie, Dancing Lady (1933), where he partners Joan Crawford and looks as if he could fly if he wanted[…]
Actors & Personalities · Pre-Code · Sex & Relationships · Women in Film
West is a born outlaw, a queen of the underworld who knows that two and two are four but five will get you 10 if you know how to work[…]
“Isn’t it extraordinary that the most popular character ever written should apparently be defeated by life instead of transcending it?”
Actors & Personalities · Directors · Drama · Women in Film
“[H]er favorite expression of strained intensity would be less quickly relieved by a merciful death than by Ex-Lax.”
Note: One of our favorite actresses, Margaret Sullavan, was born on May 16, 1909, which means she’d be 111 if she’d lived. Not that she’d necessarily have wanted to, as[…]
“I’m a girl who loves to be manhandled! After all, what are a few contusions or abrasions if you get the man you love?”
Mary Astor was born May 3, 1906 and died September 25, 1987. In honor of this superb star, who was also a gifted novelist and memoirist and a sexually adventurous free-thinker[…]
Actors & Personalities · Comedy
“Life isn’t short enough . . .” Laurel in Sons of the Desert (1934)
Actors & Personalities · Silents
“Valentino said there’s nothing like tile for a tango!” — Norma Desmond to Joe Gillis in Sunset Boulevard (1950)
“I have been in films pretty well everything I am dedicated to fighting against.”
“She hovered somewhere between the realest of realities and the most blatant of impersonations.”
“Where on the screen I aminvariably a sonofabitch, in life I am a dear, dear boy.”
“In Boyer, self-belief and theatrical technique are seamlessly fused together.”
Actors & Personalities · Music & Musicals
“This MGM movie is studio-system filmmaking at its most protective, and it’s designed entirely to showcase Leslie Caron …”
Artists · Directors · Movies · Reviews
“Ingmar can’t fully follow his own gloomy party line as he stares at this simple, oblivious, wondrous creature.” Ingmar Bergman’s late chamber piece Autumn Sonata was released in 1978, the[…]
Actors & Personalities · Artists
“You’d never get tired of having her around, because she’d always be someone else for you.” The reasons for Irene Dunne’s continuing, undeserved obscurity are fairly well known. Nearly all[…]
Most critics have approached Werner Herzog’s latest film Rescue Dawn with qualifying kid gloves, as if it would be impolite to question a late work from such a grand old[…]
“Funny, tender, a little neurotic, a little erotic, and always spontaneous …” A Foreign Affair (1948) is a blunt Billy Wilder comedy set amid the ruins of Berlin, and it’s[…]
In four films, two for Alfred Hitchcock (Rope {1948} and Strangers on a Train {1951}), one for Nicholas Ray (They Live by Night {1948}) and one for Luchino Visconti (Senso[…]